He went to the door calm and happy, but when he looked back she was still at the window. "This is the right time to go," Vic encouraged her. When he took her by the shoulders, though, there was that tautness so permanent, so designed-in, so far down in her it was like touching some stretched internal membrane and pausing to wonder what you would do next. Elizabeth seemed to understand this. Caught between Vic and the window, she twisted into him; pulled his face towards hers and bit him sharply. "Fuck," Vic said. He let her go and put his hand to his cheek. She knelt down, worrying inefficiently at his clothes, then her own. "Yes," she said, "fuck. Fuck. Get in me, Vic," she said. "I want something to take in with me."

He stared at her.

"Christ, Vic, don't you see? Fuck me while I look at it."

That was how the man who resembled Albert Einstein found them. He arrived in the doorway-excited from driving his Cadillac, a little out of breath from the stairs-and remarked to his assistant, who was standing next to him giving Vic her flat smile:

"They're hot, these two. I never saw two this hot."

"We're always getting lots of Vic on Elizabeth action," she agreed. "Lots of girl on girl."

Vic reached for his Chambers pistol: the assistant's tailoring, which had reactions down in the millisecond range, turned itself on in response: there was a blur of motion from her, during which she seemed to be in several places at once, and then an actinic flash, in the aftermath of which nothing much could be seen at all except Aschemann by the door looking old, white-faced, perplexed; and Elizabeth Kielar, who jumped neatly into the hole in the floor and vanished, only to reappear a little later sprinting and weaving across the Lots towards the site boundary. Aschemann's assistant strode calmly to the window and began to shoot at her. Chambers bolts curved slowly down through the rain, making a noise like defective neon and setting fire to the thin vegetation.

"Stop that," Aschemann said. His voice tones shut down the assistant's tailoring and she stared at him angrily.

"You see?" he appealed to Vic.

"Yes," Vic said. Something had happened to his arm; it was tnumb to the shoulder and he hadn't even seen her move. "Vic, I told you she could drink you with a glass of water!" Vic rested on the floor. He stared out the window. He'd been arrested before, but he had no dependable sense of what would happen next. Meanwhile Elizabeth Kielar was nowhere to be seen. Fuck me while I look at it. In the end that was what most of his clients wanted. They never got any further than the Lots. They had sex with you in open view of the thing out there-as if that was how they understood it; not as a state of affairs but as a live thing, perhaps even a conscious thing, they wanted it to be watching when they came-and then didn't speak on the way back. It was just a choice that made life more interesting. Vic wouldn't say he made his living from that impulse, or that he had any opinion about it; but the risk was lessened for everyone when that was what the client wanted. Though her resources were in disarray, he didn't think it was like that with Elizabeth Kielar; and he was beginning to regret how little he had discovered about her sense of herself.

They took Vic out on to the Lots and put him in the back of the pink '52 Cadillac repro while Aschemann sat in the front and lit his pipe. At the same time the detective got a dial-up to the police bureau. "It's no problem," he said, shaking out a match, pulling open the dashboard ashtray, smiling and nodding at Vic. "The weather's more of a problem this morning. He's here, he's fine, we kept him in one piece. No, that's other business." While Aschemann was talking, the assistant walked impatiently up and down outside the car. Every so often she stopped and peered across at the event site, as if she had seen something no one else could. The outline of her body rippled a little as her tailoring, pumped and excitable from its encounter with Vic, cut in and out; the data-bleed ran red and green pictographs interspersed with jet-black oriental-looking characters in rows down her forearm. She leaned into the car and smiled amiably in Vic's face, as if she would like to start a conversation.

"Vic," she said, "what I've got switches offwhat you've got. Do you follow? That's why your arm hurts so."

"Go and look for his client," Aschemann ordered.

Vic said, "Her name's Elizabeth. She's nervous; it might make her difficult. Please try not to shoot her for that." The assistant glared at him, then down at her datableed. Then she jogged off through the rain.

"Don't go in the site," Aschemann called after her.

He examined the bowl of his pipe, then-as if they were of equal value in a wider context-turned his attention to the event site. Something vast and orange-coloured flew up into the air, but you could barely see it through the rain. It hung there for a moment then folded itself sectionally until it disappeared. The whole incident was over in forty seconds, and there was no way of describing the accompanying noise. Aschemann watched with a kind of calm approval. "A slow day today," he said. "A few hours ago, it was quite different. Down by the Cafe Surf, it bowled me over." He seemed delighted by the memory. "Literally, physically. Our friend Antoyne too. Today, I think a wave is coming, nothing happens."

Vic Serotonin shrugged. "You wouldn't find it so quiet inside," he predicted. He wanted to make it clear that while the detective was perfectly entitled to an opinion, of the two of them Vic had the bulk of the experience. "How was Fat Antoyne?"

"A little upset."

"Antoyne feels things more than he'll admit."

"I still want to go in, Vic."

"Why?"

"Because my wife's in there. What we're seeing is the life-cycle of a new species of artefact, and I think my wife was one of them."

Vic made so little of this he didn't know how to respond. "What species?" he said eventually.

"Walk round the centre of Saudade any night, visit the clubs, the shooting galleries, the music venues. That species. Or come and see them in the holding cells, fresh from the Cafe Surf and still gazing around like idiots, wondering how they came to be on our side of things. They love it-who wouldn't? Who doesn't love sex, fried food, hard drugs? The tough ones do what anyone would, get a room, go to ground, wait out their appetites, pupate; they look wounded but that's because they're just not us. They try to make contact, they try to strike up a conversation with our world, or someone in it. They're here for a change of state, but we're too much who we are to have any idea what that might consist of. While you think they're human you see them as having interesting qualities, but they're only confused. They're like insects, Vic: after a few years, whatever instinct drove them out of the site takes over and drives them back in again."

It was a two-way traffic, he said, one which, as a result of their own anxieties, people like himself had overlooked from the outset. "Ever since the Tract fell to earth, we thought we knew what an escape looked like. It didn't look human. It looked like a catastrophe. We were clear on that, we could make rules for that. You've seen them in the quarantine centres, Vic: half-flesh, half-artefact, falling to pieces, speaking in tongues while the daughter code pours out of their mouths like light to infect a whole city block. We weren't prepared for anything more subtle."

"Your wife's dead," Vic said. "Everyone knows that."

Aschemann stopped talking immediately. Tears ran out of the corners of his eyes.

"I'm sorry," Vic said.

They stared at one another in discomfort.

"This rain," Aschemann said, holding one palm out flat. "Do you ever wish you were on some other planet?" He wiped the rain off his face, which looked tired and unkempt. He fiddled with the dashboard ashtray. Then he had a brief exchange with his assistant by dial-up, which he concluded by telling her, "Come back now. You're wasting everyone's time. Vic wants to get his arrest over with, and be put in a nice cell." A minute or two later she appeared quietly out of the Lots, her face, hands and gun beaded with water. "You can sit in the car," Aschemann said, patting the bench seat beside him. "Come and sit here in the driver's seat, the way you like. Put the convertible roof up if you're wet."