"So she's not after Livia's money, is what you're saying."

"She isn't, no."

"Yes? I don't follow."

"For the last three years," Perly said, putting a finger on the name on the top sheet of Herkimer's report, "Ms. Hemlow has been shacked up with a character named Brian Clanson."

"He's the one you're dubious about."

"He is." Perly tapped Clanson's name with a fingernail, as behind him his computer dinged that an e-mail was coming in. "I ask myself," he said, "if this character put up our little nun to ingratiate herself with Mrs. Wheeler."

"So he'd be after her money."

"It's only a possibility," Perly cautioned him. "At this point, I have no reason to believe anything at all. I just look at this character, and I see someone from, to be honest, a white-trash background, a community college education, no contacts of any consequence in the city, and an extremely marginal job as some sort of illustrator for a cable channel aimed at Neanderthals. I can believe Ms. Hemlow hooked up with him because he has that redneck charm and because she's a naif who thinks well of everybody, but I can also believe Mr. Clanson hooked up with her because she has money, or at least her grandfather does."

"Mmm."

Turning in his swivel chair, Perly saw the e-mail was from Fritz, and opened it. The photographs. "Further than that," he said, "I can believe he came to the conclusion that Mrs. Wheeler was the likeliest prospect among your firm's clients for him to get his hands on."

"So you think he set the girl to go after Mrs. W."

Perly opened the photo marked BC and looked at Brian Clanson, arms folded, leaning against a tree in a park somewhere, big boned but skinny, like a stray dog, with a loose untrustworthy smile. "I'll only say this, Jay," he said, looking Clanson in the eye, "it's out of character for that girl to have imposed herself on Mrs. Wheeler all on her own. There has to have been a reason, and I can't find any other reason in the world except Brian Clanson." And he nodded at the grinning fellow, who showed no repentance.

Jay said, "So you want to look into Clanson a little deeper."

"Let's see if this is the first time," Perly said, "he's tried to work something funny with his betters."

"Go get him," Jay Tumbril said.

38

AT THE SAME TIME that Jacques Perly and Jay Tumbril were discussing the investigation into Fiona Hemlow and Livia North wood Wheeler, those two ladies, all unknowing of the scrutiny, were discussing the results of Fiona's own investigations. "There's just no record," Fiona was saying, spreading her hands in helplessness as she stood in front of Mrs. W's desk.

Mrs. W had a photo of the chess set displayed on her computer, and she now frowned at it with the same mistrustful expression that Perly, downtown, wore when gazing on the photo of Brian Clanson. "It's vexing," she said. "It's just vexatious."

"Your father, Alfred Northwood," Fiona said, consulting her memo pad, in which she had placed careful and thorough notes of the history just as though she hadn't had it memorized a long time ago, "came to New York from Chicago in 1921. We know that for certain. We know he was in the army in Europe in the First World War and became a sergeant, and went to Chicago after he left the army, though I couldn't find any records of what he was doing there. There's also no record of his having the chess set in the army or in Chicago—"

"Well, certainly not the army," Mrs. W snapped. "Nothing as valuable as that."

"No, ma'am. We know your father's friends and business associates called it the Chicago chess set because he brought it from there, but I can't find any circumstance in which he called it the Chicago chess set."

"Or anything else."

"Or anything else," agreed Fiona. "There is no record that he ever said where it came from, or how he happened to own it. I'm sorry, Mrs. W, there's just no history."

"Well, there, you see," Mrs. W said, with an irritated head-shake at the picture of the chess set. "Behind every great fortune there is a crime."

Alert, Fiona said, "There is?" because she found that a truly interesting idea.

But now Mrs. W's irritated headshake was directed at Fiona. "Balzac, dear," she said. "Père Goriot. And I fear that the crime behind my family's fortune may have more than a little to do with that chess set."

"Yes, ma'am."

Again Mrs. W frowned at the picture on the computer screen. "Will the crime be found out? Is there risk in that ugly toy? Is there anything to do other than let sleeping chessmen lie?"

"I don't know, Mrs. W."

"No, you don't. Well, thank you, Fiona. I'll think about this."

"Yes, ma'am." Fiona turned to go, then said, "Mrs. W, there is something else."

"Yes?"

"I wasn't even going to mention it, it's so silly."

"Well, either mention it or don't mention it," Mrs. W told her. "You can't dither forever."

"No, ma'am. It's my boyfriend, Brian."

Mrs. W's eyebrows lowered. "Is something wrong there?"

"Oh, no, nothing like that," Fiona assured her. "It's just — Well, you know, he works for a cable station, and they have a party every year in March, sort of the end of winter and all, and Brian said I should invite you. He's wanted to meet you, and—"

"Been telling tales about me, have you?"

Mrs. W hadn't said that as though she were angry, yet Fiona became very flustered and felt the color rise up into her cheeks. She couldn't think of a thing to say, but apparently her pink face said it all for her, because Mrs. W nodded and said, "That's all right, dear. I don't mind being an eccentric in other people's stories. I can't imagine what Jay Tumbril says about me, for instance. Tell me about this party."

"It's really very silly," Fiona said. "A lot of the people there dress up in costumes, not everybody. I won't."

"Like Halloween," Mrs. W suggested.

"Sort of."

"And when and where is this?"

"Saturday, down in Soho. It starts at eight, but Brian doesn't like to get there until ten."

"Very sensible. Let me think about it."

"Yes, ma'am."

"And," with a sudden snap to her voice, "get me Jay Tumbril on the phone."

"Yes, ma'am."

"I've made up my mind," Mrs. W said. "The time has come to bring in experts, to get to the bottom of this. Fiona, we are going to look at that chess set."

39

GRODY WAS ALWAYS in the process of expanding, without having either the money or the space to do so. The studio in Tribeca, being the entire third floor of an old industrial building where, in the late nineteenth century, aprons and overalls were manufactured, was always undergoing renovation, the carpenters and electricians with their leather toolbelts like space-age gunbelts and their macho swagger serving as the oil to the water of the staff's resident geeks.

Because the brick exterior walls of the building and the unrepealable law of gravity meant they could never actually add to their territory, the only way to accommodate more offices, more studios and more storage was to keep chopping finer and finer, until the rooms were like closets and the closets had long ago been sacrificed to the need for more space. Hallways had been squeezed to within an inch of the fire code. And one result of all this adjusting and repacking and clawing for space was that many of the resulting rooms were of unusual shapes, triangles and trapezoids. Long-ago-sacrificed doorways meant many of the routes within the GRODY confines were circuitous indeed. All of which was one reason why the company found it so hard to hire or keep anybody over the age of twenty-five.

Coming to work Thursday morning, after the astonishing news last night that Mrs. W actually would come along to Saturday's March Madness, Brian made his roundabout way toward his own office, one of the few octagons in here thus far, in which, no matter which way you faced, the workspace shrank away in front of you. Just after squeezing past two carpenters toting over their shoulders eight-foot lengths of L-shaped metal like bowling alley gutters creased down the middle, only lined along both sides with holes — what was that for? straining beer? — Brian was distracted from his route by a knocking on a window somewhere.