We put down Finnick's mat and lay Beetee on his stomach so we can examine his back. There's a gash about six inches long running from his shoulder blade to below his ribs. Fortunately it's not too deep. He's lost a lot of blood, though—you can tell by the pallor of his skin — and it's still oozing out of the wound.

I sit back on my heels, trying to think. What do I have to work with? Seawater? I feel like my mother when her first line of defense for treating everything was snow. I look over at the jungle. I bet there's a whole pharmacy in there if I knew how to use it. But these aren't my plants. Then I think about the moss Mags gave me to blow my nose. “Be right back,” I tell Peeta. Fortunately the stuff seems to be pretty common in the jungle. I rip an armful from the nearby trees and carry it back to the beach. I make a thick pad out of the moss, place it on Beetee's cut, and secure it by tying vines around his body. We get some water into him and then pull him into the shade at the edge of the jungle.

“I think that's all we can do,” I say.

“It's good. You're good with this healing stuff,” he says. “It's in your blood.”

“No,” I say, shaking my head. “I got my father's blood.” The kind that quickens during a hunt, not an epidemic. “I'm going to see about Wiress.”

I take a handful of the moss to use as a rag and join Wiress in the shallows. She doesn't resist as I work off her clothing, scrub the blood from her skin. But her eyes are dilated with fear, and when I speak, she doesn't respond except to say with ever-increasing urgency, “Tick, tock.” She does seem to be trying to tell me something, but with no Beetee to explain her thoughts, I'm at a loss.

“Yes, tick, tock. Tick, tock,” I say. This seems to calm her down a little. I wash out her jumpsuit until there's hardly a trace of blood, and help her back into it. It's not damaged like ours were. Her belt's fine, so I fasten that on, too. Then I pin her undergarments, along with Beetee's, under some rocks and let them soak.

By the time I've rinsed out Beetee's jumpsuit, a shiny clean Johanna and peeling Finnick have joined us. For a while, Johanna gulps water and stuffs herself with shellfish while I try to coax something into Wiress. Finnick tells about the fog and the monkeys in a detached, almost clinical voice, avoiding the most important detail of the story.

Everybody offers to guard while the others rest, but in the end, it's Johanna and I who stay up. Me because I'm really rested, she because she simply refuses to lie down. The two of us sit in silence on the beach until the others have gone to sleep.

Johanna glances over at Finnick, to be sure, then turns to me. “How'd you lose Mags?”

“In the fog. Finnick had Peeta. I had Mags for a while. Then I couldn't lift her. Finnick said he couldn't take them both. She kissed him and walked right into the poison,” I say.

“She was Finnick's mentor, you know,” Johanna says accusingly.

“No, I didn't,” I say.

“She was half his family,” she says a few moments later, but there's less venom behind it.

We watch the water lap up over the undergarments. “So what were you doing with Nuts and Volts?” I ask.

“I told you — I got them for you. Haymitch said if we were to be allies I had to bring them to you,” says Johanna. “That's what you told him, right?”

No, I think. But I nod my head in assent. “Thanks. I appreciate it.”

“I hope so.” She gives me a look filled with loathing, like I'm the biggest drag possible on her life. I wonder if this is what it's like to have an older sister who really hates you.

“Tick, tock,” I hear behind me. I turn and see Wiress has crawled over. Her eyes are focused on the jungle.

“Oh, goody, she's back. Okay, I'm going to sleep. You and Nuts can guard together,” Johanna says. She goes over and flings herself down beside Finnick.

“Tick, tock,” whispers Wiress. I guide her in front of me and get her to lie down, stroking her arm to soothe her. She drifts off, stirring restlessly, occasionally sighing out her phrase. “Tick, tock.”

“Tick, tock,” I agree softly. “It's time for bed. Tick, tock. Go to sleep.”

The sun rises in the sky until it's directly over us. It must be noon, I think absently. Not that it matters. Across the water, off to the right, I see the enormous flash as the lightning bolt hits the tree and the electrical storm begins again. Right in the same area it did last night. Someone must have moved into its range, triggered the attack. I sit for a while watching the lightning, keeping Wiress calm, lulled into a sort of peacefulness by the lapping of the water. I think of last night, how the lightning began just after the bell tolled. Twelve bongs.

“Tick, tock,” Wiress says, surfacing to consciousness for a moment and then going back under.

Twelve bongs last night. Like it was midnight. Then lightning. The sun overhead now. Like it's noon. And lightning.

Slowly I rise up and survey the arena. The lightning there. In the next pie wedge over came the blood rain, where Johanna, Wiress, and Beetee were caught. We would have been in the third section, right next to that, when the fog appeared. And as soon as it was sucked away, the monkeys began to gather in the fourth. Tick, tock. My head snaps to the other side. A couple of hours ago, at around ten, that wave came out of the second section to the left of where the lightning strikes now. At noon. At midnight. At noon.

“Tick, tock,” Wiress says in her sleep. As the lightning ceases and the blood rain begins just to the right of it, her words suddenly make sense.

“Oh,” I say under my breath. “Tick, tock.” My eyes sweep around the full circle of the arena and I know she's right. “Tick, tock. This is a clock.”

23

A clock. I can almost see the hands ticking around the twelve-sectioned face of the arena. Each hour begins a new horror, a new Gamemaker weapon, and ends the previous. Lightning, blood rain, fog, monkeys — those are the first four hours on the clock. And at ten, the wave. I don't know what happens in the other seven, but I know Wiress is right.

At present, the blood rain's falling and we're on the beach below the monkey segment, far too close to the fog for my liking. Do the various attacks stay within the confines of the jungle? Not necessarily. The wave didn't. If that fog leaches out of the jungle, or the monkeys return…

“Get up,” I order, shaking Peeta and Finnick and Johanna awake. “Get up—we have to move.” There's enough time, though, to explain the clock theory to them. About Wiress's tick-tocking and how the movements of the invisible hands trigger a deadly force in each section.

I think I've convinced everyone who's conscious except Johanna, who's naturally opposed to liking anything I suggest. But even she agrees it's better to be safe than sorry.

While the others collect our few possessions and get Beetee back into his jumpsuit, I rouse Wiress. She awakes with a panicked “tick, tock!”

“Yes, tick, tock, the arena's a clock. It's a clock, Wiress, you were right,” I say. “You were right.”

Relief floods her face — I guess because somebody has finally understood what she's known probably from the first tolling of the bells. “Midnight.”

“It starts at midnight,” I confirm.

A memory struggles to surface in my brain. I see a clock. No, it's a watch, resting in Plutarch Heavensbee's palm. “It starts at midnight,” Plutarch said. And then my mockingjay lit up briefly and vanished. In retrospect, it's like he was giving me a clue about the arena. But why would he? At the time, I was no more a tribute in these Games than he was. Maybe he thought it would help me as a mentor. Or maybe this had been the plan all along.

Wiress nods at the blood rain. “One-thirty,” she says.

“Exactly. One-thirty. And at two, a terrible poisonous fog begins there,” I say, pointing at the nearby jungle. “So we have to move somewhere safe now.” She smiles and stands up obediently. “Are you thirsty?” I hand her the woven bowl and she gulps down about a quart. Finnick gives her the last bit of bread and she gnaws on it. With the inability to communicate overcome, she's functioning again.