She steps toward the young tree and touches it where it is taped so the guy wires won't cut into the bark. He asks her, "Where's Nelson?"

"I arranged with Peggy for him to spend the night with Billy, since it's not a school night."

"With those dopes again. They give him ideas."

"At his age he's going to have ideas anyway."

"I half-promised Pop we'd go over tonight and visit Mom."

"I don't see why we should visit her. She's never liked me, she's done nothing but try to poison our marriage."

"Another question."

"Yes?"

"Are you fucking Stavros?"

"I thought women only got fucked."

Janice turns and choppily runs into the house, up the three steps, into the house with apple-green aluminum clapboards. Rabbit puts the mower back in the garage and enters by the side door into the kitchen. She is there, slamming pots around, making their dinner. He asks her, "Shall we go out to eat for a change? I know a nifty little Greek restaurant on Quince Street."

"That was just coincidence he showed up. I admit it was Charlie who recommended it, is there anything wrong with that? And you were certainly rude to him. You were incredible."

"I wasn't rude, we had a political discussion. I like Charlie. He's an O.K. guy, for a left-wing mealy-mouthed wop."

"You are really very strange lately, Harry. I think your mother's sickness is getting to you."

"In the restaurant, you seemed to know your way around the menu. Sure he doesn't take you there for lunch? Or on some of those late-work nights? You been working a lot of nights, and don't seem to get much done."

"You know nothing about what has to be done."

"I know your old man and Mildred Kroust used to do it themselves without all this overtime."

"Having the Toyota franchise is a whole new dimension. It's endless bills of lading, import taxes, customs forms." More fending words occur to Janice; it is like when she was little, making snow dams in the gutter. "Anyway, Charlie has lots of girls, he can have girls any time, single girls younger than me. They all go to bed now without even being asked, everybody's on the Pill, they just assume it." One sentence too many.

"How do you know?"

"He tells me."

"So you are chummy."

"Not very. Just now and then, when he's hung or needing a little mothering or something."

"Right – maybe he's scared of these hot young tits, maybe he likes older women, mamma mia and all that. These slick Mediterranean types need a lot of mothering."

It's fascinating to her, to see him circling in; she fights the rising in her of a wifely wish to collaborate, to help him find the truth that sits so large in her own mind she can hardly choose the words that go around it.

"Anyway," he goes on, "those girls aren't the boss's daughter."

Yes, that is what he'd think, it was what she thought those first times, those first pats as she was standing tangled in a net of numbers she didn't understand, those first sandwich lunches they would arrange when Daddy was out on the lot, those first fiveo'clock whisky sours in the Atlas Bar down the street, those first kisses in the car, always a different car, one they had borrowed from the lot, with a smell of new car like a protective skin their touches were burning through. That was what she thought until he convinced her it was her, funny old clumsy her, Janice Angstrom née Springer; it was her flesh being licked like ice cream, her time being stolen in moments compressed as diamonds, her nerves caught up in an exchange of pleasure that oscillated between them in tightening swift circles until it seemed a kind of frenzied sleep, a hypnosis so intense that later in her own bed she could not sleep at all, as if she had napped that afternoon. His apartment, they discovered, was only twelve minutes distant, if you drove the back way, by the old farmers' market that was now just a set of empty tin-roofed sheds.

"What good would my being the boss's daughter do him?"

"It'd make him feel he was climbing. All these Greeks or Polacks or whatever are on the make."

"I'd never realized, Harry, how full of racial prejudice you are."

"Yes or no about you and Stavros."

"No." But lying she felt, as when a child watching the snow dams melt, that the truth must push through, it was too big, too constant: though she was terrified and would scream, it was something she must have, her confession like a baby. She felt so proud.

"You dumb bitch," he says. He hits her not in the face but on the shoulder, like a man trying to knock open a stuck door.

She hits him back, clumsily, on the side of the neck, as high as she can reach. Harry feels a flash of pleasure: sunlight in a tunnel. He hits her three, four, five times, unable to stop, boring his way to that sunlight, not as hard as he can hit, but hard enough for her to whimper; she doubles over so that his last punches are thrown hammerwise down into her neck and back, an angle he doesn't see her from that much – the chalk-white parting, the candlewhite nape, the bra strap showing through the fabric of the back of the blouse. Her sobbing arises muffled and, astonished by a beauty in her abasement, by a face that shines through her reduction to this craven faceless posture, he pauses. Janice senses that he will not hit her anymore. She abandons her huddle, flops over to her side, and lets herself cry out loud – high-pitched, a startled noise pinched between sieges of windy gasping. Her face is red, wrinkled, newborn; in curiosity he drops to his knees to examine her. Her black eyes flash at this and she spits up at his face, but misjudges; the saliva falls back into her own face. For him there is only the faintest kiss of spray. Flecked with her own spit Janice cries, "I do, I do sleep with Charlie!"

"Ah, shit," Rabbit says softly, "of course you do," and bows his' head into her chest, to protect himself from her scratching, while he half-pummels her sides, half-tries to embrace her and lift her.

"I love him. Damn you, Harry. We make love all the time."

"Good," he moans, mourning the receding of that light, that ecstasy of his hitting her, of knocking her open. Now she will become again a cripple he must take care of. "Good for you."

"It's been going on for months," she insists, writhing and trying to get free to spit again, furious at his response. He pins her arms, which would claw, at her sides and squeezes her hard. She stares into his face. Her face is wild, still, frozen. She is seeking what will hurt him most. "I do things for him," she says, "I never do for you."

"Sure you do," he murmurs, wanting to have a hand free to stroke her forehead, to re-enclose her. He sees the gloss of her forehead and the gloss of the kitchen linoleum. Her hair wriggles outward into the spilled wriggles of the marbled linoleum pattern, worn where she stands at the sink. A faint rotten smell here, of the sluggish sink tie-in. Janice abandons herself to crying and limp relief, and he has no trouble lifting her and carrying her in to the living-room sofa. He has zombie-strength: his shins shiver, his palm sore from the clipper handles is a stiff crescent.

She sinks lost into the sofa's breadth.

He prompts her, "He makes better love than me," to keep her confession flowing, as a physician moistens a boil.

She bites her tongue, trying to think, surveying her ruins with an eye toward salvage. Impure desires – to save her skin, to be kind, to be exact – pollute her primary fear and anger. "He's different," she says. "I'm more exciting to him than to you. I'm sure it's just mostly our not being married."

"Where do you do it?"

Worlds whirl past and cloud her eyes – car seats, rugs, tree undersides seen through windshields, the beigy-gray carpeting in the narrow space between the three green steel desks and the safe and the Toyota cutout, motel rooms with their cardboard panelling and scratchy bedspreads, his dour bachelor's apartment stuffed with heavy furniture and tinted relatives in silver frames. "Different places."