There is nothing but anger in the house of anger. I said, "No!"

The crow cawed, saying, "Sister, fetch water, water of the spring!" Then it flew out through the burning wall of the house. Just as it went, it looked back at me with a man's face, beautiful and strong, with curly, fiery hair streaming upward. Then the walls of fire sank down into the walls of the Serpentine heyimas where I was sitting drumming on the three-note drum. I was still drumming, but a different pattern, a new one.

After that vision, I was called Flicker; the scholars agreed that it's best to use the name that that Grandmother gives you, even if you don't do what she says. After that vision, I went up to the Springs of the River, as Crow had said to do; and after it I was freed from my fear of my desire.

The central vision is central; it is not for anything outside itself; indeed there is nothing outside it. What I beheld in the Ninth House is, as a cloud or a mountain is. We make use of such visions, make meanings out of them, find images in them, live on them, but they are not for us or about us any more than the world is. We are part of them. There are other kinds of vision, all farther from the center and nearer to the mortal self; one of those is the turning vision, which is about a person's own life. The vision in which that Grandmother named me was a turning vision.

The Summer came, and the people came down from Chukulmas. My brother of the Serpentine did not ride his roan horse in the races; a girl of the Obsidian of Chukulmas rode that horse, and he rode a sorrel mare. The roan stallion won all races and was much praised. After that summer he would race no more, but be put to stud, they said. I did not ride, but watched the races and the games. It is hard to say how I felt. My throat ached all the time, and I kept saying silentiy inside myself, goodbye, goodbye! But

So in the heat of the summertime I went with Tarweed upriver, to the Springs of the River at Wakwaha.

On the Mountain I lived in the host-house of the Serpentine, and worked mostly as electrician's assistant at odd jobs around the sacred buildings and the Archive and Exchange. In the morning I would come outdoors at sunrise. All beyond and below the porch of that house I would see a vast pluming blankness, the summer fog filling the Valley, while the first rays of the sun brightened the rocks of the Mountain's peaks above me, and I would sing as I had been taught:

"It is the Valley of the puma,

where the lion walks,

where the lion wakes,

shining, shining in the Seventh House!"

Later, in the rainy season, the puma walked on the Mountain itself, darkening the summits and the Springs in cloud and gray mist. To wake in the silence of that rainless, all-concealing fog was to wake to dream, to breathe the lion's breath.

Much of each day on the Mountain I spent in the heyimas, and at times slept there. I worked with the scholars and visionaries of Wakwaha at the techniques of revisioning, of recounting, and of music. I did not practice dancing or painting much, as I had no gift for them, but practiced recalling and recounting in spoken and written language and with the drum.

I had, as many people have, exaggerated notions of how visionaries live. I expected a strained, athletic, ascetic existence, always stretched towards the ineffable. In fact, it was a dull kind of life. When people are in vision, they can't look after themselves, and when they come back from it, they may be extremely tired, or excited and bewildered, and in either case, need quietness without distractions and demands. In other words, it's like childbearing or any hard, intense work. One supports and protects the worker. Revisioning and recounting are much the same, though not quite so hard.

In the host-house I fasted only before the great wakwa; I ate lightly, with some care of which foods I ate, and drank little wine and watered it. If you are going into vision or revision, you don't want to keep changing yourself and going in a different way - through starving one time, the next time through drunkenness, or cannabis, or trance-singing, or whatever. What you want is moderation and continuity. If one is an ecstatic, of course it's another matter; that is not work but burning.

So the life I led in Wakwaha was dull and peaceful, much the same from day to day and season to season, and suited and pleased my mind and heart so that I desired nothing else. All the work I did in those years on the Mountain was revisioning and recounting the vision of the Ninth House that had been given me; I gave all I could of it to the scholars of the Serpentine for their records and interpretations, in which our guidance as a people lies. They were kind, true kin, family of my House, and I at last a child of

The Grass was late in the third year I lived in Wakwaha. Some days after it ended and some days before the Twenty-One Days began, I was about to go up the ladder of the Serpentine heyimas when Hawk Woman came to me. I thought she was one of the people of the heyimas, until she cried the hawk's cry, "kiyir, kiyir!" I turned, and she said, "Dance the Sun upon the Mountain, Flicker, and after that go down. Maybe you should learn how to dye cloth." She laughed, and flew up as the hawk through the entrance overhead.

Other people came where I was standing at the foot of the ladder. They had heard the hawk's cry, and some saw her fly up through the entrance of the heyimas.

After that I had neither vision nor revision of the Ninth House or any house or kind.

I was bereft and relieved. That terrible grandeur had been hard to bear, to bring back, to share and give and lose over and over. It had all been beyond my strength, and I was not sorry to cease revisioning. But when I thought that I had lost all vision and must soon leave Wakwaha, I began to grieve. I thought about those people whom I had thought were my kinfolk, long ago when I was a child, before I was afraid. They were gone, and now I too must go, leaving these kinfolk of my House of Wakwaha, and go live among strangers the rest of my life.

A woman-living man of the Serpentine of Wakwaha, Deertongue, who had taught me and sung with me and given me friendship, saw that I was downcast and anxious, and said to me, "Listen. You think everything is done. Nothing is done. You think the door is shut. No door is shut. What did Coyote say to you at the beginning of it all?"

I said, "She said to take it easy."

Deertongue nodded his head and laughed.

I said, "But Hawk said to go down."

"She didn't say not to come back."

"But I have lost the visions!"

"But you have your wits! Where is the center of your life, Flicker?"

I thought, not very long, and answered, "There. In that vision. In the Ninth House."

He said, "Your life turns on that center. Only don't blind your intellect by hankering after vision! You know that the vision is not your self. The hawk turns upon the hawk's desire. You will come round home and find the door wide open."

I danced the Sun upon the Mountain, as Hawk Woman had said to do, and after that I began to feel that I must go. There were some people living in Wakwaha who sought vision or ecstasy by continuous fasting or drug taking, and lived in hallucination; such people came not to know vision from imagination and lived without honesty, making up the world all the time. I was afraid that if I stayed there I might begin imitating them, as Deertongue had warned me. After all, I had gone wrong that way once before.

I went back to my mothers' household in Telina-na. My uncle had married and moved out, so I had his small room to myself; that was a good thing, since my cousin had married and had a child, and the household was as crowded and restless as ever. I went back to work with my father, learning both theory and practice with him, and after two years I became a member of the Millers Art. He and I continued to work together often. My life was nearly as quiet as it had been in Wakwaha. Sometimes I would spend days in the heyimas drumming; there were no visions, but the silence inside the drumming was what I wanted.