Janice sinks back. They say, she read somewhere, some doctors measuring your blood pressure when you do it, things taped to your head how can anybody concentrate, it's always best when you do it to yourself. Her causing the bed to shudder has stirred Harry half-awake; he heavily rolls over and loops his arm around her waist, a pale tall man going fat. She strokes his wrist with the fingers that did it. His fault. He is a ghost, white, soft. Tried to make a box for her to put her in like they put Rebecca in when the poor little baby died. The way she held it sopping wet against her chest already dead, she could feel it, and screamed a great red scream as if to make a hole to let life back in. The movie returns upon her, the great wheel turning against the black velvet in time with the glorious symphony that did lift her for all her confusion coming into the theater. Floating now like a ballerina among the sparse planets of her life, Daddy, Harry, Nelson, Charlie, she thinks of her coming without him as a betrayal of her lover, and furtively lifts her fingertips, with their nice smell of swamp, to her lips and kisses them, thinking, You.

* * *

Next day, Friday, the papers and television are full of the colored riots in York, snipers wounding innocent firemen, simple men on the street, what is the world coming to? The astronauts are nearing the moon's gravitational influence. A quick thunderstorm makes up in the late afternoon over Brewer, pelts shoppers and homebound workmen into the entranceways of shops, soaks Harry's white shirt before he and his father get to huddle in the Phoenix Bar. "We missed you last night," Earl Angstrom says.

" Pop, I told you we couldn't make it, we took the kid out to eat and then to a movie."

"O.K., don't bite my head off: I thought you left it more up in the air than that, but never mind, don't kill a man for trying."

"I said we might, was all. Did she act disappointed?"

"She didn't let on. Your mother's nature isn't to let on, you know that. She knows you have your problems."

"What problems?"

"How was the movie, Harry?"

"The kid liked it, I don't know, it didn't make much sense to me, but then I felt kind of sick on something I ate. I fell dead asleep soon as we got home."

"How did Janice like it? Did she seem to have a good time?"

"Hell, I don't know. At her age, are you supposed to have a good time?"

"I hope the other day I didn't seem to be poking my nose in where it doesn't belong."

"Mom still raving about it?"

"A little bit. Now Mother, I tell her, now Mother, Harry's a big boy, Harry's a responsible citizen."

"Yeah," Rabbit admits, "maybe that's my problem," and shivers. With his shirt wet, it is cruelly cold in here. He signals for another Daiquiri. The television, sound off, is showing film clips of cops in York stalking the streets in threes and fours, then cuts to a patrol in Vietnam, boys smudged with fear and fatigue, and Harry feels badly, that he isn't there with them. Then the television moves on to the big publicity-mad Norwegian who gave up trying to cross the Atlantic in a paper boat. Even if the TV sound were turned higher what he's saying would be drowned by the noise in the bar: the excitement of the thunderstorm plus its being Friday night.

"Think you could make it over this evening?" his father asks. "It doesn't have to be for long, just fifteen minutes or so. It would mean the world to her, with Mim as good as dead, hardly ever even writing a postcard."

"I'll talk to her about it," Harry says, meaning Janice, though he thinks of Mim whoring around on the West Coast, Mim that he used to take sledding on Jackson Road, snowflakes on her hood. He pictures her at parties, waiting with a face of wax, or lying beside a swimming pool freshly oiled while under the umbrella beside her some suety gangster with a cigar in the center of his face like a secondary prick pulls it from his mouth and snarls. "But don't get her hopes up," he adds, meaning his mother. "We're sure to be over Sunday. I got to run."

The storm has passed. Sun pours through the torn sky, drying the pavement rapidly. Maplike stains: a pulped Kleenex retains an island ofwet around it. Overweight bag-luggers and skinny Negro idlers emerge smiling from the shelter of a disused shoe store's entrance. The defaced BUS STOP sign, the wrappers spilled from the KEEP BREWER CLEAN can with its top like a flying saucer, the dimpled and rutted asphalt all glory, glistening, in the deluge having passed. The scattered handkerchiefs and horsetails of inky storm-cloud drift east across the ridge of Mt. Judge and the sky resumes the hazed, engendering, blank look of Pennsylvania humidity. And nervousness, that seeks to condense into anger, regathers in Rabbit.

Janice is not home when he arrives. Neither is Nelson. Coming up the walk he sees that, freshened by rain, their lawn looks greasy with crabgrass, spiky with plantain. The kid supposedly gets his dollar-fifty allowance in part for keeping it mowed but he hasn't since June. The little power mower, that had belonged to the Springers until they got one of those you ride, leans in the garage, a can of 3-in-1 beside one wheel. He oils it and sloshes in the gasoline -amber in the can, colorless in the funnel – and starts it up on the fourth pull. Its swath spits gummy hunks of wet grass, back and forth across the two square patches that form their front lawn. There is a larger lawn behind, where the clothes tree stands and where Nelson and he sometimes play catch with a softball worn down to its strings. It needs mowing too, but he wants Janice to find him out front, to give her a little guilty start to get them going.

But by the time she comes home, swinging down Vista spraying untarred grit and tucking the Falcon into the garage in that infuriating way of hers, just not quite far enough to close the door on the bumper, the blades of grass are mixing long shadows with their cut tips and Rabbit stands by their one tree, a spindly maple tethered to the earth by guy wires, his palm sore from trimming the length of the walk with the hand-clippers.

"Harry," she says, "you're outdoors! How funny of you."

Arid it is true, Park Villas with its vaunted quarter-acre lots and compulsory barbecue chimneys does not tempt its residents outdoors, even the children in summer: in the snug brick neighborhood of Rabbit's childhood you were always outdoors, hiding in hollowed-out bushes, scuffling in the gravel alleys, secure in the closeness of windows from at least one of which an adult was always watching. Here, there is a prairie sadness, a barren sky raked by slender aerials. A sky poisoned by radio waves. A sewer smell from underground.

"Where the hell have you been?"

"Work, obviously. Daddy always used to say never to cut grass after rain, it's all lying down."

" `Work, obviously.' What's obvious about it?"

"Harry, you're so strange. Daddy came back from the Poconos today and made me stay after six with Mildred's mess."

"I thought he came back from the Poconos days ago. You lied. Why?"

Janice crosses the cut grass and they stand together, he and she and the tree, the spindly planted maple that cannot grow, as if bewildered by the wide raw light. The kerosene scent of someone else's Friday evening barbecue drifts to them. Their neighbors in Penn Villas are strangers, transients – accountants, salesmen, supervisors, adjusters – people whose lives to them are passing cars and the shouts of unseen children. Janice's color heightens. Her body takes on a defiant suppleness. "I forget, it was a silly lie, you were just so angry over the phone I had to say something. It seemed the easiest thing to say, that Daddy was there; you know how I am. You know how confused I get."

"How much other lying do you do to me?"

"None. That I can remember right now. Maybe little things, how much things cost, the sort of things women lie about. Women like to lie, Harry, it makes things more fun." And, flirtatious, unlike her, she flicks her tongue against her upper lip and holds it there, like the spring of a trap.