And what of Francis Xonck? He had rescued the book from the sinking airship, his own body a sickening ruin, in hopes to reverse his condition. Had he looked into it? Miss Temple did not think so. Had not Xonck come to Harschmort—just like Mrs. Marchmoor—to find the necessary machines to open the book and thus save his life?
Again Miss Temple wondered who had set the fires, foiling them both.
SHE CURLED her legs beneath her and peeked over the wall. The actual clearing where Xonck and Mrs. Marchmoor had struggled was far beyond view, but there were no signs of anyone searching in the garden. With a fretful grimace—as if she were managing an especially wicked-looking cane spider—Miss Temple carefully scooped the glass book back into the canvas sack. Harschmort was surrounded by miles of fen country. She was alone, hungry, and her appearance would have dismayed a fishwife. Miss Temple wound the top of the sack around her palm and pushed her way through the high grass. She had no idea of cross-country escapes and pursuing soldiers, but what she knew quite well were large houses run by servants, riddled with ways to pass unseen.
Near the stone wall's end lay a collection of low sheds. She saw no one, and this was strange, for even with the family not present, routine upkeep of Harschmort's house and grounds ought to necessitate all manner of effort, and Miss Temple was confident—unless she had discovered an epidemic of shirking—that these sheds were a hive of everyday activity. Yet now they seemed to be abandoned.
She scampered quickly between the sheds to the nearest glass double doors of the house. The lock had been broken. This must be where Francis Xonck had forced his way in. Miss Temple slipped into the ballroom. She had last seen it full of the Cabal's minions, dressed in finery and wearing masks, cheering their masters off to Macklenburg. Now the great wooden floor and the line of bright windows were coated with dust from the fire. She crossed quickly and found herself in the very same ante-room where the Contessa had licked the port stains from her eyes. Miss Temple shivered, stopping where she was. The memory of the Contessa's tongue led directly to the freight car, the woman's lips on her own… and to Miss Temple's spiraling shame, she could not stop her mind from plowing on. At once those kisses bloomed like a gushing artery into a hundred more, kisses of all kinds between too many different people to separate, erupting from the Contessa's book. Miss Temple stuffed one hand in her mouth, the tips of her body ablaze, aghast at how quickly she had been so overwhelmed. On desperate impulse, she opened her reeling senses to the second book, to the bilious tang of the Comte's despair. As it collided with her pleasure, Miss Temple lurched into the cover of a decorative philodendron, where she crouched and rocked helplessly, hugging her knees.
In time, both waves ebbed away. She heard shouting in another part of the house. Miss Temple staggered up. In the corridor lay the older servant, toppled by Mrs. Marchmoor, his face still dark with blood. The voices were far away and the hallways too conducive to echo for her to place them. She crept past the fallen man to what looked like a painted wall panel and found the inset hook to pull it open, revealing a narrow maid's staircase. She climbed past two landings before leaving it to enter a thickly carpeted corridor with a low ceiling, almost as if she had boarded an especially luxurious ship—though she knew this to be an architectural remnant of Harschmort Prison. With a spark of anticipation Miss Temple padded toward Lydia Vandaariff's suite of rooms.
SHE PASSED quietly through the Lady of Harschmort's private parlor, attiring room, bedchamber, and finally to her astonishingly spacious closet. The walls were lined with hanging garments and tight-stuffed shelving—enough clothing for a regiment of ladies. Satisfied no one was there—she had feared a lingering maid—Miss Temple lifted the chair from the heiress' writing desk, and, recalling Chang's precautions at the Boniface, wedged it fast under the doorknob.
She returned to the closet, plucking at her dress—not intending any commentary on the late Mrs. Jorgens but more than sick of it, the smell of her own sweat having permeated the fabric. Miss Temple dislodged the final buttons with impatience and pulled it over her head and then balled the thing up to throw across the room.
She stopped. As she wadded the fabric… on the side of the bodice, along the seam… she stepped closer to the light and removed a scrap of parchment paper torn to a neat square and folded over. She wondered if it was from Mrs. Jorgens—a shopping list or love note— for the writing first struck her as an unschooled scrawl. But that was wrong… not so much a scrawl as its author was utterly careless of how it appeared. As she thought back to the littered ruin of the suite at the St. Royale, such an intemperate script for the Contessa di Lacquer-Sforza made perfect sense.
My Dear Celeste,
Forgive my Departure. Were I to stay I must eat you to the Bones.
Islands are Precious Domains. This is my way of saying Do Not Follow. That is your Choice now, as it was mine before you. There is no Shame in Retreat.
If you Ignore good Advice, I will see you Again. Our Business is not Finished.
RLS
Miss Temple folded the note, then unfolded it and read it again, sucking her lip at each overly dramatic capital, sensing that even in this disturbing little note (and how long had it taken the woman to find that pocket, she wondered, imagining those nimble fingers searching across her body) the Contessa's foremost goal had been to find some measure of delight. It was as if, in a mist of woodland air that anyone else would find refreshing, the Contessa di Lacquer-Sforza would locate some extra thread of scent (a flower or a rotting stag—or flowers growing from a stag's carcass) so the tips of her black hair might twist another curl.
Miss Temple did not consider herself an object of change—she had always been the same bundle of impulses and moods, however unpredictable these might appear to others—but now she found herself surprised, in the very midst of her anger, by the sudden memory of the Contessa's gashed shoulder, and an urge to draw her own tongue along its ragged, coppery length. The problem was not the impulse itself, but the necessary connection to another person.
Miss Temple had become very accustomed to the fact that, in her life, almost no one liked her. She was served, flattered, distrusted, disapproved of, coveted, envied, despised, but she had never, with the illusory exceptions of certain servants when she was a girl, enjoyed any particular friendship. The closest she had come was her fiancé, Roger Bascombe, but that had been a mere three months sparked by physical hunger (and had turned out horribly). She thought of Chang and Svenson, even Elöise… but friendship was hardly the same thing as loyalty or duty. Would the two men die for her? She had no doubt. Did they like her? A nut-hard part of Miss Temple's heart would not believe it—and she could have easily convinced herself the question did not matter, save for the Contessa's disorienting attentions in the freight car, no matter how mercenary those attentions undoubtedly had been.
But then, for she could not help it, Miss Temple read through the note again, this time fixing on the word “choice,” and the very intriguing phrase that followed it, “as it was mine before you”… she had never heard even one reference to the Contessa's life before, nor entertained the notion that there was a before for such a creature. Miss Temple's throat went dry to imagine what the Contessa could have possibly been like as a girl. And what choice could any girl have made to become that woman?