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Not a few of those dreams were my own. I'd hired the girls and the musicians, not knowing what kind of show they'd planned to put on for Prabaker's wedding. Chandra Mehta had recommended them to me, and he'd assured me that they always devised their own program. That first black-market money deal Mehta had asked me to transact-the ten thousand American dollars he'd wanted-had borne black fruit. Through him I'd met others in the film world who wanted gold, dollars, and documents. In the previous few months, my visits to the film studios had grown more frequent, and the profit for Khaderbhai accumulated steadily. There was a certain reciprocal cachet in the connection: the filmi types, as they were known in Bollywood, found it exhilarating to be associated, at a safe distance, with the notorious mafia don, and the Khan himself wasn't indifferent to the glamour that laminated the movie world. When I approached Chandra Mehta for help in organising the dancers, two weeks before Prabaker's wedding, he'd assumed that the Prabaker in question was an important goonda working for Khaderbhai. He put time and special care into the arrangements, selecting each girl from personal knowledge of her skills, and teaming them with a band of the best studio musicians. The show, when we finally saw it, would've satisfied the manager of the raunchiest nightclub in the city. The band played a long top ten of the season's most popular songs. The girls sang and danced to every one of them, giving seductive and erotic emphasis to the sub-text of each phrase. Some of the thousands of neighbours and guests at the slum wedding were pleasantly scandalised, but most were delighted by the wickedness-Prabaker and Johnny first among them. And I, seeing for the first time how lubricious the uncensored versions of the dances were, gained a new appreciation of the subtler gestures I'd seen so often in the Hindi films.

I gave Johnny Cigar five thousand American dollars as a wedding present. It was enough money for him to buy the little hut that he wanted in the Navy Nagar slum, near the spot where he'd been conceived. The Nagar was a legal slum, and purchasing the hut there meant the end of eviction fears. He would have a secure home from which to continue his work as unofficial accountant and tax consultant to the many hundreds of workers and small businesses in the surrounding slums.

My present to Prabaker was the deed to his taxi. The owner of the small fleet of taxis sold the deed to me in a vicious bout of bare tooth-and-knuckle haggling. I paid too much for the vehicle and its licence, but the money meant nothing to me. It was black money, and black money runs through the fingers faster than legal, hard-earned money. If we can't respect the way we earn it, money has no value. If we can't use it to make life better for our families and loved ones, money has no purpose. Nevertheless, out of respect for the formalities of tradition, I damned the taxi fleet owner, at the conclusion of our deal, with that most polite and hideous of Indian business curses-__May you have ten daughters, and may they all marry _welll!-a string of dowry commitments sure to exhaust all but the sturdiest fortunes.

Prabaker was so pleased and excited with the gift that the gravity he'd assumed in the role of the sober groom exploded in a whooping cheer. He leapt to his feet and danced a few pumps of his hip-thrusting sexy dance before the solemnity of the occasion overwhelmed him once more, and he sat down with his bride. I joined the thick, gyrating jungle of men in front of the stage, and danced until my thin shirt clung to me like seaweed in a shallow wave.

Returning to my apartment that night, I smiled to think how different Vikram's wedding had been. Two days before Prabaker and Johnny wed their sister-brides, Vikram was married to Lettie.

Against the passionate and occasionally violent opposition of his family, Vikram had opted for a registry office ceremony. He'd responded to the tears and pleading of his loved ones with one formulaic phrase: This is the modern India, yaar. Few of his family members could bring themselves to face the agony of that public repudiation of the ancient, gorgeously elaborate Hindu wedding they'd long planned for him. In the end, it was only his sister and his mother who joined the little circle of Lettie's friends, and watched as the bride and groom promised to love and honour one another for the rest of their days. There was no music, no colour, and no dancing. Lettie wore a burnt-gold suit, with a broad, gold straw hat bearing organdie roses. Vikram wore a three-quarter-length black coat, a black-and-white brocade vest, black gaucho pants with silver piping, and his beloved hat.

