"I've met men I'd like to castrate," she noted, staring at me.
"Also on a practical level, it made men think twice before fighting the Ethiopians. Better than nuclear deterrence, right? But on a more primal level, it was meant to shame and dishonor soldiers who surrendered, who violated an ancient code of warrior courage and conduct-no guts, no manhood. Emasculate them, then send them back to their wives and their girlfriends in shame." I looked at her. "Who do you think handled the castrations?"
"Let me guess… their women?"
"Not only that, this punishment was conceived by Ethiopian women. Forgive me if this sounds sexist, but females do tend to be more creatively vindictive."
"Good point. Remember that." She smiled for a moment, then said, "And you're saying this explains why a woman was sent to handle this? Or at least that it offers insights about how a woman chose to handle it?"
"I'm saying she took great risks and went to considerable lengths to choreograph his murder in a way that is certainly unique. We already concluded that she probably went out with him before last night, partly as a reconnaissance, to get to know her victim, to- forgive the pun-to size him up, and maybe to design his murder." I noted, "The manual calls it staging. In other words, maybe this was more personal, and more stylized, than we assumed."
"Okay… that could be. It might even be a lead." She thought about this a moment, then suggested, "We should check his charge-card records. See where he went over the last few weeks. Restaurants, movie theaters, that kind of thing. Maybe somebody will remember seeing them together."
"Yes, we definitely should."
"It sounds like there's a 'but' behind that."
I nodded. "But that would be a careless mistake on her part. Too obvious. I have the sense this lady was neat and tidy."
"As in, maybe she paid? Or they went someplace that didn't require an expenditure of money?"
"There's a novel concept. A woman who doesn't expect an expensive dinner before amore."
She pushed a finger into my arm. "Because she intended to kill him."
I smiled back. "I mentioned earlier that the method of a suicide often conveys a message. That can apply as well to murder. Serial killers, for instance, usually employ signature methods. Understand that method, and you have insight into the unique pathology of the individual."
"I've read the literature on it."
"Good. So what message was she sending? Re-create."
"I told you, I don't think like that."
"Perversion, cruelty, and lust are your weapons. Think like a pissed-off woman, Bian. This man did something personal, something so infuriating that, for you, or for the person who enlisted you, a simple death isn't satisfying enough. Something more is required. Eternal humiliation."
She looked at me a moment, then said, "Then she really hated him. A burning, passionate hatred."
"Go on."
"Okay. Here's what I think. I don't think she was sent by anyone, I think this was her own vendetta. From the beginning, obviously she was seducing him, not the other way around. The act of seduction was a phase, a necessary act of her revenge. As hateful and repulsive as she found him, she was in control of the situation, and the act of fornication, for her, was just that-compulsory, symbolic, gratifying. They were making love, in his mind; in hers, she was just fucking him."
"A form of betrayal, right?"
"That might be how she thought of it. What creature is it that… that mates and… you know?" She shrugged.
"The black widow."
"Yes, the black widow-it has sex then slays the male."
"Right. She exterminates her mate from the gene pool, ensuring the male will never cheat on her, will never produce competing offspring."
"But this is obviously different. That's sex as genetic survival. Sex can also be a contest for domination." She went silent for a moment, then suggested, "I would bet she made him beg for it, made him grovel."
"You think?"
"Why not? Some women do it to men they love."
"Why?"
"A primal exertion of power. Men are physically stronger, but women have a counterbalance-a vagina, and permission. The pleading, the degradation restores the balance. A sexual yin and yang. He's not in control. She is."
"Wow."
"You asked how a woman thinks. I'm telling you some women do think, and do act, that way. I'm not saying I approve of it-I don't-yet it's not uncommon. Is it abnormal or deviant? What is normal and healthy when it comes to sex?"
As tempting as it was, I let that one alone and asked, "But there's more, isn't there?"
"Well… give me a moment." She looked thoughtful for a while, then said, "Okay, let's deal with the final act. She got him excited… erect, actually, and then she killed him, and positioned him to appear like he was engaged in masturbation. Perhaps there's a message there."
"Another act of domination?"
"I… I don't think so. I think her need for domination was culminated when they first had sex. This was… well, I think she was, as you suggested, choreographing his humiliation. Perhaps she did make him beg a little, but if so, it was no longer for her own enjoyment, her own fantasy fulfillment. Now she was manipulating his lust as a sculptor shapes clay before the carving." She looked at me. "I don't know what he did to her, but in her mind, his final death scene may have equated with that act."
"His nakedness… his erection… death on a bed… the bullet through his head… what?"
"Without knowing what he did to deserve this, I have no idea." It was interesting that she used those words-"to deserve this"-yet that went to the heart of the motive, and that was what we needed to focus on. His killer, or whoever sent her, was enacting a retribution. Like the Ethiopian woman lopping off the Mr. Johnsons of their enemies, this was the killer performing her own idea of castration. Bian looked at me and added, "There's really no way of telling, is there?" She asked, "Where do you think she is now?"
It was a good question and I considered it a moment. "If I had to guess, probably she left the country the morning after Cliff's murder. Maybe from Dulles, or maybe she drove to Baltimore or Philly to widen the trail."
Bian concluded, "Then we'll never find her."
"They all make mistakes, Bian. You just have to find that mistake."
"You really believe that?"
"I know it."
CHAPTER SIXTEEN
We reentered the office, and Dandy Don was chatting with Phyllis, something about a trip to Paris and a restaurant on the Avenue de Who-gives-a-shit where he enjoyed something that in his words was exquisite, called fwa grass, which apparently is not something you mow; it's something you eat. Why did I not like this guy? I held out the coffee cup to Don. "I thought you might want coffee."
He looked taken back by my generosity, but accepted the cup. "Well… uh, sure."
Before Bian could get out a warning, he took a long sip and- "Shit!"-gooey black stuff sprayed out all over the tabletop. He slammed down the cup and stared at me. "You're not as funny as you think, Drummond."
Wanna bet?
An odd sound exploded from Phyllis's throat, a hiccup or maybe a choked laugh. Evidently she didn't like Don either. This was good to know.
After an awkward moment, she explained to Don, "Drummond takes a little getting used to."
This might have been the understatement of the day.
Bian was giving me a look that said, "Grow up." I mean, I'm trying to protect her virtue, to show her what a phony putz Donny Boy is before he starts humping her leg.
I smiled at her. She looked away.
Don, however, had now concluded that Sean Drummond was the class clown, which was what I wanted him to believe. I often do this to witnesses on the stand. I never cease to be amazed at the stupid things people will say when they think you're stupid.