Martin discovered that while he could find Young Girls Hot to Meet You!!!, Big Busted!?! S*xy Moms and a plethora of other opportunities to satisfy his lust and other people’s avarice, he could not find Marijke on the Web. He googled her repeatedly, but she was one of the rare, delicate creatures who managed to exist entirely in the actual world. She had never authored a paper or won a prize; she had kept her phone number unlisted and didn’t partake in any chat rooms or listservs. He thought she must have email at work, but she wasn’t listed in the radio station’s directory. As far as the Internet was concerned, Marijke didn’t exist.
As the days went by, Martin began to wonder if there had ever been a woman named Marijke who lived with him and kissed him and read him Dutch poems about the beginning of spring. Months disappeared, and Martin worked on his crosswords and translations, washed his hands until they bled, counted, checked, admonished himself for washing and counting and checking. He microwaved a monotonous array of frozen foods, ate at the kitchen table while reading. He did his laundry, and the clothes got thinner from too much bleach. He could hear the weather sometimes; rain and sleet, rare thunder, wind. He sometimes wondered what would happen if he stopped all the clocks. The cyber world ran outside of time, and Martin thought that he might cycle around the clock untethered. The idea made him depressed. Without Marijke he was only an email address.
Martin lay in their bed each night imagining Marijke in her bed. Over the years she had become a little plump, and he loved her roundness, he loved the warmth and heft and curve of her under the covers. She snored sometimes, softly, and Martin listened in the dark until he could almost hear her small snores drifting through her Amsterdam bedroom. He would say her name over and over until it devolved into meaningless sounds-mah REI kuh, mah REI kuh-it became an entry in a dictionary of loneliness. He thought of her alone. He never allowed himself to wonder if Marijke might have found someone else. He could not bear to even frame the question in his mind. Only when he had imagined her quite completely, the folds of her face against the pillow, the hump of her haunch under the blankets; only then could Martin let himself sleep. He often woke to find that he had been crying.
As each night passed he found it more difficult to evoke Marijke precisely. He panicked and pinned up dozens of photographs of her all over the flat. Somehow this only made things worse. His actual memories began to be replaced by the images; his wife, a whole human being, was turning into a collection of dyes on small white rectangles of paper. Even the photographs were not as intensely colourful as they had once been, he could see that. Washing them didn’t help. Marijke was bleaching out of his memory. The harder he tried to keep her the faster she seemed to vanish.
Night in Highgate Cemetery
ROBERT SAT at his desk with the lights off, watching through the front windows as Vautravers’ tangled front garden disappeared in the dusk. It was June, and the light seemed to hang there, as though the garden had fallen out of time and become an enormous image of itself. The moon rose, almost full. He got up and shook himself, gathered his night scope and a torch and walked through his flat to the back door. He slipped down the steps quietly; Martin worried about intruders. Robert avoided the gravel path through the back garden, instead squishing across the mossy earth to the green door in the garden wall. He unlocked it and passed through the wall into the cemetery.
He was standing on asphalt, the roof of the Terrace Catacombs. There were steps leading to ground level at both ends of the catacombs; tonight he took the western steps and headed towards the Dickens Path. He didn’t use the torch. It was dark under the thick canopy of leaves, but he had done this route in the dark many times.
He liked Highgate Cemetery best at night. At night there were no visitors, no weeds to pull, no enquiries from journalists-there was only the cemetery itself, spread out in the moonlight like a soft grey hallucination, a stony wilderness of Victorian melancholy. Sometimes he wished he could stroll with Jessica along the dim paths, enjoying the evening noises, the animals that called out to each other in the distance and stilled as he passed. But he knew that Jessica was at home, asleep, and that she would certainly exile him from the cemetery if she knew about his night sojourns. He rationalised, telling himself that he was patrolling, protecting the cemetery from vandals and the self-described vampire hunters who had plagued it in the 1970s and ’80s.
Robert did sometimes meet other people in the cemetery at night. Last summer, for a short while, there had been a railing missing in the spiked iron fence that ran along the southwestern edge of the cemetery. It was during this period that Robert began to see children in the cemetery in the evenings.
The first time, Robert was sitting in the midst of a cluster of graves from the 1920s. He had cleared a place for himself in the tall grass and was sitting very quietly, looking through his video camera with the night vision scope on, hoping to videotape the family of foxes whose burrow was just twenty feet from where he sat. The sun had set behind the trees, and the sky was yellow above the silhouettes of the houses just beyond the fence. Robert heard a rustling sound and turned his camera in that direction. But instead of foxes, the view-finder suddenly filled with the spectre of a child running towards him. Robert nearly dropped the camera. Another child appeared, chasing the first one; little girls in short dresses, running between the graves silently, breathing hard but running without calling out. They were almost upon him when a boy shouted, and they both turned and ran to the fence, squeezed through the gap, and were gone.
Robert reported the broken railing to the office the next morning. The children continued to play in the cemetery in the evenings, and Robert occasionally observed them, wondering who they were and where they lived, wondering what they meant by the strange games they silently played among the graves. After a few weeks a man came and put the fence right again. Robert walked along the street that evening and felt a bit sad as he passed the three children gathered there with their hands on the railings, peering into the cemetery, not speaking.
Robert’s PhD thesis had begun as a work of history: he imagined the cemetery as a prism through which he could view Victorian society at its most sensationally, splendidly, irrationally excessive; in their conflation of hygienic reform and status-conscious innovation, the Victorians had created Highgate Cemetery as a theatre of mourning, a stage set of eternal repose. But as he did the research Robert was seduced by the personalities of the people buried in the cemetery, and his thesis began to veer into biography; he got sidetracked by anecdote, fell in love with the futility of elaborate preparations for an afterlife that seemed, at best, unlikely. He began to take the cemetery personally and lost all perspective.
He often sat with Michael Faraday, the famous scientist; Eliza Barrow, who had been a victim of the notorious serial murderer Frederick Seddon; he spent time brooding over the unmarked graves of foundlings. Robert had whiled away a whole night watching as falling snow covered Lion, the stone dog that kept watch over Thomas Sayers, the last of the bare-fisted prizefighters. Sometimes he borrowed a flower from Radclyffe Hall, who always had an abundance of blooms, and relocated it to some remote and friendless tomb.