He threw the newspaper he had been reading to the ground and jumped to his feet, giving at the same time one of those brilliant smiles that suggested nothing could have come as a more delightful, a less expected, surprise than my own arrival in the room at just that moment. Although I was not exactly taken in by this reception, Robert’s habitual exhibition of good manners never failed to charm me.
‘Pretty well all right now. She is emerging tomorrow. I am going to see her this afternoon.’
‘Do please give her my best love. I ought to have gone to see her in the nursing home myself. Somehow one never gets time for anything. What a bore it has been for you both. I was so sorry to hear about it.’
He spoke with solicitude, at the same time giving the impression that he was still, even at this late stage, unable wholly to conceal his wonder that someone should have chosen Isobel – or any other of his sisters – as a wife; nice girls, no doubt, beings for whom he felt the warmest affection, but creatures to be thought of always in terms of playing shops or putting their dolls to bed.
‘Who will be at lunch?’
‘I’ll tell you. But shall we have the other side of this record first? I am playing them all in the wrong order. I love Les Parfums de la Nuit. I think that is really the bit I like best.’
‘Do you adapt your music to the foreign news, Robert?’
‘Rather suitable, isn’t it? Now that the Alcazar has been relieved things seem to have become a bit static. I wonder who will win.’
He closed the lid of the gramophone, which began once more to diffuse the sombre, menacing notes adumbrating their Spanish background: tawny skies: dusty plains: bleak sierras: black marble sarcophagi of dead kings under arabesqued ceilings: art nouveau blocks of flats past which the squat trams rattled and clanged: patent-leather cocked hats of the Guardia Civil: leather cushions cast upon the sand under posters promulgating cures for impotence and the pox… these and a hundred other ever-changing cubist abstractions, merging their visual elements with the hurdy-gurdy music of the bull-ring… now – through this landscape-baked by the sun, lorries, ramshackle as picadors’ horses, crawled uphill in bottom gear and a stink of petrol now, frozen by the wind and hooded like the muffled trio in Goya’s Winter, Moorish levies convoyed pack-mules through the gorges veiled in snow…
‘I expect you have heard about Erridge,’ said Robert.
‘That the Thrubworth woods will have to be sold?’
‘Well, that, of course. But I mean his latest.’
‘No?’
‘He is going out there.’
‘Where?’
Robert jerked his head in the direction of the shiny wooden cabinet from which Debussy quavered and tinkled and droned.
‘Spain.’
‘Indeed?’
‘Can you imagine.’
‘The International Brigade?’
‘I don’t know whether he will actually fight. As you know, he holds pacifist views. However, he will certainly be on the opposite side to General Franco. We can at least be sure of that. I can’t think that Erry would be any great help to any army he joined, can you?’
The news that Erridge contemplated taking a comparatively active part in the Spanish civil war came as no great surprise to me. Politically, his sympathies would naturally be engaged with the extreme Left, whether Communist or Anarchist was not known. Possibly Erridge himself had not yet decided. He had been, of course, a supporter of Blum’s ‘Popular Front’, but, within the periphery of ‘Leftism’, his shifting preferences were unpredictable; nor did he keep his relations informed on such matters. The only fact by then established was that Erridge had contributed relatively large sums of money to several of the organisations recently come into being, designed to assist the Spanish Republican forces. This news came from Quiggin, who like myself, visited from time to time the office of the weekly paper of which Mark Members was now assistant literary editor.
The fortunes of these two friends, Quiggin and Members, seemed to vary inversely. For a time Quiggin had been the more successful, supplanting Members as St John Clarke’s secretary, finding congenial odd jobs in the world of letters, running away with the beautiful Mona, battening on Erridge; but ever since Mona had, in turn, deserted Quiggin for Erridge, Quiggin had begun to undergo a period of adversity. From taking a patronising line about Members, he now – like myself – found himself professionally dependent upon his old friend for books to review. The tide, on the other hand, seemed to be flowing in favour of Members. He had secured this presentable employment, not requiring so much work that he was unable to find time to write himself; his travel book, Baroque Interlude, had been a notable success; there was talk of his marrying a rich girl, who was also not bad-looking. So far as the affair of Mona was concerned, Quiggin had ‘made it up’ with Erridge; even declaring in his cups that Erridge had done him a good turn by taking her off his hands.
‘After all,’ said Quiggin, ‘Mona has left him too. Poor Alf has nothing to congratulate himself about. He has just heaped up more guilt to carry round on his own back.’
After Erridge’s return from the Far East, he and Quiggin had met at – of all places – a party given by Mrs Andriadis, whose sole interest now, so it appeared, was the Spanish war. Common sympathy in this cause made reconciliation possible without undue abasement on Quiggin’s part, but the earlier project of founding a paper together was not revived for the moment, although Quiggin re-entered the sphere of Erridge’s patronage.
‘I correspond a certain amount with your brother-in-law,’ he had remarked when we had last met, speaking, as he sometimes did, with that slight hint of warning in his voice.
‘Which one?’
‘Alf.’
‘What do you correspond with him about?’
‘Medical supplies for the Spanish Loyalists,’ said Quiggin, pronouncing the words with quiet doggedness, ‘Basque children – there is plenty to do for those with a political conscience.’
The whole business of Mona had made some strongly self-assertive action to be expected from Erridge; to be, in fact, all but certain to take place sooner or later. After leaving Quiggin, with whom she had been living during the period immediately prior to my own marriage, and setting sail with Erridge for China (where he planned to investigate the political situation), Mona had returned to England only a few months later by herself. No one had been told the cause of this severed relationship, although various stories – largely circulated by Quiggin himself – were current on the subject of Mona’s adventures on the way home. She was the first woman in whom Erridge was known to have taken more than the most casual interest. It was not surprising that they should have found each other mutually incompatible. There was nothing easy-going about Mona’s temperament; while Erridge, notwithstanding passionately humane and liberal principles, was used to having his own way in the smallest respect, his high-minded nonconformity of life in general absolving him, where other people were concerned, from even the irksome minor disciplines of everyday convention.
By leaving her husband, Peter Templer, in the first instance, Mona had undeniably shown aims directed to something less banal than mere marriage to a comparatively rich man. She would certainly never have put herself out for Erridge in order to retain him as husband or lover. What she did, in fact, desire from life was less explicable; perhaps, as Templer said after she left him, ‘just to raise hell’. She had never, as once had been supposed, got herself married to Quiggin, so no question existed of further divorce proceedings. The Tolland family were less complacent about that fact than might have been expected.
‘Personally, I think it was the greatest pity Erry failed to hold on to Minna, or whatever her name was,’ Norah said. ‘She sounds as if she might have done him a lot of good.’