"You fucking fuck, DeRaad. You fucking tourist." Most of the quarantine ships were huge; pocked and used-looking; alive with the dim crawling lights of beacons and particle dogs. Typically you found old pipeliners that had worked the Carling line, obsolete Alcubiere warps the size of planetisimals even with their relativity drivers torn off, anything with a thick strong hull, especially if it was easy to reinforce further. Other things they had in common: they were mined, with high-yield, top-shelf assets from the EMC catalogue; and their hatches were welded tight. No one was sure what kind of atmosphere they now contained, if any. Inside, whatever their age or origin or state of outer preservation, they had only two qualities: pitch dark or light too bright to bear. Hundreds of them, as far as you could see, rolling around forever in gluey braided orbits, drifting together and then apart. Once in six months, complex resonance effects put them on collision courses. Alarms went off. An engine fired for a millisecond or two in the dark. For a day or two afterwards the vacuum between the hulks took on an ionised look, as phase-changes rippled through a smart gas of nanodevices designed to monitor hull thickness, skin temperature, core temperature, and emissions in all regimes including, curiously, soundwaves, generated by so-far undescribed events inside.

How many human beings were stored in the quarantine orbit? How many escapes did they represent?

No one knew.

Any number of smaller vessels could be found drifting between the hulks. They were still volatile. Their trajectories were impossible to map. They were a danger to everything with their fragile contemporary hulls and lively contents. They still had windows and hatches. One of them was the K-ship Poule de Luxe, originally on grey ops out of Radio Bay, but lately seconded to Quarantine.

Poule de Luxe, everyone's favourite survivor of the Nastic Wars, tumbled aimlessly end over end, her armaments extending and retracting meaninglessly, her riding lights off. She had come a long way since exfiltrating Paulie DeRaad from the Saudade Lots. When they understood it was too late to find DeRaad a place in a hygiene facility-too late not just for Paulie but for themselves- the vacuum commando had tried to steal her. To their credit they got halfway across the Halo before her K-captain regained control. It had been a long flight back. There had been some problems. There had been shrieks and screams from the human complement as they realised fully what Paulie had brought them. Now, its mission completed, the mathematics had switched itself off. The K-captain had switched herself off too, in case she could be extracted at a later date. Power was down.

Aft, in the crew quarters, it was cold but not dark. Charred and buckled bulkheads contained the escape, which presented, like the majority of escapes, as a loose, luminous fluid medium sometimes the consistency of rice pudding or lentil soup, sometimes having the visual qualities of a pool full of chlorinated water agitated gently in powerful sunlight; often too bright to look at, and developing intricate internal flows independent of input. If there was code in there, no one knew what it was doing. No one knew how it bound to the substrate of proteins and nanomech. It looked beautiful, but stank like rendered fat. It would absorb you in seconds. Was it an end-state? Was it a new medium? No one knew. The hulks were full of it. No one knew what to do with it. No one knew what it was: except that, in this case, in a previous life, some of it had been a Saudade gangster and some of it had been his friends from EMC. Shock fronts raced through it. Random state changes were precipitated. Every so often a shape assembled itself with difficulty and made its way to the porthole, and a barely audible voice whispered:

"Wow. Fuck. See that? Alcubiere, right off the port bow! See?" Hard to know if the shape was Paulie; if he was able to retain that much of a sense of himself. But perhaps nothing is hopeless, and perhaps he had found a way to enjoy life again. Meanwhile the remainder of the mass boiled resentfully and said: "DeRaad, you cunt."

Edith Bonaventure, in the aftermath of Emil's death, found it hard to know what to do with herself. She worked the port gate and the tourist traps. She visited a new bar every night, after which she went home determined to throw out Emil's things, and couldn't, and couldn't sleep either, and in her state only ended up sitting on the floor as if he was still alive, reading his journals aloud.

"The site," he had written, "behaves just like a child with a secret. No one must know, but everyone has to try and guess."

Edith had other needs than working her father through her life and into his proper place, if ever that turned out to be possible. These needs were less readily defined. They sent her to the fights in the soft early darkness of summer evenings, but at Prefer Coeur the smells of fried food, alcopops and haemoglobin held less goodness than before. (You can claim, and people do, that every fighter is different: but it is a difference, Edith had begun to feel, that works itself out within sameness: so that when you've seen one monster cock you've truly seen them all.) They sent her to stand in the pool of light outside the Uncle Zip and Nueva Cut franchises, but though she wanted to be new, she couldn't believe in newness; though she wanted to travel, she was reluctant to leave. Window shopping Straint Street one early evening, for a cheap deal on a different self, she passed the Black Cat White Cat bar, where she saw the notice in the window and inside found the barkeep standing in the usual trance behind the zinc counter.

"Do you really want to sell this place?"

Liv Hula, who had spent the morning wiping arcs in a decade's dirt and the afternoon in bed, yawned and said, "It isn't much."

"I see that."

"For instance, that wall was white when I came here."

Edith tuned out. She closed her eyes, so that when she opened them again they would be adjusted to the gloom. The first thing she saw was the light running like water over black floorboards, reflecting off the bottles behind the bar, seeping into the plastered wall, which remained yellow despite the barkeep's efforts. She saw the mismatched tables of different heights with their chrome legs and chipped marble tops; and above them, up in the ceiling corners, the cobwebby mass of shadow operators. She saw the wet cloth on the zinc bar. There were two or three customers at tables but she could tune them out too-she could see that there were times of day when almost no one came into Black Cat White Cat because it was too late to eat and too early to get bagged. She went to the window and looked up and down Straint Street, which for a moment she visualised as a new Globe Town: after Edith started her business people would come home at night to live there, or at least visit for more than just a makeover. That wasn't quite it, though. That wasn't what you wanted from a bar. Nevertheless she said:

"You know what I see here?"

"What."

"Nothing yet. But I hear music. That's the thing I hear."

"Can I get you a drink?" Liv asked.

Edith said she could. She could make it rum. "You can make it rocks." She put half the drink down her in one brisk move, then leaned on the bar. "At any time," she felt bound to point out, "you could have had the shadow operators clean the walls for you."

"It wouldn't seem authentic."

"I'll never be sentimental that way," promised Edith.

Between them they contemplated the implications of this form of words. Eventually, Liv said, "Maybe you don't remember me. You were here before." This received no response. "I was sorry," she pressed, "about what happened with you and Vic."

"I don't think about him," warned Edith.

They talked another five minutes in the same fashion, during which Liv's beach bunny came downstairs and smiled shyly at Edith. "Hey," he said. He poured himself a glass of tapwater, put his arm round Liv's waist while he drank it thirstily and wandered off to stand in the doorway where the illumination slanting in from the street could show off his legs through the calf-length unbleached linen pants he wore. Liv made more drinks. Then Edith asked what Liv wanted for the bar, and Liv told her, adding, "There is accommodation upstairs. Though the plumbing is not complete at the moment."