Over the street from Black Cat White Cat it was the usual frontages, busted and askew, buildings which had lost confidence in their structural integrity and which now housed shoestring tailor operations specialising in cosmetics or one-shot cultivars. You couldn't call them "parlours." The work they did was too cheap for that. They got a trickle of stuff from the Uncle Zip and Nueva Cut franchises downtown; also they took work from the Shadow Boys, work like Joe Leone. Just now Joe was pulling himself down Straint using the fences and walls to hold himself up. His energy ebbed and flowed. He would fall down, wait for a minute, then struggle up again. It looked like hard work. You could see he was holding something in down there with one hand while he leaned on the fence with the other. The closer he got the more puzzled he looked.
Antoyne made a tube out of his two damp fists and said through it in the voice of a sports commentator at Radio Retro:
"… and will he make it this time?"
"Be sure to let us know when you join the human race, Antoyne," Liv Hula said. The fat man shrugged and turned away from the window. "It's no bet," he said in his normal voice. "He never failed yet."
Joe kept dragging himself down Straint. As he approached, you could see the tailors had done something to his face so it had a crude lion-like cast. It was white and sweated up, but it didn't move properly. They had given it a one-piece look as if it were sculpture, even the long hair swept back and out from his big forehead and cheekbones. Eventually he fell down outside one of the chopshops and stopped moving, and after a couple of minutes two men almost as big as him came out to drag him inside.
Joe started to fight when he was seven.
"Never strike out at the other, son," his father would explain in a patient way, "because the other is your self."
Joe Leone didn't follow that, even at seven years old which everyone agreed was his most intelligent time. He liked to fight. By twelve it was his trade, nothing more or less. He signed with the Shadow Boys. From that time on he lived in one-shot cultivars. He liked the tusks, the sentient tattoos and the side-lace trousers. Joe had no body of his own. It cost him so much to run those cultivars he would never save up enough to buy himself back. Every day he was in the ring, doing that same old thing. He was getting pretty well messed up. "I lost count the times I seen my own insides. Hey, what's that? Lose your insides ain't so hard. Losing a fight, that's hard." And he would laugh and buy you another drink.
Every day they dragged the fucked-up cultivar out the ring, and the next day Joe Leone had been to the tailor on Straint and come out fresh and new and ready to do it all again. It was a tiring life but it was the life he loved. Liv Hula never charged him for a drink. She had a soft spot for him, it was widely acknowledged.
"Those fights, they're cruel and stupid," she told the fat man now.
He was too smart to contradict that. After a moment, looking for something else to quarrel over, he said, "You ever do anything before you kept bar?"
She brought out a lifeless smile for him to consider.
"One or two things," she said.
"Then how come I never heard about them?"
"Got me there, Antoyne."
She waited for him to respond, but now something new on Straint had caught his attention. He wiped the window glass again. He pressed his face up against it. "Irene's a little late today," he said.
Liv Hula busied herself suddenly behind the bar.
"Oh yes?"
"A minute or two," he said.
"What's a minute or two to Irene?"
The fights were a dumb career, that was Liv Hula's opinion. They were a dumb life. Joe Leone's whole ambition was as dumb as his self-presentation until he met Irene: then it got worse. Irene was a Mona who had a good track record working the noncorporate spaceport. She was what you call petite, five three in transparent urethane heels and full of appeal with her flossy blonde hair. Like all those Uncle Zip products she had something organic about her, something real. She watched Joe Leone at the fights and after she smelled his blood she couldn't leave him alone. Every morning when he came home to the tailor's, Irene was there too. Between them they summed up the sex industry and the fight industry. When Joe and Irene were together you couldn't be sure which industry was which. They were a new form of entertainment in themselves.
Irene commenced to hammer at the chopshop door.
"How long you think they'll let her shout before they open up?" Fat Antoyne asked. Liv Hula had found a map-shaped stain on the zinc bartop, which she stared at with interest.
"I don't know why you're asking me," she said.
"She's got feelings for him," said Antoyne, to press his advantage. "That's undeniable. No one questions that. Jesus," he added to himself, "look at those tits."
He tried to imagine Joe Leone, dead and liquefied while his bones and organs reassembled themselves and Irene gave him the Mona side of her mouth. The joke was, Irene's opinion was no different than Liv Hula's. Every morning she made them fetch her an old wooden chair and put it at the head of Joe's tank, with his faded publicity slogan on it, Hold the painkillers. There she sat, ignoring the pink flashing LEDs, which were for show anyway, while the tank proteome slushed around like warm spit, cascades of autocatalysis through a substrate of forty thousand molecular species, flushing every twenty minutes to take off what unwanted product the chemistry couldn't eliminate. She hated the sucking noises it made.
One day you won't get back, she would tell the Lion. One more fight and you're fucked with me. But Joe was an algorithm by now, somewhere off in operator space. He was choosing new tusks from the catalogue, he was getting tuning to his glycolytic systems. He couldn't hear a word.
Oh Joe, I really mean it, she'd say. One more fight.
Liv Hula sometimes watched the rockets too.
Near dawn, you got her and the fat man standing by the window together as two tubby brass-looking freighters lifted from the corporate yard. Then a K-ship exited the military pits on the hard white line from its fRAM engine. In the backwash of light a warmer expression came on her face than you would expect. By then the Kefahuchi Tract had begun to fade from the sky, which was tilted like a lid to show one thin eastern arc of pale green, false dawn. Offshore winds would come up soon and, forced along the narrow pipe of Straint Street, churn the low-lying fogs of the event site. That would be the signal for all sorts of people to start the day. Liv Hula and Antoyne the fat man watched the K-ship cut the sky like scissors.
"You ever fly one of those, Antoyne?" she remarked.
He blinked and turned his head away. "There's no need for that," he said. "There's no need for sarcasm like that."
Just then, Vic Serotonin came back in the bar, walking quickly and looking behind him. He had the air of someone whose morning was already off its proper track. His face was white, with a graze on one cheek leaking beads of blood. He had waded through oily water not long ago it seemed; and his zip-up gabardine jacket had one sleeve half off at the shoulder-as if someone had held on to it while they fell, Liv Hula thought immediately, although she did not know why.
"Jesus, Vic," she said.
"Get me a drink," Vic Serotonin said.
He walked halfway across the room as if he was going to drink it at the counter, then changed his mind and sat down suddenly at the nearest table. Once there he didn't seem to know what to do. A few shadow operators detached themselves from the ceiling to examine him; he stared through them. "Shit," he kept saying in a quiet, surprised way. After a while his breathing calmed down.
The fat man forgot his hurt feelings as soon as Vic came in. He pulled up a chair and began to tell Vic some story, leaning into it in his enthusiasm so his soft body enveloped the table-edge. His voice was quiet and urgent, but you could hear the odd word,