She said nothing. She paid the toll and the light turned green.

He worked, he got on. His mum and dad were proud of him. He got a mortgage on a small flat, still in Canonnrills. The company he worked for let him put some money towards his company car, once he'd ascended to such heights of bourgeois decadence, so he had a bigger and better BMW, rather than a Cortina. Andrea wrote him letters; he would make the same old joke whenever he referred to them.

John Peel played reggae on night-time Radio One. He bought Past, Present and Future by Al Stewart. 'Post World War Two Blues' very nearly made him cry, 'Roads to Moscow' actually did once, and 'Nostradamus' annoyed him. He played The Confessions of Doctor Dream a lot, lying with the headphones on, spreadeagled on the floor in the darkness, smashed out of his skull and humming along with the music. The first track on the eponymous second side was called Irreversible Neural Damage.

Things had a certain pattern, he observed to Stewart Mackie. Stewart and Shona moved to Dunfermline, across the river in Fife. Shona, having been trained to be a PE teacher in the Dunfermline College of Physical Education {located confusingly but cannily not in Dunfermline but across the river near Edinburgh); it seemed then singularly appropriate that she should become a teacher in Dunfermline itself; from one dispossesed capital to another. Stewart was still at the university, finishing post-grad work and probably all set to become a lecturer. He and Shona called their first child after him. It meant more to him than he could tell them.

He travelled. Round Europe on a rail-pass before he got too old, across Canada and America by train, too, and by hitch-hiking and buses and trains down to Morocco and back. That trip he didn't enjoy; he was only twenty-five, but he felt old already. He had the beginnings of a bald patch. Still, there was a wonderful train journey towards the end of it, travelling for some twenty-four hours through Spain, from Algeciras to Irun with some American guys who had some of the finest dope he'd ever encountered. He'd watched the sun come up over the plains of Mancha, listening to the tram's steel wheels playing symphonies.

He always found excuses not to visit Paris. He didn't want to see her there. She came back every now and again; changed, different, somehow more steady and ironic and even more sure of herself. Her hair was short now; very chic, he supposed. They had holidays on the west coast and the islands - when he could get the extra time off - and once went to the Soviet Union; his first trip, her third. He remembered the trains and the journeys on them, of course, but also the people, the architecture and the war memorials. It wasn't the same, though. He was frustrated, unable to speak more than a few words of the language, and listening to her chattering away quite happily with people made him feel he'd lost her to a language (and to a foreign tongue, he thought bitterly; he knew there was someone else in Paris).

He worked on refineries and rig design and made money; he sent some home to his mum now that his dad was retired. He bought a Mercedes and changed it soon afterwards for an old Ferrari which kept fouling its plugs. He settled for a three-year-old red Porsche, though really he wanted a new one.

He started seeing a girl called Nicola, a nurse he'd known since he'd had his appendix out at the Royal Infirmary. People made jokes about their names, called them imperialists, asked them when they were going to claim Russia back. She was small and blonde and had a generous, allowing body; she disapproved of him smoking dope and told him - when he splashed out and bought some coke - that he was insane to waste that sort of money stuffing it up his nose. He felt very tender towards her, he told her once, when he suspected he was supposed to tell her he loved her. I feel tender every bloody morning, you animal, she said, laughing and snuggling up to him. He laughed too, but realised it was the only joke she had ever made. She knew about Andrea but didn't talk about it. They drifted apart after six months. After that, when asked, he said he was playing the field.

The phone rang at three o'clock one morning, while he was screwing an old school pal of Andrea's. The phone was by the bedside. Go on, she said, giggling, answer it. She held onto him while he inched across the bed to the ringing machine. It was his sister Morag ringing to tell him that his mother had died of a stroke an hour before in the Southern General, in Glasgow.

Mrs McLean had to get back home anyway. She left him sitting on the bed, holding his head and thinking. At least it wasn't Dad, and hating himself for thinking it.

He didn't know who to ring. He thought of Stewart, but he didn't want to wake their latest baby; they'd had problems with the kid sleeping anyway. He rang Andrea in Paris. A man answered, and when her sleepy voice came on the phone she hardly seemed to know who he was. He told her he'd had some bad news ... She hung up.

He couldn't believe it. He tried calling back but the phone was engaged; the international operator couldn't get through either. He left the phone on the bed, engaged tone beeping mindlessly while he dressed, then took the Porsche on a long, frosty, starlit drive north, almost to the Cairngorms. Most of the tapes he had in the car at the time were Pete Atkin albums, but Clive James's lyrics were too thoughtful, and often too melancholic, for a good, fast mindless drive, and the reggae tapes he had - mostly Bob Marley - were too laid back. He wished he had some Stones. He found an old tape, one he'd almost forgotten, and turned the Motorola up to maximum volume, playing Rock and Roll Animal over and over, all the way up to Braemar and back, a sort of knowing sneer on his face. 'Allo?' he whined nasally to the headlights of the occasional passing car, 'Allo? Ça va? Allo?'

He went to that place on the way back; he stood under the great red bridge which he had once thought looked the same colour as her hair, while his breath smoked and the Porsche idled clatteringly on the gravel turning circle and the first streaks of dawn outlined the bridge, a silhouette of arrogance, grace and power against the pale flames of a winter morning sky.

The funeral was two days later; he'd stayed with his father in the pebble-dashed council house after quickly packing a bag in his flat and slamming the whining phone down. He ignored his mail. Stewart Mackie came through for the funeral.

Looking down at his mother's coffin he waited for tears that did not come, and put his arm round his father's shoulders, only realising then that the man was thinner and smaller than he used to be, and quietly, steadily quivering, like ajust-struck iron rod.

As they were leaving, Andrea met them at the cemetery gates, getting out of an airport taxi, dressed in black and carrying a small case. He couldn't speak.

She hugged him, talked to his father, then came to him and explained that after they were cut off she'd tried to call him back. She'd been trying for two days; she'd sent telegrams, she'd had people go round to his flat to look for him. In the end, she'd decided to come herself; she'd phoned Morag in Dunfermline as soon as she got off the plane, found out what had happened, and where the funeral was.

All he could say was thank you. He turned to his father and hugged the man, and then cried, crying more tears into his father's coat-collar than he thought his eyes could ever have held; for his mother, for his father, for himself.

She could only stay for one night; she had to go back to study for some exams. The three years had become four. Why didn't he come to Paris? They slept in separate rooms in the pebble-dashed house. His father had been sleepwalking and having nightmares: he would sleep in the same room, to wake his father if he had nightmares, stop him hurting himself if he walked in his sleep.