"It could be a coincidence."

"Yes. But not a very probable one. You see, maybe it's possible to beat probability, when the heart as well as the mind is involved."

Miranda supposed that neither Mr. Beck nor Mr. Oda understood the essential cruelty of what they were saying. It was much better not to have any hope at all. "Are you guys involved in some kind of religious thing?" she said.

Misters Beck and Oda looked at each other significantly. Mr. Oda went into some peculiar routine of tooth-sucking and throat-clearing that would probably convey a torrent of information to another Nipponese person but meant nothing to Miranda, other than giving her a general hint that the situation was rather complicated.

Mr. Beck produced an antique silver snufibox, or a replica of one, took out a pinch of nanosite dust, and hoovered it up into one of his great circular nostrils, then nervously scratched the underside of his nose. He slid his glasses way down, exposing his big brown eyes, and stared distractedly over Miranda's shoulder into the thick of the party, watching the band and the dancers' reaction to it. He was wearing a dragonfly pin, which had begun to glow and to flash gorgeous colored lights, like a fleet of police cars and firetrucks gathered round a burning house.

The band segued into a peculiar, tuneless, beatless miasma of noise, spawning lazy convection currents in the crowd.

"How do you guys know Carl?" Miranda said, hoping to break the ice a bit.

Mr. Oda shook his head apologetically. "I have not had the pleasure of making his acquaintance until recently."

"Used to do thyuh-tuh with him in London."

"You're a ractor?"

Mr. Beck snorted ironically. A variegated silk hankie flourished in his hand, and he blew his nose quickly and cleanly like a practiced snufftaker. "I am a technical boy," he said.

"You program ractives?"

"That is a subset of my activities."

"You do lights and sets? Or digital stuff? Or nanotech?"

"Invidious distinctions do not interest me. I am interested in one thing," said Mr. Beck, holding up his index finger, topped with a very large but perfectly manicured claw of a fingernail, "and that is use of tech to convey meaning."

"That covers a lot of areas nowadays."

"Yes, but it shouldn't. That is to say that the distinctions between those areas are bogus."

"What's wrong with just programming ractives?"

"Nothing at all," said Mr. Beck, "just as nothing is wrong with traditional live theatre, or for that matter, sitting round a campfire telling stories, like I used to enjoy on the beach when I was a lad. But as long as there are new ways to be found, it is my job, as a technical boy, to find them. Your art, lady, is racting. Searching for the new tech is mine."

The noise coming from the band had begun to pulse irregularly. As they talked, the pulses gathered themselves into beats and became steadier. Miranda turned around to look at the people on the dance floor. They were all standing around with faraway looks on their faces, concentrating on something. Their dragonfly pins were flashing wildly now, joining in a coherent pulse of pure white on each beat. Miranda realized that the pins were somehow patched into the wearers' nervous systems and that they were talking to each other, creating the music collectively. A guitarist began to weave an improvised melodic line through the gradually coalescing pattern of sound, and the sound condensed around it as all of the dancers heard the tune. They had a feedback loop going. A young woman began to chant out some kind of tuneless rap that sounded improvised. As she went on, she broke into melody. The music was still weird and formless, but it was beginning to approach something you might hear on a professional recording.

Miranda turned back to face Mr. Beck. "You think you've invented a new way to convey meaning with technology-"

"Medium."

"A new medium, and that it can help me get what I want. Because when meaning is involved, the laws of probability can be broken."

"There are two misconceptions in your statement. One: I did not invent the medium. Others did, perhaps for different purposes, and I have stumbled across it, or actually just heard intimations.

"As far as the laws of probability, my lady, these cannot be broken, any more than any other mathematical principle. But laws of physics and mathematics are like a coordinate system that runs in only one dimension. Perhaps there is another dimension perpendicular to it, invisible to those laws of physics, describing the same things with different rules, and those rules are written in our hearts, in a deep place where we cannot go and read them except in our dreams."

Miranda looked to Mr. Oda, hoping he'd wink or something, but he was staring into the dance floor with a terribly serious expression, as though enfolded in deep thoughts himself, nodding slightly. Miranda drew a deep breath and sighed.

When she looked up at Mr. Beck again, he was watching her, noting her curiosity about Mr. Oda. He turned one hand palm up and rubbed the ball of his thumb over his fingertips.

So Beck was the hacker and Oda was the backer. The oldest and most troublesome relationship in the technological world.

"We require a third participant," Mr. Beck said, dovetailing into her thoughts.

"To do what?" Miranda said, evasive and defensive at the same time.

"All technomedia ventures have the same structure," said Mr. Oda, bestirring himself for the first time in a while. By now a nice synergy had developed between band and crowd, and a lot of dancing was going on-some intimidatingly sophisticated stuff, and also some primal moshing. "Three-legged tripod." Oda held up a fist and began to extend fingers as he enumerated the same. Miranda noted that his fingers were gnarly and bent, as if they'd all been broken frequently. Mr. Oda was, perhaps, a veteran practitioner of certain martial arts now disdained by most Nipponese because of their lower-class provenance. "Leg number one: new technological idea. Mr. Beck. Leg number two: adequate financial backing. Mr. Oda. Leg number three: the artist."

Misters Beck and Oda looked significantly at Miranda. She threw back her head and managed a nice solid laugh, hitting that sweet spot down in her diaphragm. It felt good. She shook her head, letting her hair swing back and forth across her shoulders. Then she leaned forward across the table, shouting to be heard above the band. "You guys must be desperate. I'm old hat, guys. There's half a dozen ractors in this room with better prospects than me. Didn't Carl fill you in? I've been holed up in a body stage for six years doing kid stuff. I'm not a star."

"Star means a master of conventional ractives, which are precisely the technology we are trying to move beyond," said Mr. Beck, a bit scornful that she wasn't getting it.

Mr. Oda pointed to the band. "None of these people were professional musicians-some not even amateurs. Musician skills are not relevant for this-these people were new kinds of artists born too early."

"Almost too early," Mr. Beck said.

"Oh, my god," Miranda said, starting to get it. For the first time, she believed that what Beck and Oda were talking about– whatever the hell it was-was a real possibility. Which meant that she was ninety percent convinced-though only Beck and Oda understood that.

It was too loud to talk. A mosher backed into Miranda's chair and nearly fell over her. Beck stood up, came round the table, and extended one hand, asking her to dance. Miranda looked into the Dionysian revel filling the floor and understood that the only way to be safe was to join it. She plucked her dragonfly pin from the tabletop and followed Beck into the midst of the dance. As she pinned it on, it began to flash, and she thought she heard a new strain woven into the song.