Monsieur Treville approached us, taking off his panama and wiping the perspiration from his forehead with a large handkerchief. “That’s a hard climb, young men! But it’s beautiful down by the Gave. You should have come with us.”
“No, thank you,” Paul called back. “Too much beauty rots the intellect—rather like sugar and the teeth.” Under his breath he said, “Well, Montjean? Have I your word?”
“Yes,” I whispered. “I promise.” Then at full voice I asked, “What have you brought us, Katya? Good Lord, have you left any flowers down there at all?”
“Of course! I only took the ones that looked lonely.”
“Well, now!” Monsieur Treville said, rubbing his hands together. “Let’s set to tidying things up, then let’s be on our way to the fкte d’Alos. Think of it! I shall see with my own eyes the ritual of the Drowned Virgin! Now there’s something! And to have the doctor here as my guide. A young man from the canton. What luck!”
“Oh, yes,” Paul said in a nasal off-tone. “What appalling good luck.”
Since Paul chose to take his turn at the reins with Katya beside him, Monsieur Treville sat beside me in the back. He confided to me that his stroll along the river had put him in mind of the degree to which waterways had dictated the location and prosperity of medieval villages. “The Dark Ages were not ‘dark’ in the sense that they were devoid of the light of learning. They are ‘dark,’ not because they lacked light, but because we who examine them are partially blind. We know much, but we know all the wrong things. We know of the kings, the wars, the treaties, the great commercial waves and tides. The bold faзades of the era are quite clear, but we don’t know what happened behind those faзades. We have little feeling for the affairs of everyday life, the quotidian routine, the fears and aspirations of the common man. By and large, we know what he did, but we don’t know how he felt about it. And the medieval man’s feelings are more significant to an understanding of his time than are the feelings of the modern man to an understanding of today, for that was an era in which superstition mattered more than fact, belief more than knowledge. It was an age of miracles, and demons, and wonders. That is why I am so eager to witness the pastoral of Robert le Diable and the ritual of the Drowned Virgin.”
“I am interested in that myself, Papa,” Paul said over his shoulder. “Frankly, I applaud the practice of drowning all virgins after the age of, say, twenty-two. It might prompt young women to reconsider impulses towards chastity which are, if not downright selfish, at least inhospitable.”
“Is that any way to speak in the presence of your sister?” Monsieur Treville said, genuinely shocked. “I know you are only joking, but virginity is not a subject to be discussed in the presence of young women.”
“Oh? I should have thought it an ideal topic… as opposed, for instance, to promiscuity.”
“Paul?” Monsieur Treville said warningly.
Katya turned her face away with a suppressed smile.
“Have it your way, Father,” Paul continued. “I shall never speak of virginity again, nor indeed of any of the other seven deadly virtues. In fact, I’ve always considered them consummately dull. I may say ‘consummately,’ may I not? Or is consummation also a taboo subject?”
Katya made a little face at Paul, signaling him to stop ragging their father. “Do tell us of the Drowned Virgin, Papa,” she said, boldly piloting the conversation into safer waters.
“Ah, there’s a fascinating story, dear. One that is celebrated every year during the fкte d’Alos, which we shall be attending today. I suppose Jean-Marc here knows the tale better than I, as he must have attended the fкte every year of his boyhood.”
“Actually, sir, I never knew there was any real history behind the event. All I recall is that every pretty girl in the three villages sought to be selected to play the role of the Virgin. It was considered a great honor. The final selection was made by the priest—still is, I suppose.”
“Who’d be in a better position to know?” Paul asked.
“Oh, yes, indeed,” Monsieur Treville said, “there is firm history behind the tradition. In 1170, a famous Judgment of God was inflicted on Sancie, the widow of Gaston the Fifth of Beam. (I wonder why she’s always referred to as a virgin?) She was bound hand and foot and cast into the Gave—that very river off to our right—to test whether she had been guilty of killing her infant, which was born rather a long while after the death of her husband. It was her own brother, the King of Navarre, who designated the method of the trial. It was assumed that if she floated to the surface, then God supported her contention of innocence; but if she drowned, then that was God’s judgment against her. Ah, they had a real God, those medieval men! A God who inhabited the rivers and the rain; not a distant God such as we have, one who is little more than a broker for eternal punishment or pleasure. God lived in every village in those days… and the devil, too. Why, I recall an incident in Abense-de-Haut in 1223 in which….”
Sitting beside him on the rocking surry, while he held the brim of his panama against the wind and held forth on his muddled but generously humanistic views of history, I could understand why Paul considered his father to be innocent of killing that young man whose only crime had been loving Katya. Could anyone justly claim that this man whose memory contained not a trace of the incident, was a murderer? Had not the crime been committed by another person lurking within—in a way masquerading as—Monsieur Treville? And would justice be served if he were punished, locked away in some stinking asylum for an act of which he had no knowledge, no memory? I could understand Paul’s dilemma; it was my dilemma as well. But overriding all considerations of justice was the welfare of Katya. Her happiness… her life perhaps… must not be sacrificed to circumstance. And was I innocent of considering my own happiness as well? No, probably not.
“But, Papa, aren’t you going to tell us what happened to the poor woman?” Katya asked, interrupting her father at a bridge between digressions.
“What poor woman?” Monsieur Treville wondered.
“The one who was bound hand and foot and thrown into the river!”
“Oh, her. Well… she floated!”
“Good for her,” Paul said. “Smart thinking. But then, I suppose it was the only sensible thing to do under the circumstances.”
“Yes, yes, she floated. And when she was pulled out of the river, she was returned to all her former riches and power.”
“And her brother?” I asked. “What happened to him for sacrificing his sister to his own views of right and wrong?”
Paul turned and settled his calm metallic eyes on me.
“History records that he continued his long and uneventful reign,” Monsieur Treville informed us. “And to this day the event is celebrated in the fкte d’Alos—Good Lord! What is that!” He turned and looked back at the source of the braying klaxon behind us. A motorcar with ornate brass headlamps had overtaken us and was signaling for us to pull off the road and let it pass. The occupants, two young men and three young women decked out in the fashionable sartorial impedimenta of motoring, were shouting and laughing and waving their arms as they neared, the front of their vehicle nearly touching our rear wheel, and they convulsed with delight when our horse shied and panicked at the noise and unaccustomed appearance of the machine. Paul had all he could do to hold the horse in check as we lurched off the shoulder of the road and into the shallow drainage ditch, nearly overturning our trap. The klaxon sounded a long, taunting blare as they passed, and the young athletic-looking man steering the motorcar shouted out something about “…the Twentieth Century!” as they bounced away in a swirl of dust and acrid petrol fumes, shrieking with laughter at the fun of it all.