The discovery of his infidelity—which she made by accident—destroyed such remnants of self-satisfaction as her life might yet possess. She broke down utterly and sobbed and cried in Perfetta's arms. Perfetta was kind and even sympathetic, but cautioned her on no account to speak to Gino, who would be furious if he was suspected. And Lilia agreed, partly because she was afraid of him, partly because it was, after all, the best and most dignified thing to do. She had given up everything for him—her daughter, her relatives, her friends, all the little comforts and luxuries of a civilized life—and even if she had the courage to break away, there was no one who would receive her now. The Herritons had been almost malignant in their efforts against her, and all her friends had one by one fallen off. So it was better to live on humbly, trying not to feel, endeavouring by a cheerful demeanour to put things right. “Perhaps,” she thought, “if I have a child he will be different. I know he wants a son.”

Lilia had achieved pathos despite herself, for there are some situations in which vulgarity counts no longer. Not Cordelia nor Imogen more deserves our tears.

She herself cried frequently, making herself look plain and old, which distressed her husband. He was particularly kind to her when he hardly ever saw her, and she accepted his kindness without resentment, even with gratitude, so docile had she become. She did not hate him, even as she had never loved him; with her it was only when she was excited that the semblance of either passion arose. People said she was headstrong, but really her weak brain left her cold.

Suffering, however, is more independent of temperament, and the wisest of women could hardly have suffered more.

As for Gino, he was quite as boyish as ever, and carried his iniquities like a feather. A favourite speech of his was, “Ah, one ought to marry! Spiridione is wrong; I must persuade him. Not till marriage does one realize the pleasures and the possibilities of life.” So saying, he would take down his felt hat, strike it in the right place as infallibly as a German strikes his in the wrong place, and leave her.

One evening, when he had gone out thus, Lilia could stand it no longer. It was September. Sawston would be just filling up after the summer holidays. People would be running in and out of each other's houses all along the road. There were bicycle gymkhanas, and on the 30th Mrs. Herriton would be holding the annual bazaar in her garden for the C.M.S. It seemed impossible that such a free, happy life could exist. She walked out on to the loggia. Moonlight and stars in a soft purple sky. The walls of Monteriano should be glorious on such a night as this. But the house faced away from them.

Perfetta was banging in the kitchen, and the stairs down led past the kitchen door. But the stairs up to the attic—the stairs no one ever used—opened out of the living-room, and by unlocking the door at the top one might slip out to the square terrace above the house, and thus for ten minutes walk in freedom and peace.

The key was in the pocket of Gino's best suit—the English check—which he never wore. The stairs creaked and the key-hole screamed; but Perfetta was growing deaf. The walls were beautiful, but as they faced west they were in shadow. To see the light upon them she must walk round the town a little, till they were caught by the beams of the rising moon. She looked anxiously at the house, and started.

It was easy walking, for a little path ran all outside the ramparts. The few people she met wished her a civil good-night, taking her, in her hatless condition, for a peasant. The walls trended round towards the moon; and presently she came into its light, and saw all the rough towers turn into pillars of silver and black, and the ramparts into cliffs of pearl. She had no great sense of beauty, but she was sentimental, and she began to cry; for here, where a great cypress interrupted the monotony of the girdle of olives, she had sat with Gino one afternoon in March, her head upon his shoulder, while Caroline was looking at the view and sketching. Round the corner was the Siena gate, from which the road to England started, and she could hear the rumble of the diligence which was going down to catch the night train to Empoli. The next moment it was upon her, for the highroad came towards her a little before it began its long zigzag down the hill.

The driver slackened, and called to her to get in. He did not know who she was. He hoped she might be coming to the station.

“Non vengo!” she cried.

He wished her good-night, and turned his horses down the corner. As the diligence came round she saw that it was empty.

“Vengo . . .”

Her voice was tremulous, and did not carry. The horses swung off.

“Vengo! Vengo!”

He had begun to sing, and heard nothing. She ran down the road screaming to him to stop—that she was coming; while the distance grew greater and the noise of the diligence increased. The man's back was black and square against the moon, and if he would but turn for an instant she would be saved. She tried to cut off the corner of the zigzag, stumbling over the great clods of earth, large and hard as rocks, which lay between the eternal olives. She was too late; for, just before she regained the road, the thing swept past her, thunderous, ploughing up choking clouds of moonlit dust.

She did not call any more, for she felt very ill, and fainted; and when she revived she was lying in the road, with dust in her eyes, and dust in her mouth, and dust down her ears. There is something very terrible in dust at night-time.

“What shall I do?” she moaned. “He will be so angry.”

And without further effort she slowly climbed back to captivity, shaking her garments as she went.

Ill luck pursued her to the end. It was one of the nights when Gino happened to come in. He was in the kitchen, swearing and smashing plates, while Perfetta, her apron over her head, was weeping violently. At the sight of Lilia he turned upon her and poured forth a flood of miscellaneous abuse. He was far more angry but much less alarming than he had been that day when he edged after her round the table. And Lilia gained more courage from her bad conscience than she ever had from her good one, for as he spoke she was seized with indignation and feared him no longer, and saw him for a cruel, worthless, hypocritical, dissolute upstart, and spoke in return.

Perfetta screamed for she told him everything—all she knew and all she thought. He stood with open mouth, all the anger gone out of him, feeling ashamed, and an utter fool. He was fairly and rightfully cornered. When had a husband so given himself away before? She finished; and he was dumb, for she had spoken truly. Then, alas! the absurdity of his own position grew upon him, and he laughed—as he would have laughed at the same situation on the stage.

“You laugh?” stammered Lilia.

“Ah!” he cried, “who could help it? I, who thought you knew and saw nothing—I am tricked—I am conquered. I give in. Let us talk of it no more.”

He touched her on the shoulder like a good comrade, half amused and half penitent, and then, murmuring and smiling to himself, ran quietly out of the room.

Perfetta burst into congratulations. “What courage you have!” she cried; “and what good fortune! He is angry no longer! He has forgiven you!”

Neither Perfetta, nor Gino, nor Lilia herself knew the true reason of all the misery that followed. To the end he thought that kindness and a little attention would be enough to set things straight. His wife was a very ordinary woman, and why should her ideas differ from his own? No one realized that more than personalities were engaged; that the struggle was national; that generations of ancestors, good, bad, or indifferent, forbad the Latin man to be chivalrous to the northern woman, the northern woman to forgive the Latin man. All this might have been foreseen: Mrs. Herriton foresaw it from the first.