“I feel like it’s my fault,” Chia said.
He shrugged and went back through the door.
Chia got up. Her Sandbenders was beside her bag on the luggage rack, with her goggles and tip-sets on top of it. She carried it into the other room.
It was a mess. Somehow he’d managed to turn it into something like his room at home. The sheets were tangled on the bed. Through the open bathroom door, she saw towels crumpled up on the tiled floor, a spilled bottle of shampoo on the counter beside the sink. He’d set up his computer on the desk, with his student cap beside it. There were opened mini-cans of espresso everywhere, and at least three room-service trays with half-empty ceramic bowls of ramen.
“Has anyone there seen Zona?” she asked, shoving a pillow and an open magazine aside on the foot of the bed. She sat down with her Sandbenders on her lap and started putting her tip-sets on.
She thought he gave her a strange look, then. “I don’t think so,” he said.
“Take me in the way you did the first time,” she said. “I want to see it again.”
Hak Nam. Tai Chang Street. The walls alive with shifting messages in the characters of every written language. Doorways flipping past, each one hinting at its own secret world. And this time she was more aware of the countless watching ghosts. That must be how people presented here, when you weren’t in direct communication with them. A city of ghost-shadows. But this time Masahiko took another route, and they weren’t climbing the twisted labyrinth of stairs but winding in at what would have been ground level in the original city, and Chia remembered the black hole, the rectangular vacancy he’d pointed out on the printed scarf in his room at the restaurant.
“I must leave you now,” he said, as they burst from the maze into that vacancy. “They wish privacy.”
He was gone, and at first Chia thought there was nothing there at all, only the faint grayish light filtering down from somewhere high above. When she looked up at this, it resolved into a vast, distant skylight, very far above her, but littered with a compost of strange and discarded shapes. She remembered the city’s rooftops, and the things abandoned there.
“It is strange, isn’t it?” The idoru stood before her in embroidered robes, the tiny bright patterns lit from within, moving. “Hollow and somber. But he insisted we meet you here.”
“Who insisted? Do you know where Zona is?”
And there was a small table or four-legged stand in front of the idoru, very old, its dragon-carved legs thick with flaking, pale green paint. A single dusty glass stood centered there, something coiled inside it. Someone coughed.
“This is the heart of Hak Nam,” the Etruscan said, that same creaking voice assembled from a million samples of dry old sounds. “Traditionally a place of serious conversation.”
“Your friend is gone,” the idoru said. “I wished to tell you myself. This one,” indicating the glass, “volunteers details I do not understand.”
“But they’ve only shut down her website,” Chia said. “She’s in Mexico City, with her gang.”
“She is nowhere,” the Etruscan said.
“When you were taken from her,” the idoru said, “taken from the room in Venice, your friend went to your system software and activated the video units in your goggles. What she saw there indicated to her that you were in grave danger. As I believe you were. She must then have decided on a plan. Returning to her secret country, she linked her site with that of the Tokyo chapter of the Lo/Rez group. She ordered Ogawa, the president of the group, to post the message announcing Rez’s death at Hotel Di. She threatened her with a weapon that would shatter the Tokyo chapter’s site…”
“The knife,” Chia said. “It was real?”
“And extremelyillegal,” the Etruscan said.
“When Ogawa refused,” the idoru said, “your friend used her weapon.”
“A serious crime,” the Etruscan said, “under the laws of every country involved.”
“She then posted her message through what remained of Ogawa’s website,” the idoru said. “It seemed official, and it had the effect of quickly surrounding Hotel Di with a sea of potential witnesses.”
“Whatever the next stage of her plan,” the Etruscan said, “she had exposed her presence in her website. The original owners became aware of her. She abandoned her site. They pursued her. She was forced to discard her persona.”
“What ‘persona’?” Chia felt a sinking feeling.
“Zona Rosa,” said the Etruscan, “was the persona of Mercedes Purissima Vargas-Gutierrez. She is twenty-six years old and the victim of an environmental syndrome occurring most frequently in the Federal District of Mexico.” His voice was like rain on a thin metal roof now. “Her father is an extremely successful criminal lawyer.”
“Then I can find her,” Chia said.
“But she would not wish this,” the idoru said. “Mercedes Purissima is severely deformed by the syndrome, and has lived for the past five years in almost complete denial of her physical self.”
Chia was sitting there crying. Masahiko removed the black cups from his eyes and came over to the bed.
“Zona’s gone,” she said.
“I know,” he said. He sat down beside her. “You never finished telling me the story of the Sandbenders,” he said. “It was very interesting story.”
So she began to tell it to him.
45. Lucky
Laney,” he heard her say, her voice blurred with sleep. “What are you doing?”
The illuminated face of the cedar telephone. “I’m calling the Lucky Dragon, on Sunset.”
“The what?”
“Convenience store. Twenty-four hours.”
“Laney, it’s three in the morning…”
“Have to thank Rydell, tell him the job worked out…”
She groaned and rolled over, pulling the pillow over her head.
Through the window he could see the translucent amber, the serried cliffs of the new buildings, reflecting the lights of the city.
46. Fables of the Reconstruction
Chia dreamed of a beach pebbled with crushed fragments of consumer electronics; crab-things scuttling low, their legs striped like antique resistors. Tokyo Bay, shrouded in fog from an old movie, a pale gray blanket meant to briefly conceal first-act terrors: sea monsters or some alien armada.
Hak Nam rose before her as she waded nearer, but with a dream’s logic it grew no closer. Backwashing sea, sucking at her ankles. The Walled City is growing. Being grown. From the fabric of the beach, wrack and wreckage of the world before things changed. Unthinkable tonnage, dumped here by barge and bulk-lifter in the course of the great reconstruction. The minuscule bugs of Rodel-van Erp seethe there, lifting the iron-caged balconies that are sleeping rooms, countless unplanned windows throwing blank silver rectangles back against the fog. A thing of random human accretion, monstrous and superb, it is being reconstituted here, retranslated from its later incarnation as a realm of consensual fantasy.
The alarm’s infrared stutter. Sunbright halogen illuminating the printed scarf, at its center the rectangle representing an emptiness, an address unknown: the killfile of legend. Zapping the Espressomatic to life with her remote, she curls back into the quilt’s dark, waiting for the building hiss of steam. Most mornings, now, she checks into the City, hears the gossip in a favorite barbershop in Sai Shing Road. The Etruscan is there, sometimes, with Klaus and the Rooster and the other ghosts he hangs with, and they tolerate her.
She’s proud of that, because they’ll clam up around Masahiko. Are they old, incredibly ancient, or do they just act that way? Whatever, they tend to know things first, and she’s learned to value that. And the Etruscan has been hinting at a vacancy, something really small, but with a window. Looking down into what would have been Lung Chun Road.