Dearest e,

I told you I would let you know-so here it is-goodbye.

I try to imagine what it would feel like if it was you-but it’s impossible to conjure the world without you, even though we’ve been apart so long.

I didn’t leave you anything. You got to live my life. That’s enough. Instead I’m experimenting-I’ve left the whole lot to the twins. I hope they’ll enjoy it.

Don’t worry, it will be okay.

Say goodbye to Jack for me.

Love, despite everything,

e

Edie sat with her head lowered, waiting for tears. None came, and she was grateful; she didn’t want to cry in front of the detective. She checked the postmark. The letter had been mailed four days ago. She wondered who had posted it. A nurse, perhaps.

She put the letter into her purse. There was no need to burn it now. She would keep it for a little while. Maybe she would just keep it. She pulled out of the parking lot. As she passed the detective, she gave him the finger.

Driving the short distance from the beach to her house, Edie thought of her daughters. Disastrous scenarios flitted through Edie’s mind. By the time she got home she was determined to stop her sister’s estate from passing to Julia and Valentina.

Jack came home from work and found Edie curled up on their bed with the lights off.

“What’s wrong?” he asked.

“Elspeth died,” she told him.

“How do you know?”

She handed him the letter. He read it and felt nothing but relief. That’s all, he thought. It was only Elspeth all along. He climbed onto his side of the bed and Edie rearranged herself around him. Jack said, “I’m sorry, baby,” and then they said nothing. In the weeks and months to come, Jack would regret this; Edie would not talk about her twin, would not answer questions, would not speculate about what Elspeth might have bequeathed to their daughters, would not say how she felt or let him even mention Elspeth. Jack wondered, later, if Edie would have talked to him that afternoon, if he had asked her. If he’d told her what he knew, would she have shut him out? It hung between them, afterwards.

But now they lay together on their bed. Edie put her head on Jack’s chest and listened to his heart beating. “Don’t worry, it will be okay.”…I don’t think I can do this. I thought I would see you again. Why didn’t I go to you? Why did you tell me not to come? How did we let this happen? Jack put his arms around her. Was it worth it? Edie could not speak.

They heard the twins come in the front door. Edie disentangled herself, stood up. She had not been crying, but she went to the bathroom and washed her face anyway. “Not a word,” she said to Jack as she combed her hair.

“Why not?”

“Because.”

“Okay.” Their eyes met in the dresser mirror. She went out, and he heard her say, “How was school?” in a perfectly normal voice. Julia said, “Useless.” Valentina said, “You haven’t started dinner?” and Edie replied, “I thought we might go to Southgate for pizza.” Jack sat on the bed feeling heavy and tired. As usual, he wasn’t sure what was what, but at least he knew what he was having for dinner.

A Flower of the Field

ELSPETH NOBLIN was dead and no one could do anything for her now except bury her. The funeral cortège passed through the gates of Highgate Cemetery quietly, the hearse followed by ten cars full of rare-book dealers and friends. It was a very short ride; St Michael’s was just up the hill. Robert Fanshaw had walked down from Vautravers with his upstairs neighbours, Marijke and Martin Wells. They stood in the wide courtyard on the west side of the cemetery watching the hearse manoeuvring through the gates and up the narrow path towards the Noblin family’s mausoleum.

Robert was exhausted and numb. Sound seemed to have fallen away, as though the audio track of a movie had malfunctioned. Martin and Marijke stood together, slightly apart from him. Martin was a slender, neatly made man with greying close-cropped hair and a pointed nose. Everything about him was nervous and quick, knobbly and slanted. He had Welsh blood and a low tolerance for cemeteries. His wife, Marijke, loomed over him. She had an asymmetrical haircut, dyed bright magenta, and matching lipstick; Marijke was big-boned, colourful, impatient. The lines in her face contrasted with her modish clothing. She watched her husband apprehensively.

Martin had closed his eyes. His lips were moving. A stranger might have thought that he was praying, but Robert and Marijke knew he was counting. Snow fell in fat flakes that vanished as soon as they hit the ground. Highgate Cemetery was dense with dripping trees and slushy gravel paths. Crows flew from graves to low branches, circled and landed on the roof of the Dissenters’ chapel, which was now the cemetery’s office.

Marijke fought the urge to light a cigarette. She had not been especially fond of Elspeth, but she missed her now. Elspeth would have said something caustic and funny, would have made a joke of it all. Marijke opened her mouth and exhaled, and her breath hung for a moment like smoke in the air.

The hearse glided up the Cuttings Path and disappeared from sight. The Noblin mausoleum was just past Comfort’s Corners, near the middle of the cemetery; the mourners would walk up the narrow, tree-root-riddled Colonnade Path and meet the hearse there. People parked their cars in front of the semicircular Colonnade, which divided the courtyard from the cemetery, extricated themselves and stood looking about, taking in the chapels (once famously described as “Undertaker’s Gothic”), the iron gates, the War Memorial, the statue of Fortune staring blank-eyed under the pewter sky. Marijke thought of all the funerals that had passed through the gates of Highgate. The Victorians’ black carriages pulled by ostrich-plumed horses, with professional mourners and inexpressive mutes, had given way to this motley collection of autos, umbrellas and subdued friends. Marijke suddenly saw the cemetery as an old theatre: the same play was still running, but the costumes and hairstyles had been updated.

Robert touched Martin’s shoulder, and Martin opened his eyes with the expression of a man abruptly woken. They walked across the courtyard and through the opening in the centre of the Colonnade, up the mossy stairs into the cemetery. Marijke walked behind them. The rest of the mourners followed. The paths were slippery, steep and stony. Everyone watched their feet. No one spoke.

Nigel, the cemetery’s manager, stood next to the hearse, looking very dapper and alert. He acknowledged Robert with a restrained smile, gave him a look that said, It’s different when it’s one of our own, isn’t it? Robert’s friend Sebastian Morrow stood with Nigel. Sebastian was the funeral director; Robert had watched him working before, but now Sebastian seemed to have acquired an extra dimension of sympathy and inner reserve. He appeared to be orchestrating the funeral without actually moving or speaking; he occasionally glanced at the relevant person or object and whatever needed doing was done. Sebastian wore a charcoal-grey suit and a forest-green tie. He was the London-born son of Nigerian parents; with his dark skin and dark clothes he was both extremely present and nearly invisible in the gloom of the overgrown cemetery.

The pall-bearers gathered around the hearse.

Everyone was waiting, but Robert walked up the main path to the Noblin family’s mausoleum. It was limestone with only the surname carved above the oxidised copper door. The door featured a bas-relief of a pelican feeding her young with her own blood, a symbol of the Resurrection. Robert had occasionally included it on the tours he gave of the cemetery. The door stood open now. Thomas and Matthew, the burial team, stood waiting ten feet along the path, in front of a granite obelisk. He met their eyes; they nodded and walked over to him.