Someone, a woman, said something in French. Laney guessed that she was the one wearing the camera.

“Ease up, Rozzer. She doesn’t understand half you’re saying.” Laney sat forward. The voice had been Blackwell’s.

“Doesn’t she?” Rez receded, out of focus. “Because if she did, I think I’d tell her about the loneliness of being misunderstood. Or is it the loneliness of being afraid to allow ourselves to be understood?”

And the frame froze on the singer’s blurred face. A date and time-stamp. Two years earlier. The word “Misunderstood” appeared.

The phone rang.

“Yeah?”

“Blackwell says there is a window of opportunity. The schedule has been moved up. You can access now.” It was Yamazaki.

“Good,” Laney said. “I don’t think I’m getting very far with this first video.”

“Rez’s quest for renewed artistic meaning? Don’t worry; we will screen it for you again, later.”

“I’m relieved,” Laney said. “Is the second one as good?”

“Second documentary is more conventionally structured. In-depth interviews, biographical detail, BBC, three years ago.”

“Wonderful.”

“Blackwell is on his way to the hotel. Goodbye.”

14. Tokyo Chapter

The site Mitsuko’s chapter had erected for the meeting reminded Chia of Japanese prints she’d seen on a school trip to the museum in Seattle; there was a brownish light that seemed to arrive through layers of ancient varnish. There were hills in the distance with twisted trees, their branches like quick black squiggles of ink. She came vectoring in, beside Mitsuko, toward a wooden house with deep overhanging eaves, its shape familiar from anime. It was the sort of house that ninjas crept into in the dark, to wake a sleeping heroine and tell her that all was not as she thought, that her uncle was in league with the evil warlord. She checked how she was presenting in a small peripheral window; put a nudge more depth into her lips.

Nearing the house, she saw that everything had been worked up out of club archives, so that the whole environment was actually made of Lo/Rez material. You noticed it first in the wood-and-paper panels of the walls, where faint image-fragments, larger than life, came and went with the organic randomness of leaf-dappled sun and shadow: Rez’s cheekbone and half a pair of black glasses, Lo’s hand chording the neck of his guitar. But these changed, were replaced with a mothlike flicker, and there would be more, all the way down into the site’s finest resolution, its digital fabric. She wasn’t sure if you could do that with enough of the right kind of fractal packets, or if you needed some kind of special computer. Her Sandbenders managed a few effects like that, but mainly in its presentation of Sandbenders software.

Screens slid aside as she and Mitsuko, seated crosslegged, entered the house. Coming to a neat halt side by side, still seated, floating about three inches off the tatami (which Chia avoided focusing on after she’d seen that it was woven from concert-footage; too distracting). It was a nice way to make an entrance. Mitsuko was wearing the kimono and the wide belt-thing, the whole traditional outfit, except there was some low-key animation going on in the weave of the fabric. Chia herself had downloaded this black Silke-Marie Kolb blouson-and-tights set, even though she hated paying for virtual designer stuff that they wouldn’t even let you keep or copy. She’d used Kelsey’s cashcard number for that, though, which had made her feel better about it.

There were seven girls waiting there, all in kimonos, all floating just off the tatami. Except the one sitting by herself, at the head of the imaginary table, was a robot. Not like any real robot, but a slender, chrome-skinned thing like mercury constrained within the form of a girl. The face was smooth, only partially featured, eyeless, with twin straight rows of small holes where a mouth should have been. That would be Hiromi Ogawa, and Chia immediately decided to believe that she was overweight.

Hiromi’s kimono was crawling with animated sepia-tone footage from band interviews.

The introductions took a while, and everyone there definitely had a title, but Chia had stopped paying attention after Hiromi’s introduction, except to bow when she thought she was supposed to. She didn’t like it that Hiromi would turn up that way for a first meeting. It was rude, she thought, and it had to be deliberate, and the trouble they’d gone to with the space just seemed to make it more deliberate.

“We are honored to welcome you, Chia McKenzie. Our chapter looks forward to affording you every assistance. We are proud to be a part of the ongoing global appreciation of Lo/Rez, their music and their art.”

“Thank you,” Chia said, and sat there as a silence lengthened. Mitsuko quietly cleared her throat. Uh-oh, Chia thought. Speech time. “Thank you for offering to help,” Chia said. “Thanks for your hospitality. If any of you ever comes to Seattle, we’ll find a way to put you up. But mainly thanks for your help, because my chapter’s been really worried about this story that Rez claims he wants to marry some kind of software agent, and since he’s supposed to have said it when he was over here, we thought—” Chia had had the feeling that she was moving along a little too abruptly, and this was confirmed by another tiny throat-clearing signal from Mitsuko.

“Yes,” Hiromi Ogawa said, “you are welcome, and now Tomo Oshima, our chapter’s historian, will favor us with a detailed and accurate account of our chapter’s story, how we came, from simple but sincere beginnings, to be the most active, the most respectful chapter in Japan today.”

Chia couldn’t believe it.

The girl nearest Hiromi, on Chia’s right, bowed and began to recite the chapter’s history in what Chia immediately understood would be the most excruciatingly boring detail. The two boarding-school roommates, best friends and the most loyal of buddies, who discovered a copy of the Dog Soup album in a bin in Akihabara. How they returned to school with it, played it, were immediate converts. How their schoolmates mocked them, at one point even stealing and hiding the precious recording… And on, and on, and Chia already felt like screaming, but there was nothing for it but to sit there. She pulled up a clock and stuck it on the mirrored robot’s face, where the eyes should have been. Nobody else could see it, but it made her feel a little better.

Now they were into the first Japanese national Lo/Rez convention, snapshots flashing on the white paper walls, little girls in jeans and t-shirts drinking Coca-Cola in some function room in an Osaka airport hotel, a few obvious parents standing around in the background.

Forty-five minutes later, by the red read-out stuck to Hiromi Ogawa’s blank metallic face, Tomo Oshima concluded: “Which brings us to the present, and the historic visit of Chia McKenzie, the representative of our sister chapter in Seattle, in the State of Washington. And now I hope that she will honor us by recounting the history of her own chapter, how it was founded, and the many activities it has undertaken to honor the music of Lo/Rez…”

There was a soft burst of applause. Chia didn’t join in, uncertain whether it was for her or for Tomo Oshima.

“Sorry,” Chia said. “Our historian put all that together for you, but it got corrupted when they ran my computer through that big scanner at the airport.”

“We are very sorry to hear that,” the silver robot said. “How unfortunate.”

“Yeah,” Chia said, “but I guess it gives us more time to discuss what brings me here, right?”

“We had hoped—”

“To help us understand this whole Rez thing, right? We know. We’re glad you do. Because we’re all really worried about this rumor. Because it seems like it started here, and this Rei Toei’s a local product, so if anybody can tell us what’s going on, it’s you.”