Looking around now, he saw the others from the Blue Ward. There was George DeVille, who had murdered his wife and four children one winter night in 1962. George's head was studiously bent, his white hair blowing in the breeze, snot running gaily out of his nose, his huge wooden crucifix bobbing and dancing as he hoed. There was Jimmy Donlin, and all they said in the papers about Jimmy was that he had killed his mother in Portland during the summer of 1965, but what they hadn't said in the papers was that Jimmy had tried a novel experiment in body-disposal: by the time the cops came Jimmy had eaten more than half of her, including her brains. 'They made me twice as smart,' Jimmy had confided to Henry one night after lights-out.

In the row beyond Jimmy, hoeing fanatically and singing the same line over and over, as always, was the little Frenchman Benny Beaulieu. Benny had been a firebug — a pyromaniac. Now as he hoed he sang this line from the Doors over and over: 'Try to set the night on fire, try to set the night on fire, try to set the night on fire, try to — '

It got on your nerves after awhile.

Beyond Benny was Franklin D'Cruz, who had raped over fifty women before being caught with his pants down in Bangor's Terrace Park. The ages of his victims ranged from three to eighty-one. Not very particular was Frank D'Cruz. Beyond him but way back was Arlen Weston, who spent as much time looking dreamily at his hoe as he did using it. Fogarty, Adler, and John Koontz had all tried the roll-of-quarters-in-the –fist trick on Weston to try and convince him he could move a bit faster, and one day Koontz had hit him maybe a little too hard because blood came not only from Arlen Weston's nose but also from Arlen's ears and that night he had a convulsion. Not a big one; just a little one. But since then Arlen had drifted further and further into his own interior blackness and now he was a hopeless case, almost totally unplugged from the world. Beyond Arlen was —

'You want to pick it up or I'll give you some more help, Henry!' Fogarty bawled over, and Henry began to hoe again. He didn't want any convulsions. He didn't want to end up like Arlen Weston.

Soon the voices started in again. But this tune they were the voices of the others, the voices of the kids that had gotten him into this in the first place, whispering down from the ghost-moon.

You couldn't even catch a fatboy, Bowers, one of them whispered. Now I'm rich and you'rehoeing peas. Ha-ha on you, asshole!

B-B-Bowers, you c-c-couldn't c-catch a c-c-cold! Read a-any g-g-good b-b-books since you've been in th-there? I ruh-ruh-wrote lots! I'm ruh-ruh-rich andy-you're in Juh-Juh-hooniper Hill! Ha-ha on you, you stupid asshole!

'Shut up,' Henry whispered to the ghost-voices, hoeing faster, beginning to hoe up the new pea– plants along with the weeds. Sweat rolled down his cheeks like tears. 'We could've taken you. We could've.'

We got you locked up, you asshole, another voice laughed. You chased me and couldn't catch me and I got rich, too! Way to go, banana-heels!

'Shut up,' Henry muttered, hoeing faster. 'Just shut up!'

Did you want to get in my panties, Henry? another voice teased. Too bad! I let all of them do me, I was nothing but a slut, but now I'm rich too and we're all together again, and we're doing it again but you couldn't do it now even if I let you because you couldn't get it up, so ha-ha on you, Henry, ha-ha all OVER you —

He hoed madly, weeds and dirt and pea-plants flying; the ghost-voices from the ghost-moon were very loud now, echoing and flying in his head, and Fogarty was running toward him, bellowing, but Henry could not hear. Because of the voices.

Couldn't even get hold of a nigger like me, could you? another jeering ghost-voice chimed in. We killed you guys in that rockfight! We fucking killed you!! Ha-ha, asshole! Ha-ha all over you!

Then they were all babbling together, laughin g at him, calling him banana –heels, asking him how he'd liked the shock-treatments they'd given him when he came up here to the Red Ward, asking him if he liked it here at Juh-Juh –hooniper Hill, asking and laughing, laughing and asking, and Henry dropped hi s hoe and began to scream up at the ghost-moon in the blue sky and at first he was screaming in fury, and then the moon itself changed and became the face of the clown, its face a rotted pocked cheesy white, its eyes black holes, its red bloody grin turned up in a smile so obscenely ingenuous that it was insupportable, and so then Henry began to scream not in fury but in mortal terror and the voice of the clown spoke from the ghost-moon now and what it said was You have to go back, Henry. You have to go back and finish the job. You have to go back to Derry and kill them all. For Me. For —

Then Fogarty, who had been standing nearby and yelling at Henry for almost two minutes (while the other inmates stood in their rows, hoes grasped in their hands like comic phalluses, their expressions not exactly interested but almost, yes, almost thoughtful, as if they understood that this was all a part of the mystery that had put them here, that Henry Bowers's sudden attack of the screaming meemies in West Garden was interesting in some more than technical way), got tired of shouting and gave Henry a real blast with his quarters, and Henry went down like a ton of bricks, the voice of the clown following him down into that terrible whirlpool of darkness, chanting over and over again: Kill them all, Henry, kill them all, killthem all, kill them all.

2

Henry Bowers lay awake.

The moon was down and he felt a sharp sense of gratitude for that. The moon was less ghostly at night, more real, and if he should see that dreadful clown– face in the sky, riding over the hills and fields and woods, he believed he would die of terror.

He lay on his side, staring at his nightlight intently. Donald Duck had burned out; he had been replaced by Mickey and Minnie Mouse dancing a polka; they had been replaced with the green-glowing face of Oscar the Grouch from Sesame Street, and late last year Oscar had been replaced by the face of Fozzie Bear. Henry had measured out the years of his incarceration with burned-out nightlights instead of coffee-spoons.

At exactly 2:04 A.M. on the morning of May 30th, his nightlight went out. A little moan escaped him — no more. Koontz was on the door of the Blue Ward tonight — Koontz who was the worst of the lot. Worse even than Fogarty, who ha d hit him so hard in the afternoon that Henry could barely turn his head.

Sleeping around him were the other Blue Ward inmates. Benny Beaulieu slept in elastic restraints. He had been allowed to watch an Emergency rerun on the wardroom TV when they came in from hoeing and around six o'clock had begun jerking off constantly and without let­up, screaming Try to set the night on fire! Try to set the night on fire! Try to set the night on fire! ' He had been sedated, and that was good for about four hours, and then he had started in again around eleven when the Elavil wore off, whipping his old dingus so hard it had started to bleed through his fingers, shrieking 'Try to set the night on fire!' So they sedated him again and put him in restraints. Now he slept, his pinched little face as grave in the dim light as Aristotle's.

From around his bed Henry could hear low snores and loud ones, grunts, an occasional bedfart. He could hear Jimmy Donlin's breathing; it was unmistakable even though Jimmy

slept five beds over. Rapid and faintly whistling, for some reason it always made Henry think of a sewing machine. From beyond the door giving on the hall he could hear the faint sound of Koontz's TV. He knew that Koontz would be watching the late movies on Channel 38, drinking Texas Driver and eating his lunch. Koontz favored sandwiches made out of chunky peanut-butter and Bermuda onions. When Henry heard this he had shuddered and thought: And they say all the crazy people are locked up.