"She didn't mind me being a teacher. Don't think that. She just wanted me to be an important teacher. She was getting a little bored with cooking dinner for me and a few students, and playing the Threepenny Opera record in the living room afterward. A hungry woman, my Sandra. Wanted me to realize myself, to be everything she knew I could be. A hungry woman. Very sexy, though. She had beautiful hair."

He was silent then, standing in front of the dirty white building, throwing no shadow on the barred door.

What a fine spot for a few words, Mr. Rebeck thought, from a wise and understanding man. I must write away for one. Perhaps I could put an advertisement in the paper. The raven could figure out something. We could have a wise and understanding man in residence. Somebody ought to.

Michael was looking straight in front of him. Now, without turning his head, he said quietly, "Your lady's coming."

"What?" Mr. Rebeck asked. "Who's coming?"

"Way the hell down the path. Can't you see her?"

"No." Mr. Rebeck came slowly to Michael's side. "No, not yet. Tell me."

"You know the one. The widow. The one who's got a husband buried around here."

"I know her," Mr. Rebeck said. He stood on tiptoe and strained his eyes. "Yes, I do see her."

"Probably coming to visit her husband again," Michael said. He glanced sideways at Mr. Rebeck.

Mr. Rebeck bit a knuckle, "Oh dear," he said. "Oh. Lordy."

"You seem nervous. Anticipatory, one might say. Shall I go away somewhere and count my toes?"

"No, no," Mr. Rebeck said quickly. "Don't do that." He began to take shuffling steps backward, still watching the small figure that approached.

"Taking rather the long way around to visit her husband, isn't she?"

"Yes. I was just thinking that."

"If you're trying to hide behind me," Michael said, "it seems a little pointless."

Mr. Rebeck stopped moving backward. "I wasn't hiding. But I wish I could think of something to say to her. What can I say?"

"Something beautiful," Michael replied carelessly. He began to drift off slowly, like a lost rowboat. "Something crippled and beautiful."

"I wish you'd stay," Mr. Rebeck said.

"I thought I'd go and see about Laura. You've got company. She may want some." He grinned at Mr. Rebeck over his shoulder. "Just be darkly fascinating."

Mr. Rebeck watched him wander along the path. His head was high, higher than he usually carried it. Sometimes he kicked lightly at a pebble or a spring-rotten twig, but not as if he expected them to move. Mr. Rebeck found himself holding his breath as Michael approached Mrs. Klapper, half expecting to see the woman blurred for a moment, as when a thin pulling of cloud passes over the sun. Later he did not remember having had this feeling, but he was to have it several times more and not remember those times either.

But the two figures met on the path that was only wide enough for one, and neither gave way; nor did the woman become bleared or the ghost less transparent. He thought that Michael said something in Mrs. Klapper's ear as they passed each other, but he had no time to wonder what it might have been. For Mrs. Klapper saw him then and waved. She began to walk faster, smiling.

Michael also waved to him, a casual gesture like the flicker of a distant flag, and then vanished beyond the cherry tree. Mr. Rebeck waited for Mrs. Klapper and thought, Maybe she will just say hello and isn't it a fine afternoon and go on to where her husband is buried. That would be the best thing, certainly the best thing for you. He leaned against his tree with his hand behind him and one foot braced on a root and tried to look sanguine, that having always been one of his favorite words.

Mrs. Klapper stopped at the edge of the clearing and peered at him a little uncertainly. Then she came a few steps toward him and said, "Well, hello!"

"Hello" Mr. Rebeck replied. "I'm glad to see you." That was true, but he wondered immediately if he should have said it, because Mrs. Klapper hesitated before she spoke again.

"We keep bumping into each other all the time, don't we?" she observed finally.

"It's our habits, I think. There can't be too many people who spend their summer afternoons in cemeteries."

Mrs. Klapper laughed. "So where can you spend an afternoon now? The parks are full of kids. They play around, they yell, they set off firecrackers, they fight; it's better to take a nice quiet nap in a washing machine. A cemetery is the only place you can hear yourself think."

"I used to go to museums a lot," Mr. Rebeck said. He would have made it "I go to museums a lot," but he was afraid that she might ask him which museums he went to, and he couldn't remember their names any more.

"Morris again." Mrs. Klapper saw the puzzlement on Mr. Rebeck's face. "I mean Morris was also crazy about museums." She sniffed. "For twenty-two years I went to museums with Morris. Once a week it was 'Gertrude, let's go to a museum; Gertrude, it's a beautiful day, let's go to the Metropolitan, they're having a big exhibit; Gertrude, here's a museum, let's stop in for a minute.' Excuse me, I have been to museums. I don't want to see any museums for a while yet. Maybe later."

She was looking up the hill to her husband's tomb, and her voice had become a little softer and slower. Mr. Rebeck looked down and concentrated on his right foot, which pressed hard on a mound of root. The light rain of the night before had made the root a little slippery, and Mr. Rebeck's foot skidded a trifle. Suddenly angry, he threw all his weight on his right leg, stamping his foot against the dark, slick bark. For a moment only he remained balanced; then his shoe squealed off the root and he lurched forward. Mrs. Klapper took a few quick steps toward him, but he was on his feet, muttering, "No, no, no, I'm all right," and waving her away.

"Woops," Mrs. Klapper said helpfully. "You slipped a little."

"I lost my balance." Let that be a lesson to you, Rebeck, he thought. You are not debonair, and it's a great mistake to pretend that you are, a mistake that may hurt you the way it has hurt other people who thought they were graceful and sanguine. Sanguine. He sighed briefly for the word, as for a vagrant love, and then let it go.

He wished that Mrs. Klapper would say something. She looked very nice in her spring coat. Not beautiful, he thought; beautiful is a word for young people. Beauty is a phase you grow through, like acne. Mrs. Klapper was handsome. Striking. As striking a woman as he had ever seen. But he knew that she had dressed up to please the memory of her husband, and, admiring, he was a bit wistful. She had probably looked forward for days to her tryst with her husband, planning what to wear, what time to come, how long to stay; wondering if the weather would be good and how bad it would have to be to make her stay home; carefully counting out the subway fare, whatever it was now, into her coat pocket before she left the house; keeping track of the subway stations the train passed, because each one brought her that much closer to where her husband was. He wondered how many stations away she lived.

She had not brought flowers. He wondered about that too. Most people swamped the headstone in flowers until it was completely hidden.

"I was coming to see my husband," Mrs. Klapper said then, as if she had known what he was thinking.

"I know," Mr. Rebeck said. Mrs. Klapper turned away from him again to look up the hill, and he thought she would leave then. Indeed, she began to move slowly toward the hill and she did not turn back.

She might at least say good-by, he thought, and he was about to say something like "Don't let me keep you," when Mrs. Klapper turned around. She stood with her legs planted solidly and she held her purse with both hands.

"You could come," she said, "if you're not doing anything."