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She had liked him when he was brought in with Pump’s bullet in his leg; and was still the strongest and calmest man in the room. She had liked him when the hurt took a dangerous turn, and when he bore pain to admiration. She had liked him when he showed no malice against the angry Dorian; she had liked him with something like enthusiasm on the night he rose rigid on his rude crutch, and, crushing all remonstrance, made his rash and swift rush to London. But, despite the queer closing-in-sensations of which we have spoken, she never liked him better than that evening when he lifted himself laboriously on his crutch up the terraces of the old garden and came to speak to her as she stood among the peacocks. He even tried to pat a peacock in a hazy way, as if it were a dog. He told her that these beautiful birds were, of course, imported from the East–by the semi-eastern empire of Macedonia. But, all the same, Joan had a dim suspicion that he had never noticed before that there were any peacocks at Ivywood. His greatest fault was a pride in the faultlessness of his mental and moral strength; but, if he had only known, something faintly comic in the unconscious side of him did him more good with the woman than all the rest.

“They were said to be the birds of Juno,” he said, “but I have little doubt that Juno, like so much else of the Homeric mythology, has also an Asiatic origin.”

“I always thought,” said Joan, “that Juno was rather too stately for the seraglio.”

“You ought to know,” replied Ivywood, with a courteous gesture, “for I never saw anyone who looked so like Juno as you do. But, indeed, there is a great deal of misunderstanding about the Arabian or Indian view of women. It is, somehow, too simple and solid for our paradoxical Christendom to comprehend. Even the vulgar joke against the Turks, that they like their brides fat, has in it a sort of distorted shadow of what I mean. They do not look so much at the individual, as at Womanhood and the power of Nature.”

“I sometimes think,” said Joan, “that these fascinating theories are a little strained. Your friend Misysra told me the other day that women had the highest freedom in Turkey; as they were allowed to wear trousers.”

Ivywood smiled his rare and dry smile. “The Prophet has something of a simplicity often found with genius,” he answered. “I will not deny that some of the arguments he has employed have seemed to me crude and even fanciful. But he is right at the root. There is a kind of freedom that consists in never rebelling against Nature; and I think they understand it in the Orient better than we do in the West. You see, Joan, it is all very well to talk about love in our narrow, personal, romantic way; but there is something higher than the love of a lover or the love of love.”

“What is that?” asked Joan, looking down.

“The love of Fate,” said Lord Ivywood, with something like spiritual passion in his eyes. “Doesn’t Nietzsche say somewhere that the delight in destiny is the mark of the hero? We are mistaken if we think that the heroes and saints of Islam say ‘Kismet’ with bowed heads and in sorrow. They say ‘Kismet’ with a shout of joy. That which is fitting–that is what they really mean. In the Arabian tales, the most perfect prince is wedded to the most perfect princess–because it is fitting. The spiritual giants, the Genii, achieve it–that is, the purposes of Nature. In the selfish, sentimental European novels, the loveliest princess on earth might have run away with her middle-aged drawing-master. These things are not in the Path. The Turk rides out to wed the fairest queen of the earth; he conquers empires to do it; and he is not ashamed of his laurels.”

The crumpled violet clouds around the edge of the silver evening looked to Lady Joan more and more like vivid violet embroideries hemming some silver curtain in the closed corridor at Ivywood. The peacocks looked more lustrous and beautiful than they ever had before; but for the first time she really felt they came out of the land of the Arabian Nights.

“Joan,” said Philip Ivywood, very softly, in the twilight, “I am not ashamed of my laurels, I see no meaning in what these Christians call humility. I will be the greatest man in the world if I can; and I think I can. Therefore, something that is higher than love itself, Fate and what is fitting, make it right that I should wed the most beautiful woman in the world. And she stands among the peacocks and is more beautiful and more proud than they.”

Joan’s troubled eyes were on the violet horizon and her troubled lips could utter nothing but something like “don’t.”

“Joan,” said Philip, again, “I have told you, you are the woman one of the great heroes could have desired. Let me now tell you something I could have told no one to whom I had not thus spoken of love and betrothal. When I was twenty years old in a town in Germany, pursuing my education, I did what the West calls falling in love. She was a fisher-girl from the coast; for this town was near the sea. My story might have ended there. I could not have entered diplomacy with such a wife, but I should not have minded then. But a little while after, I wandered into the edges of Flanders, and found myself standing above some of the last grand reaches of the Rhine. And things came over me but for which I might be crying stinking fish to this day. I thought how many holy or lovely nooks that river had left behind, and gone on. It might anywhere in Switzerland have spent its weak youth in a spirit over a high crag, or anywhere in the Rhinelands lost itself in a marsh covered with flowers. But it went on to the perfect sea, which is the fulfilment of a river.”

Again, Joan could not speak; and again it was Philip who went on.

“Here is yet another thing that could not be said, till the hand of the prince had been offered to the princess. It may be that in the East they carry too far this matter of infant marriages. But look round on the mad young marriages that go to pieces everywhere! And ask yourself whether you don’t wish they had been infant marriages! People talk in the newspapers of the heartlessness of royal marriages. But you and I do not believe the newspapers, I suppose. We know there is no King in England; nor has been since his head fell before Whitehall. You know that you and I and the families are the Kings of England; and our marriages are royal marriages. Let the suburbs call them heartless. Let us say they need the brave heart that is the only badge of aristocracy. Joan,” he said, very gently, “perhaps you have been near a crag in Switzerland, or a marsh covered with flowers. Perhaps you have known–a fisher-girl. But there is something greater and simpler than all that; something you find in the great epics of the East–the beautiful woman, and the great man, and Fate.”

“My lord,” said Joan, using the formal phrase by an unfathomable instinct, “will you allow me a little more time to think of this? And let there be no notion of disloyalty, if my decision is one way or the other?”

“Why, of course,” said Ivywood, bowing over his crutch; and he limped off, picking his way among the peacocks.

For days afterward Joan tried to build the foundations of her earthly destiny. She was still quite young, but she felt as if she had lived thousands of years, worrying over the same question. She told herself again and again, and truly, that many a better woman than she had taken a second-best which was not so first-class a second-best. But there was something complicated in the very atmosphere. She liked listening to Philip Ivywood at his best, as anyone likes listening to a man who can really play the violin; but the great trouble always is that at certain awful moments you cannot be certain whether it is the violin or the man.

Moreover, there was a curious tone and spirit in the Ivywood household, especially after the wound and convalescence of Ivywood, about which she could say nothing except that it annoyed her somehow. There was something in it glorious–but also languorous. By an impulse by no means uncommon among intelligent, fashionable people, she felt a desire to talk to a sensible woman of the middle or lower classes; and almost threw herself on the bosom of Miss Browning for sympathy.