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Bothered by her lack of feeling, she kicked hard and swam down the canal park, over the salt columns and farther west.

There on the left loomed Hunt Mesa, where she and Michel had lived in hiding over a dance studio; then the broad black upslope of Great Escarpment Boulevard. Ahead lay Princess Park, where in the second revolution she had stood on a stage and given a speech to a huge throng; the crowd had stood just below where she was floating now. Over there — that was where she and Nirgal had spoken. Now the black bottom of a bay. All of that, so long ago — her life — They had cut open the tent and walked away from the city, they had flooded it and never looked back. Yes, no doubt Michel was right, this dive was a perfect image of the murky processes of memory; and maybe it would help to see it; and yet… Maya felt her numbness, and doubted it. The city was drowned, sure. But it was still here. Anytime they wanted to someone could rebuild the dike and pump out this arm of the bay, and there the city would be again, drenched and steaming in the sunlight, safely enclosed in a polder as if it were some town in the Netherlands; wash down the muddy streets, plant streetgrass and trees, clean out the mesa interiors, and the houses and the shops down in the Niederdorf, and up the broad boulevards — polish the windows — and there you would have it all again — Burroughs, Mars, on the surface and gleaming. It could be done; it even made sense, almost, given how much excavation there had been in the nine mesas, given that Isidis Bay had no other good harbor. Well, no one would ever do it. But it could be done. And so it was not really like the past at all.

Numb, and feeling more and more chill, Maya shot more air into the weight belt, turned and swam back up the length of Canal Park, back toward the light trawl. Again she spotted the row of salt columns, and something about them drew her. She kicked down to them, then swam just over the black sand, disturbing the rippled surface with the downdraft from her fins. The rows of Bareiss columns had bracketed the old canal. They looked more tumbledown than ever now that their symmetricality was ruined by half burial. She remembered taking afternoon walks in the park, west into the sun, then back, with the light pouring past them. It had been a beautiful place. Down among the great mesas it had been like being in a giant city of many cathedrals.

There beyond the columns was a row of buildings. The buildings were the anchoring point for a line of kelp; long trunks rose from their roofs into the murk, their broad leaves undulating gently in a slow current. There had been a cafe in the front of that end building, a sidewalk cafe, partly shaded by a trellis covered with wisteria. The last salt column served as a marker, and Maya was sure of her identification.

She swam laboriously into a standing position, and a time came back to her. Frank had shouted at her and run off, no rhyme or reason as usual with him. She had dressed and followed him, and found him here hunched over a coffee. Yes. She had confronted him and they had argued right there, she had berated him for not hurrying up to Sheffield … she had knocked a coffee cup off the table, and the handle had broken off and spun on the ground. Frank got up and they walked away arguing, and went back to Sheffield. But no, no. That wasn’t how it had been. They had quarreled, yes, but then made up. Frank had reached across the table and held her hand, and a great black weight had lifted off her heart, giving her a brief moment of grace, of being in love and being loved.

One or the other. But which had it been?

She couldn’t remember. Couldn’t be sure. So many fights with Frank, so many reconciliations; both could have happened. It was impossible to keep track, to remember what had happened when. It was all blurring together in her mind, into vague impressions, disconnected moments. The past, disappearing entirely. Small noises, like an animal in pain — ah — that was her throat. Mewling, sobbing. Numb and yet sobbing, it was absurd. Whatever had happened then, she just wanted it back. “Fuh.” She couldn’t say his name. It hurt, as if someone had stuck a pin in her heart. Ah — that was feeling, it was! It couldn’t be denied; she was gasping with it, it hurt so. One couldn’t deny it.

She pumped the fins slowly, floated off the sand, up away from the rooftops anchoring their kelp. Sitting miserably at that cafe table, what would they have thought if they had known that a hundred and twenty years later she would be swimming overhead, and Frank dead all that time?

End of a dream. Disorientation, of a shift from one reality to another. Floating in the dark water brought back some of the numbness. Ah but there it was, that pinprick pain, there inside, encysted — insisted — hold on to it forever, hold on to any feeling you can, any feeling you can dredge up out of all that muck, anything! Anything but the numbness; sobbing in pain was rapture compared to that.

And so Michel was proved right again, the old alchemist. She looked around for him; he had swum off on voyages of his own. Quite some time had passed, the others were making their rendezvous in the cone of light before the trawl, like tropical fish in a dark cold tank, drawn to the light in hopes of warmth. Dreamy slow weightlessness. She thought of John, floating naked against black space and crystal stars. Ah — too much to feel. One could only stand a single shard of the past at a time; this drowned city; but she had made love to John here too, in a dorm somewhere in the first years — to John, to Frank, to that engineer whose name she could seldom recall, no doubt to others besides, all forgotten, or almost; she would have to work on that. Encyst them all, precious stabs of feeling held in her forever, till death did they part. Up, up, up, among the colorful tropical fish with their arms and their legs, back into the light of day, blue sunlight, ah God yes, ears popping, a giddiness perhaps of nitrogen narcosis, rapture of the deep. Or the rapture of human depth, the way they lived and lived, giants plunged through the years, yes, and what they held on to. Michel was swimming up from below, following her; she kicked then waited, waited, clasped him and squeezed hard, ah, how she loved the other’s solidity in her arms, that proof of reality, she squeezed thinking thank you Michel you sorcerer of my soul, thank you Mars for what endures in us, drowned or encysted though it may be. Up into the glorious sun, into the wind, strip off the suit with cold clumsy fingers, pull it off and step out of it chrysalislike, careless of the power of the female nude over the male eye, then suddenly aware of it, give them that startling vision of flesh in the sunlight, sex in the afternoon, breathe deep in the wind, goose-pimpling all over with the shock of being alive. “I’m still Maya,” she insisted to Michel, teeth chattering; she hugged her breasts and toweled off, luxury of terry cloth on wet skin. She pulled on clothes, whooped at the chill of the wind. Michel’s face was the image of happiness, the deification, that mask of joy, old Dionysius, laughing aloud at the success of his plan, at the rapture of his friend and companion. “What did you see?” “The cafe — the park — the canal — and you?” “Hunt Mesa — the dance studio — Thoth Boulevard — Table Mountain.” In the cabin he had a bucket of champagne on ice, and he popped the cork and it shot off into the wind and landed lightly on the water, then floated off on the blue waves.

But she refused to say any more about it. She would not tell the story of her dive. The others did and then it was her turn, somehow, and the people on the boat were looking at her like vultures, eager to gulp down her experiences. She drank her champagne and sat silently on the upper deck, watching the broad-sloped waves. Waves looked odd on Mars, big and sloppy, impressive. She gave Michel a look to let him know she was all right, that he had done well to send her under. Beyond that, silence. Let them have their own experiences to feed on, the vultures.