So vast, so complex — sometimes Sax finished his day’s reading and walked down to Odessa’s seafront, to sit on the corniche with Maya, and he would pause in eating a burrito and stare at it — contemplate everything that went into its digestion, everything that kept them alive — feel his breath which he had never noted at all, before — and suddenly he would feel breathless — lose his appetite — lose his belief that any such complex system could exist for more than a moment before collapsing into primordial chaos and the simplicities of astrophysics. Like a house of cards a hundred stories tall, in a wind. Tap it anywhere… It was lucky Maya did not require much in the way of active companionship, because often he was rendered speechless for many minutes at a time, rapt in the contemplation of his own evident impossibility.
But he persevered. This was what a scientist did, confronted with an enigma. And there were others helping in the search, working ahead of him on the frontiers, and beside him in related fields, from the small — virology, where the inquiries into tiny forms such as prions and viroids were revealing even smaller forms, almost too partial to be called life: virids, viris, virs, vis, vs, all of which might have relevance to the larger problem… All the way up to the large organismic issues, such as brain-wave rhythms and their relationship to the heart and other organs, or the pineal gland’s ever-decreasing secretions of melatonin, a hormone that seemed to regulate many aspects of aging. Sax followed them all, trying to glean a new view by his later and hopefully larger perspective. He had to follow his intuition to what seemed important, and study that.
Of course it did not help that some of his best thoughts on the subject blanked out on him at the moment of completion. He had to be able to get these thought flurries recorded before they disappeared! He began to talk aloud to himself, frequently, even in public situations, hoping that this would help to forestall the blanks; but again, it didn’t work. It simply was not a verbal process.
In all this work the meetings with Maya were a pleasure. Every evening, if he noticed it was evening, he would stop reading and walk down the staircase streets of the town to the corniche, and there, on one of four different benches, he would often see Maya, sitting and looking out over the harbor to the sea. He would go to one of the food stands back in the park, buy a burrito or a gyro or a salad or a corn dog, and walk over and sit down next to her. She would nod and they would eat without saying much. Afterward they sat and watched the sea. “How was your day?” “Okay. And yours?” He did not attempt to talk much about his reading, and she didn’t say much about her hydrology, or the theater productions that she would go off to after dusk had fallen. Really they didn’t have much to say to each other. But it was companionable anyway. And one evening the sunset flared to an unusual lavender brilliance, and Maya said, “I wonder what color that is?” and Sax had ventured, “Lavender?”
“But lavender is usually more pastel, isn’t it?”
Sax called up a large color chart he had found long before to help him see the colors of the sky. Maya snorted at this, but he held his wrist up anyway, and compared various sample squares to the sky. “We need a bigger screen.” And then they found one that they thought matched: light violet. Or somewhere between light violet and pale violet.
And after that they had a little hobby. Really it was remarkable how varied the colors of the Odessa sunsets were, affecting sky, sea, the whitewashed walls of the town; endless variation. Much more variation than there were names. The poverty of language in this area was a constant surprise to Sax. Even the poverty of the color chart. The eye could perceive perhaps ten million different shades, he read; the color handbook he was referring to had 1,266 samples in it; and only a very small fraction of these had names. So most evenings they held up their forearms, and tried different colors against the sky, and found a patch that matched fairly well, and it was a nondescript; no name. They made up names: 2 October the llth Orange, Aphelion Purple, Lemon Leaf, Almost Green, Arkady’s Beard; Maya could go on forever, she was really good at it. Then sometimes they would find a named patch matching the sky (for a moment, anyway) and they would learn the real meaning of a new word, which Sax found satisfying. But in that stretch between red and blue, English had surprisingly little to offer; the language just was not equipped for Mars. One evening in the dusk, after a mauvish sunset, they went through the chart methodically, just to see: purple, magenta, lilac, amaranth, aubergine, mauve, amethyst, plum, violaceous, violet, heliotrope, clematis, lavender, indigo, hyacinth, ultramarine — and then they were into the many words for the blues. There were many, many blues. But for the red-blue span that was it, except for the many modulations of the list, royal violet, lavender gray, and so on.
One evening the sky was clear, and after the sun had gone down behind the Hellespontus Mountains, but was still illuminating the air over the sea, it turned a very familiar rusty brown orange; Maya seized his arm in her clawlike grip, “That’s Martian orange, look, that’s the color of the planet from space, what we saw from the Aresl Look! Quick, what color is that, what color is that?”
They looked through the charts, arms held up before them. “Paprika red.” “Tomato red.” “Oxide red, now that should be right; it’s oxygen’s affinity for iron makes that color after all.”
“But it’s way too dark, look.”
“True.”
“Brownish red.”
“Reddish brown.”
Cinnamon, raw sienna, Persian orange, sunburn, camel, rust brown, Sahara, chrome orange… they began to laugh. Nothing was quite right. “We’ll call it Martian orange,” Maya decided.
“Fine. But look how many more names there are for these colors than there are for the purples, why is that?”
Maya shrugged. Sax went reading in the material accompanying the chart, to see if they said anything about it. “Ah. It appears that the cones in the retina contain cells sensitive to blue, green or red, and so colors around those three have lots of distinction, while those in between are composites.” Then in the empurpling dusk he came on a sentence that surprised him so much he read it aloud:
“Redness and greenness form another pair which cannot be perceived simultaneously as components of the same color.”
“That’s not true,” Maya said immediately. “That’s just because they’re using a color wheel, and those two are on opposite sides.”
“What do you mean? That there’s more colors than these?”
“Of course. Artists’ colors, theater colors; you put a green spot and a red spot on someone and you get a color all right, and it’s not red or green.”
“But what is it? Does it have a name?”
“I don’t know. Look in an artist’s color wheel.”
And so he did, and so did she. She found it first: “Here. Burnt umber, Indian red, madder alizarin… those are all green-red mixes.”
“Interesting! Red-green mixes! Don’t you find that suggestive?”
She gave him a look. “We’re talking about colors here, Sax, not politics.”
“I know, I know. But still…”
“No. Don’t be silly.”
“But don’t you think we need a red-green mix?”
“Politically? There’s a red-green mix already, Sax. That’s the trouble. Free Mars got the Reds on board to stop immigration, that’s why they’re having such success. They’re teaming up and closing down Mars to Earth, and soon after that we’ll be at war with them again. I tell you, I can see it coming. We’re spiraling down into it again.”
“Hmm,” Sax said, sobered. He was not paying attention to solar systemic politics these days, but he knew that Maya, who had a very sharp eye for these things, was getting more and more worried about it — with her usual mordant Mayan dash of satisfaction at the approach of crisis. So that it was perhaps not as bad as she thought. Probably he would have to look into it again soon, pay attention. But meanwhile —