"I came to give up Vic," he said.

"That will put a different gloss on it," the detective admitted. "Also, I remembered you don't like the music there. Come with me, then, let's stare this thing right in the eye, you can tell me everything you know about it." He took Antoyne's arm and urged him to look across the old fence into the site, marvelling, "A piece of the Kefahuchi Tract! A piece of the heart of things that fell to earth! I'm afraid of it, Antoyne, I don't mind admitting; I'm afraid of what it means to us, and that's why I asked you how you felt." All he got in response was the white of Antoyne's eye. The fence wire was so rusty it fell apart at a touch, into a kind of wet grit. Rubbing a little of it between his fingers, the way you might crush a leaf of mint, Aschemann smelled the strong iron smell. "No one's replaced this since the original event," he guessed. "Antoyne, why would you want to give up Vic Serotonin?"

"I don't like it here," Antoyne decided suddenly.

Aschemann kept hold of his arm. "But you're used to it, a man like you. Vic's been in and out by this route all year."

Antoyne laughed.

"No one in their right mind would go in from here," he said. "Is that what you thought? Vic would jump off from here? Look at it!" There was no aureole to speak of, there was only the thinnest skin between the different states of things. You would be straight into the worst of it without warning. "Look at the air over there!"

It was like a heat shimmer, only cold and dark, and its very existence seemed to bring home to Antoyne the falseness of his position. "I'm hanging by a thread here," he complained. After a short struggle, he detached himself from Aschemann's grip and began to walk rapidly away from the wire, out from under the pier and into the wind and rain, his rainslicker flapping and cracking wildly. "I never went in there with Vic or anyone else," he called over his shoulder.

Aschemann, stumbling after him, heard none of it. Even as they talked, something had been changing on the other side of the fence; halfway to the safety of the Cafe Surf the wavefront bowled them over. Fat Antoyne knelt in the wet sand, opening and closing his mouth, while the detective, temporarily unable to order his legs, stopped and stared out to sea, where he believed he could see, moored in broad daylight, two or three ancient, rusting cargo vessels. An electric current appeared to be arcing between his clenched jaws. "Irene won't like what you've done to your nice suit," he made himself say. At that, Antoyne's face turned up, dead white in the streaming rain.

"I got the information. Where Vic'll start from tomorrow. Who the client is. But it's reasonable I get money for it."

Aschemann continued to stare out to sea.

"I could find you something," he conceded vaguely.

The rain drenched Antoyne. It poured down his face. His hands and knees made large smooth dimples in the sand, spacetime curves in a surface that seemed elastic with water. "More than something," he said. "I supported Vic in his ambitions, like all those Black Cat White Cat people. But I got to admit now he didn't truly reciprocate, and it's time to take back from him the responsibility for my life." He looked up at the detective. "It was a waste of my heart the day I tried to be friends with a man as lonely as Vic Serotonin, and this is the only favour he'll ever do me."

But Aschemann wasn't listening; his eyes were focused off to the side, in that vague way people have when they are taking a dial-up.

"Hello, Paulie," he said.

Only shortly after these events, across the city in Globe Town, Edith Bonaventure woke guiltily from a dream in which she was thirteen years old and nationwide, a dream like the glitter of accordion chrome in smoky light, expanding and contracting as queasily as accordion bellows in that way which seems to the listener to bear only the most cursory relationship to the music produced: a repeating dream which, despite its general noise and dancing and evident nostalgic glamour, she sometimes thought, did not have her best interests at heart. Globe Town, by contrast, presented to itself-or at least to the waking Edith-as quiet and dark, a little triangle of gentrified streets still faintly resonant with some recent displacement of air, some implacable release of energy, some outrage committed on one kind of physics by another. A great tour ship (probably, Edith thought, the Beths/Hirston Skeleton Queen, destination Santa Muerte, brochured as "Planet of the Alphane Moons," fifty lights or more down the Beach) had just left its berth for the parking orbit.

Edith got her feet over the side of the bed. "If you think I'm believing any of that," she told her dream, "you're wrong." The floor was cold, her nightdress tangled around her waist, as if making music in your sleep was as much of a struggle as making it awake. She knew better than to blame the Skeleton Queen for waking her; more probably it was Emil's kidneys. "Hey," she called up to him, "don't do anything, I'm on my way. It's OK. Leave it to me. It's OK whatever you did."

No answer.

"I'm coming," she called.

Emil had crawled under his bed and become wedged at the hips. She attempted to haul him out. "Hey, are you trying to help?" she said. "Because don't."

"We're fucked, Billy. Those things out there aren't human. Whatever we do now is the end of us."

"Come on, Emil, it was only a cruise ship."

"Look at that fucker! That's better than any floating pile of shoes!"

The room was dark, though random blue and green lights crawled across the walls: hard ultraviolet, absorbed from the tour ship's exhaust flare by a system of fluorescent butterfly-scale pigments and tailored Bragg reflectors in Emil's smart tattoos, now re-emitted in the visible spectrum. The departure of the Skeleton Queen had also brought on a mild fit, during which his bowels, it seemed, had let go. Edith, exhausted and suddenly depressed, began to wonder what she was doing here-what either of them had ever been doing, wherever they were. She lay on the floor near her father and started crying. "You don't help me," she said, turning angrily away from him like a wife. "I have to do all this myself." And then, turning back, "We came in from the stars, Emil, but the stars were our home. We gave up all that fun so you could go mad."

Emil returned her stare dubiously. "This isn't the only bed I've ever been under."

Edith wiped her hand across her tears and laughed.

"I know," she said.

"You know why I think I get this?" he said. "Neuronal soft errors. We're all brain-fried in Globe Town. Seriously, we should move somewhere safer. Those departures are a quantum jockey's nightmare."

"You get this because you left your mind in the site."

"That too," he admitted. Then: "If anything, the arrivals are worse."

"Jesus, Emil, you really smell."

"If you pull my arm I think I can push with my other leg."

Eventually, in the weird fading light his tattoos had stored up out of the physics bounty of the Skeleton Queen, she extricated him and cleaned him up. She spread fresh twill sheets on the bed and got him back into it. She propped him against the pillows and sat beside him. He looked nice. "You look nice," she told him, "like a proper old man. You even have that thin white hair the best old men have." When she was sure he was asleep again, she went downstairs and sat in a chair leafing through a volume of his site journal dated fifteen years before. The room cooled. It stayed night. Looking up occasionally at the rows of teen costumes on the walls, like afterimages of herself in some scientifically inexplicable medium, Edith found she had forgotten where she was, or what part of her life she was in. "Go to sleep in here, you dream entirely in tiny mad paintings," Emil had written. "This is what I got last night: a man spews up a snake, someone else is helping him. They entwine, bent in the shapes of alien body language." She was dozing over this when Vic Serotonin dialled up.