Twenty minutes to nine I called Nettie. "Did you see my rate book before I left?"

"Indeed I didn't, Mr. Huff."

"I need it, and I don't know what I did with it."

"You mean you lost it?"

"I don't know. I phoned Joe Pete, and he can't find it, and I can't imagine what I did with it."

"I can run in, if you want, and see if I can-"

"No, it's not that important."

"I didn't see it, Mr. Huff."

Nettie lives in Burbank, and it's a toll call. The record would show I called from the house at 8:40. As soon as I got rid of her I opened the bell box and tilted half a visiting card against the clapper, so if the phone rang it would fall down. Then I did the same for the doorbell clapper, in the kitchen. I would be out of the house an hour and a half, and I had to know if the doorbell rang or the phone rang. If they did, that would be while I was in the bathroom taking a bath, with the door shut and the water running, so I didn't hear. But I had to know.

Soon as I had the cards fixed I got in my car and drove over to Hollywoodland. It's just a few minutes from my house. I parked on the main street, a couple of minutes' walk from the house. I had to be where a car wouldn't attract any attention, but at the same time I couldn't be so far off that I had to do much walking. Not with that foot.

Around the bend from the house is a big tree. There's no house in sight of it. I slipped behind it and waited. I waited exactly two minutes, but it seemed like an hour. Then I saw the flash of headlights. The car came around the bend. She was at the wheel, and he was beside her with his crutches under his elbow on the door side. When the car got to the tree it stopped. That was exactly according to the play. Next came the ticklish part. It was how to get him out of the car for a minute, with the bags in back and everything all set, so I could get in. If he had been all right on his two feet there would have been nothing to it, but getting a cripple out of a car once he gets set, and especially with a well person sitting right beside him, is like getting a hippopotamus out of a car.

She opened up just like I had coached her. "I haven't got my pocketbook."

"Didn't you take it?"

"I thought so. Look on the back seat."

"No, nothing back there but my stuff."

"I can't think what I've done with it."

"Well, come on, we'll be late. Here, here's a dollar. That'll be enough till you get back."

"I must have left it on the sofa. In the living room. "

"Well all right, all right, you left it on the sofa in the living room. Now get going."

She was coming to the part I had taken her over forty times.

She was all for asking him to step out and get it. I finally beat it into her head that if she did that, she was just setting herself up to him to ask her why she didn't step out and get it, so he wouldn't have to unlimber the crutches. I showed her that her only chance was to talk dumb, not start the car, and wait him out, until he would get so sore, and so worried over the time, that he would make a martyr out of himself and get it himself. She kept at it, just like she was coached.

"But I want my pocketbook."

"What for? Isn't a buck enough?"

"But it's got my lipstick in it."

"Listen, can't you get it through your head we're trying to catch a train? This isn't an automobile trip, where we start when we get ready. It's a railroad train, and it goes at nine forty-five, and when it goes it goes. Come on. Start up."

"Well if you're going to talk that way."

"What way?"

"All I said was that I wanted my-"

He ripped out a flock of cusswords, and at last I heard the crutches rattling against the side of the car. As soon as he was around the bend, hobbling back to the house, I dove in. I had to dive in the front door and climb over the seat into the back so he wouldn't hear the back door close. That's a sound that always catches your ear, a car door closing. I crouched down there in the dark. He had his bag and his briefcase on the seat.

"Did I do it all right, Walter?"

"O.K. so far. How did you get rid of Lola?"

"I didn't have to. She was invited to something over at U.C.L.A. and I took her to the bus at seven."

"O.K. Back up, now, so he won't have so far to walk. Try and smooth him down."

"All right."

She backed up to the door and he got in again. She started off. Believe me it's an awful thing to kibitz on a man and his wife, and hear what they really talk about. Soon as she got him a little smoothed down, he began to beef about Belle, the way she passed things at dinner. She panned Belle for the way she broke so many dishes. Then they got switched off to somebody named Hobey, and a woman named Ethel, that seemed to be his wife. He said he was through with Hobey and Hobey might as well know it. She said she used to like Ethel but the high-hat way she's been acting lately was too much. They figured it out whether they owed Hobey and Ethel a dinner or the other way around, so they found out they were one down, and decided that after they knocked that one off that was going to be the end of it. When they got that all settled, they decided he was to take a taxi wherever he went, up in Palo Alto, even if it did cost a little money. Because if he had to slog along on crutches everywhere he went, he wouldn't have a good time, and besides he might strain his leg. Phyllis talked just like he was going to Palo Alto, and she didn't have a thing on her mind. A woman is a funny animal.

Back where I was, I couldn't see where we were. I was even afraid to breathe, for fear he'd hear me. She was to drive so she didn't make any sudden stops, or get herself tangled in traffic, or do anything that would make him turn his head around to see what was back of us. He didn't. He had a cigar in his mouth, and lay back in the seat, smoking it. After a while she gave two sharp raps on the horn. That was our signal that we had come to a dark street we had picked out, about a half mile from the station.

I raised up, put my hand over his mouth, and pulled his head back. He grabbed my hand in both of his. The cigar was still in his fingers. I took it with my free hand and handed it to her. She took it. I took one of the crutches and hooked it under his chin. I won't tell you what I did then. But in two seconds he was curled down on the seat with a broken neck, and not a mark on him except a crease right over his nose, from the crosspiece of the crutch.

Chapter 6

We were right up with it, the moment of audacity that has to be part of any successful murder. For the next twenty minutes we were in the jaws of death, not for what would happen now, but for how it would go together later. She started to throw the cigar out, but I stopped her. He had lit that cigar in the house, and I had to have it. She held it for me, and wiped the end of it as well as she could, while I went to work with the rope. I ran it across his shoulders, just below the neck, under his arms, and across his back. I tied it hard, and hooked the handle on, so it caught both sections of the rope, and drew them tight. A dead man is about the hardest thing to handle there is, but I figured with this harness we could do it, and do it quick.

"We're there, Walter. Shall I park now or drive around the block?"

"Park now. We're ready."

She stopped. It was on a side street, about a block from the station. That stumped us for a while, where to park. If we went on the regular station parking lot, it was a 10 to 1 shot that a redcap would jerk the door open to get the bags, and we'd be sunk. But parking here, we would be all right. If we got a chance, we were to have an argument about it in front of somebody, with me complaining about how far she made me walk, to cover up on something that might look a little funny, later.