Carl raised his Smith, putting it in the guy's face.

"You want to fuck with us?"

Montez said, "You want to get paid?"

Art said, "You have it?"

Montez said, "You get it when you suppose to."

Art walked up to him raising the Sig Sauer in his right hand, got Montez looking at it and hit him in the face with a left hook, hard. It staggered Montez but didn't put him down. Art said, "You don't show up with it the day after tomorrow, Smoke, we'll find you."

Montez worked his jaw but didn't touch it with his hand, staring at them like he was deciding whether to stay in the game or get out. What he said was, "Go on take something, the silver, those old paintings, take something, anything you want."

Carl had that feeling again that bothered the hell out of him. "You want it to look like a robbery."

"A home invasion," Montez said, "that went bad. You come in thinking nobody's home-"

"Come in," Carl said, "and a fuckin party's going on. A surprise party. Nothing wrong with the old man. Has a broad with him. You show up in your pinstripe suit, start telling us what to do: Why you want him dead anyway?"

"'Cause he's old, tired of his misery. You want the truth, it was his idea. Go out with a bang."

"I get old, I hope I'm this fuckin miserable," Carl said. "Watch a football game with a naked broad. What do you get out of this? You don't pay fifty grand to get hold of his suits."

"How about the next time," Montez said, "we skip the conversation. I hand you the money, you don't even have to thank me."

Carl wanted so bad to shoot him he had to keep the Smith stiff-armed at his side, telling himself to take it easy. The sound from the TV went off. He heard Art say, "Twenty-one sixteen," and then, "there's your vodka," and Carl grabbed it out of the ice bucket, a brand he'd never heard of.

Going out to the hall Art said, "I remember that Rose Bowl like it was last week, Michigan finally taking one."

Carl said, "I almost shot that jig."

"I know what you mean," Art said. "He sure has a mouth on him." At the door he aimed his piece at Montez, still in the living room, and reminded him of the day after tomorrow. Montez yelled at them to break the glass. Outside, Art smashed a pane with his gun and said to Carl, "You think the cops'll buy it?"

Carl said, "It ain't our problem."

11

Delsa said, "Your driver's license," handing it to her in the foyer. They both had their coats on now; he was taking her home.

She said thanks, but didn't look at it until Delsa turned to the door as the uniformed cop, the one who first questioned her upstairs, came in from outside and she checked the license, Chloe's, and slipped it into her coat pocket. She heard the uniformed cop say now was a good time, the chief had shown up and the TV crews were all over him. Delsa told her to stay close to him.

They went out the door and walked past the police cars in the drive to the street where video cameras were aimed at the Chief of Police of the City of Detroit and round black microphones were held in front of him. Kelly said, "What's he doing here?" Still feeling a confident buzz, talkative. Delsa said he was making an appearance. Kelly said, "Yeah, but why?" Delsa said she'd have to ask the chief that one. They walked past the TV news trucks to a dark blue four-door facing this way. Delsa unlocked his door and she walked around to the other side and got in. They were quiet until Delsa turned onto Jefferson, heading toward downtown now. Kelly said, "It's not far." He said River Place. They were quiet until he turned toward the river. Coming to the complex of old buildings revamped, headlights on red brick walls and tall oval windows, he said the Stroh Brewery headquarters was right here. He said Stroh's used to be the most popular beer in town but he never cared for it much. "You want history?" Kelly said. "The building I'm in used to be Parke-Davis, where aspirin was first made. I could use a couple right now." Delsa said he was thinking of looking for an apartment downtown, closer to the job. Kelly said, "You have a family?" He said no. Then told her his wife had passed away. Kelly said, "Oh, I'm so sorry," and wanted to ask about her but wasn't sure how to do it. They stopped in front of her building and he said he'd like to go in with her, look at her friend's things if it was okay. Kelly said, "Of course." He said he needed to learn everything he could about her. She said, "Well, if I can help:" She had to remind herself Frank Delsa was a homicide detective and quit thinking about his cool dark eyes and the quiet way he spoke. They got out of the car that was like an icebox, the heater still blowing cold air. Kelly opened Chloe's bag now to find the keys.

Her hand came out with all kinds of keys and a St. Christopher medal on a silver ring. She fingered through them wanting to see a front door key, please, that looked like hers. She found it, walked up to the entrance with him, put the key in the lock, tried to turn it: She said, "I must still be a little blitzed, I can't even pick the right key," and knew it was the wrong thing to say. Delsa waiting, watching her, Delsa saying why not let him try, and took the keys from her. He chose one, slipped it in the lock and opened the door. Kelly said, "Hey, you're good with keys." Sounding stupid and thinking, Keep your fucking mouth shut, okay? Jesus. They rode the elevator to the fourth level. In front of Kelly's door now he wanted to see if he could do it again. He unlocked the dead bolt, no problem; Kelly not exactly wide-eyed, more like the dumb girl watching. He tried two keys in the spring lock before the door opened. She said, "How do you do that?" Sounding amazed, still the dumb girl. She couldn't help it. He told her you try to match the key to the lock. "And if that doesn't work," Kelly said, "kick the door in?" He was a nice guy, he smiled. But then asked why she had so many keys. Yeah, well: "They seem to accumulate," Kelly said. "Two or three, I don't even remember what they're for. Well, I do-one's for the locker downstairs, but I don't store anything in it. Another one gets you up on the roof. There's a sundeck:" Talking to be talking, filling the silence as he watched her.

He held up the ring of keys and picked out the ones he had used. "This is your front door key, and these are for your apartment, your loft. Okay?"

Smiling again, still the nice guy.

But the smile this time telling her he knew who she was.

Then why didn't he come out and say it?

Delsa, in no hurry, wanted her to tell him.

He followed her into a brick foyer and along a hall of closets, doors to a study, a bathroom. She snapped a switch and track lighting came on over the living area. She said, "Both the bedrooms are over here. The kitchen's over there and everything else is in between."

Everything being whatever two girls with style and money wanted, half a basketball court in muted tones and splashes of bright color, plants and weird paintings, a soft look to the rumpled sofa, chairs with bamboo arms, bare windows in brick walls, red Orientals on the tan-painted concrete floor, a ficus that filled a corner and reached almost to the ductwork in the fifteen-foot ceiling, a round dining table with a slate top, an exercise bike, a tiled counter separating the kitchen. Delsa took it all in before his gaze returned to the dining table and the mail and magazines waiting there.

"You don't have a computer?"

"In the study."

He had to ask, "How much does a loft this size go for?" She told him four hundred, and he said, "Four hundred thousand?" even though he knew it was what she meant-for the corner of an old laboratory where they used to make aspirin. He said, "It's nice," nodding his head.