The ceremony was over in minutes and then Vikram and I half carried his grief-stricken mother to her waiting car.

On the day after their wedding, I drove Vikram and Lettie to the airport. Their plan was to repeat the ceremony in London with Lettie's family. While Lettie phoned her mother to confirm their arrival time, Vikram seized the opportunity for a heart-to-heart with me.

"Thanks for the work you did on my passport, man," he grinned.

"That fuckin' drug conviction in Denmark-it's only a little thing, but it could've given me a big headache, yaar."

"No problem."

"And the dollars. That was a fuckin' good rate you got for us. I know you did a special deal on that, yaar, and I'll return the favour, somehow, when we get back."

"It's cool."

"You know, Lin, you really ought to settle down, man. I don't mean to jinx up your scene or anything. I'm only saying it as a friend, as a friend who loves you like a brother. You're heading for a big fall, man. I got a bad feeling. I... I think you should settle down, like." "Settle down..."

"Yeah, man. That's the whole point of it, yaar."

"The whole point of... what?"

"That's what the whole fuckin' game is all about. You're a man.

That's what a man has to do. I don't mean to get into your personal shit, but it's kind of sad that you don't know that already."

I laughed, but he held the serious frown.

"Lin, a man has to find a good woman, and when he finds her he has to win her love. Then he has to earn her respect. Then he has to cherish her trust. And then he has to, like, go on doing that for as long as they live. Until they both die. That's what it's all about. That's the most important thing in the world. That's what a man is, yaar. A man is truly a man when he wins the love of a good woman, earns her respect, and keeps her trust. Until you can do that, you're not a man."

"Tell that to Didier."

"No, man, you're not getting it. It's just the same for Didier, but with him it's a good guy he has to find and love. It's the same for all of us. What I'm trying to tell you is that you found a good woman. You found her already. Karla is a good woman, man.

And you earned her fuckin' respect. She told me a couple of times, man-about the cholera and all that in the zhopadpatti.

You knocked her out with all that Red Cross shit, man. She respects you! But you don't cherish her trust. You don't trust her, Lin, because you don't trust yourself. And I'm afraid for you, man. Without a good woman, a man like you-men like you and me-we're just asking for trouble, yaar."

Lettie approached us. The grim purpose dimmed in his eyes, washed away by the look of love he turned on her.

"They're calling our flight, Lin, me darlin'," she said. Her smile was sadder than I'd expected, and wounding, somehow, because of it. "We better go. Here, I want you to have this, as a present from both of us."

She handed me a folded strip of black cloth, about a metre long and a hand-span wide. When I opened it out I found a small card in the centre.

"It's the blindfold," she said. "You know, from the train, on the roof, the day Vikram proposed. We want you to have it-as a souvenir, you know. And on the card, that's Karla's address. She wrote to us. She's still in Goa, but in a different part. Just, you know, if you're interested. Goodbye, darlin'. Take care." I watched them leave, happy for them, but too busy with Khader's work and the preparations for Prabaker's wedding to give much thought to Vikram's advice. Then the visit to Anand, the last visit, had pushed Vikram's voice even deeper into the choir of competing speeches, warnings, and opinions. But as I sat alone in my apartment on the night of Prabaker's wedding, and took the note and the black strip of the blindfold from my pocket, I remembered every word he'd said to me. I sipped at a drink and smoked cigarettes in a silence so profound that I could hear the susurrus of the blindfold's soft fabric rustle and slip between my fingers. The seductive, bell-bejewelled dancers had been escorted to their bus, and paid a respectful bonus. Prabaker and Johnny had led their brides away to taxis that waited to take them to a simple but comfortable hotel on the outskirts of the city. For two nights they would know the joys of private love before their public loves in the crowded slums resumed. Vikram and Lettie were already in London, preparing to repeat the vows that meant everything to my cowboy-obsessed friend. And I was sitting in the armchair, fully dressed and alone, not trusting her, as Vikram said, because I didn't trust myself. Then at last, when I drifted to sleep, the note and the strip of blindfold slipped from my fingers.