"He said to tell you he'll be back in plenty of time for the train business tomorrow."

When he let the others know what happened Fuentes shook his head, saying, "I told him the man wouldn't pay." He did not think they would ever see Tyler again. Virgil let him think wtmt he wanted. He announced America was now at war with thee dons and that stirred everybody up, got them firing their weapons into the air.

After that, Islero's fellas sat down to clean and reload their pieces, and sharpen their machetes. They had long ones for when they charged on horseback, short ones for close-in fighting and some machetes that looked like meat cleavers. Islero and some others were fixing dynamite charges, dropping the sticks into three-foot sections of bamboo, then sealing them up with a primer inside attached to a roll of electric wire.

Virgil heard that during the night Islero had moved his Krupp fieldpiece to bear on a Spanish blockhouse guarding the approach to a place called Guanabana, a few miles east of here. Virgil asked Islero how come and Islero said, "To draw flies." Which didn't make sense to Virgil.

Dinner being over, the curandera, a woman who looked about a hundred years old, fixed Virgil a plate at Islero's table: calalfi, which was cornmeal and pork, and masango, boiled corn. She liked Virgil and would pat his shoulder acting motherly, saying what sounded like "Good boy," when he cleaned his plate. Neely Tucker came over while he was eating.

Neely agitated, sitting down on the bench across from Virgil and then getting up to pace back and forth by the table. What was upsetting him: "First Islero says he's gonna attack Matanzas, time it for when the New York starts shelling the fort."

"Yeah…?"

"Now he says they can't count on the fort being shelled. And if it isn't, his men will be at the mercy of a superior force and get cut to pieces. But the real reason, he wants that hostage money more'n he wants glory. So he's playing the sure thing; and maybe for his own benefit, if you know what I mean."

This was something Virgil already knew, what Amelia Brown suspected and Tyler had mentioned to him. So he said, "Yeah…?" not yet seeing the point. "What do you want me to do about it?"

"Go to Matanzas with me," Neely said. "Help me cover the biggest engagement of the war."

"It only started two days ago."

"And already we're in action," Neely said. "The New York will have gunboats with her, most likely a torpedo boat, maybe even a monitor. I need to witness the event from shore, see what the Spanish do. And then H1 have to leave Cuba in order to file my story."

"How you gonna do that?"

"Signal a gunboat to pick me up. Tyler was telling me you know semaphore, how to wave flags to send a message?"

"He told you that?"

"Said in prison you spelled his name for him."

"Yeah, but what you're talking about-Jesus Christ, a battle's going on. You think a ship'll come in under enemy fire to pick you up?"

"An American on Cuban soil," Neely said, "with a story to tell the people back home. How our navy, our fighting marines, are on the attack and by God nothing's gonna stop them. Isn't that worth a try, Virgil?"

By mid-afternoon of the twenty-sixth, Tavalera's 2d Corps was manning the San Severino ramparts facing the American ships: three of them now, one identified as the armored cruiser New York, another said to be the Puritan, a monitor with a giant smokestack and four 12-inch rifles. The ships were somewhat eakt of the fortress, lying off the Punta, where artillery was still being moved into place.

Late that evening Tavalera left the fortress and rode a short distance to a cottage only a few blocks from the south shore in a poor section of Matanzas known as Pueblo Nuevo. A mulatta he called Isabela Catelica, his black queen, lived here awaiting his visits to the city, to pour his whiskey, to make love to him, to listen as he told her secrets from his soul he told no one else.

"In the morning an emissary of the governor will take a launch out to the American flagship to ask if they intend to bombard the city. If it is their intention, the emissary will ask for time to evacuate noncombatants, the terror-stricken people hiding inside their homes. The American commander will say no, no, we only intend to destroy your fucking gun emplacements and your fucking historic fortress and kill as many of your fucking soldiers as we can." He said to his mistress, "So in the morning, early, leave here."

The mulatta asked when she would see him again and he said perhaps never.

"We are certain to lose this war, one I've been waiting for; and yet I don't want to go to the fortress tomorrow. I'm not afraid to die; understand that. But I don't want to be killed by a gun fired at me from six thousand meters. When I die I want the opportunity first to kill the one who kills me and when I fail, I fail and that's the end of it. So I have a choice to make."

The mulatta caressed him in her arms and tried to soothe him saying he should close his eyes and sleep, not drink more of the whiskey.

He said, "The train coming here stopped at Benavides and I saw an American I know, a very rich planter. He told me the captain of his Volunteers, a fine young man named Raft Wasquez, was killed this morning by an American cowboy who took the boots and pants from Raft's dead body and also killed two of his men. He shot the horse of one that fell on its rider and crushed him to death. I know this American who killed them, his name is Tyler. He and others killed eight of my men escaping from prison." Tavalera said to the mulatta, "Do you know what I think? It would be better to find this Tyler and kill him than to be killed myself at San Severino by sailors I would never see. I think this cowboy is going to be waiting for a train tomorrow." He took a sip of whiskey and said, "Find your brother for me."

Her brother Osma, who in another time was a hunter of runaway slaves; now he hunted mambis.

"Tell him to come here tomorrow, early."

Tyler's problem, he couldn't find a bank.

He spent half the day working his way down through the range of hills south of Matanzas. From up there it looked like it would be easy to find his way around. There it was, laid out in a grid of streets, two rivers, the Yurumi and the San Juan, running through the city to the harbor. But once he was down there it became narrow little streets one after another, and Tyler had no idea where he was going. He didn't expect the city to be this big, even though some of the old patriots at the Morro were from here and loved to talk about their city, how beautiful it was. If he'd known then, he could've asked them where a goddamn bank was. Another problem was keeping out of the way of Spanish soldiers, though most of them seemed in a hurry with a lot on their mind. From up in the hills he had noticed the road lined with trees that went along the east side of the harbor to a fort like the Morro, out on a point of land: Down closer he saw troops and equipment moving up the road, horses pulling artillery, everybody going to the fort and nobody coming back. Tyler came down through outcrops of rock to a limestone quarry, deserted, and rode past farmhouses made of palm bark without seeing anybody around. Finally when he got to the Yurumi River he asked an old man scraping the bottom of his skiff where he could find a bank, a banco. The old man said he didn't know. Tyler asked another man down the way who said he didn't know of any banks. Not, he didn't know where one was, he didn't know if there even was a bank. Tyler felt people watching him. Not any he saw, but knew there had to be people in these houses and stores, and if they heard him clopping along the street would look out the window. What he'd better do, Tyler decided, go back to the quarry, about a mile up the hill, and hide out there till dark. Then come down and roam the streets till he found a bank, get one located, and come back in the morning.