“As a livery this seems rather meager,” she huffed. “I suppose you must depend on strangers for your pay—are we your only tenant?”
The groom grinned at what now seemed to be an inquiry about privacy.
AND IT was then, in the midst of her sneering exasperation at the foul minds of men in general that Miss Temple's thought was seized from within, over-borne for a desperately clotted instant with a swirl of memory from the blue glass book. As ever, these experiences—and her own unnatural participation in them—were in that first moment irresistible. Set off by the smirking men, the details of the stable dredged into her memories like hooks, catching echoes of straw, horse stalls, leather, sweat, and musk. Miss Temple became in her flashing mind both man and woman—and indeed man and man—as each detail of an assignation caught hold: her ripened lady's body, shoulders braced against a wall, pushing her hips back like a stretching cat… or feeling, as a boy, the rough imprint of straw on her knees, quivering at the difficult entry of the older boy behind… or her own hard, masculine fingers mauling the soft flesh of a farm girl, legs wrapped round his waist, pulling tight inside her, the fervid quickening… she bit her lip to draw blood and blinked.
The driver and the groom were staring at her. How much time had passed?
“I ASK OF course because I will be staying at the inn,” explained Miss Temple. “A lady is often well prepared to know who else may be in residence at such an establishment—whether to expect gentlemen, or figures of trade or unsavory adventurers, all of whom must in turn billet their mounts with you.”
The groom opened his mouth, then shut it, his hand floating up to indicate the stalls. For the first time Miss Temple noticed the pallor of the young fellow's complexion. Was he ill? She cleared her throat importantly, rising up to her toes and peeking into a stall.
“I see we are not your only tenant after all—excellent. Are these animals locally owned?” The horse inside ignored her, snuffling at its feed. “Who in a mining town such as this would own a horse?”
“P-people need to ride,” stammered the groom.
“Yes, but who could afford one?” asked Miss Temple.
“Foremen,” offered her driver. “Or to let out to travelers.”
Miss Temple could not imagine anyone traveling to Karthe for any reason at all. She peeked into the next stall. It was empty, but strewn with straw and droppings.
“This horse is gone,” she called. “Is it let out, as he says, or did it belong to a traveler?” She turned to face the groom.
“T-traveler.”
“And this traveler has gone?”
The groom's stretched throat bobbed nervously as he swallowed. Miss Temple could not prevent her mind, for it was now a trait she associated with grooms in general, from drifting to an image of that bobbling throat slashed wide.
“One horse or two?”
“T-two.” The single word emerged in parts, as if traversing an ill-swallowed bone. What was possibly making the fool so unsettled?
“And when? When did these two travelers leave? And who were they? Were they together?”
“I never saw them.”
“Why not? Who did?”
“Willem. The morning boy—but—but he—he—”
“He what?”
“You should ask the others.”
“What others?”
“If anyone's there.”
“Where?”
“At the inn.”
The driver laughed lewdly, as if even mentioning the inn was to conjure rooms and assignations. Miss Temple brusquely pushed past both men to the tack room, where the driver was to sleep. The humble room was wholly unremarkable, as was the tattered straw pallet the man would use.
“A whole silver penny for this?” Miss Temple scoffed loudly. “It is not worth the half!”
“Beg pardon—”
“No doubt he is used to no better,” she sneered. “Yet on principle— this pallet, for example…”
With a heave she lifted up one corner, wincing at the dust that rose to her face. Feeling ridiculous—why had she gone farther into the stable instead of just walking away?—she flung the pallet from her, flipping it over. Miss Temple looked down, turned back at the now-silent groom, and then down again. Seeped into the pallet's canvas cover was a brilliant blue stain the size of a tea saucer.
A FURTHER SEARCH before the gaping faces of her social inferiors revealed no more than the Jorgenses’ cabin had disclosed after the single hair. Miss Temple strode back up the darkened lane to the inn, dis-missing any suggestion that she be accompanied by either man. What did it mean that the blue stain was positioned on the pallet precisely near a sleeper's head? Or that there were two horses from the north? Could this be what the Doctor had discovered—why he had so swiftly followed the Cardinal? But how could the two men have left her—both of them!—with such danger in the village, and only Elöise to protect her, or—as Miss Temple was already refiguring their likely dealings in her busy mind—for her to protect?
Miss Temple turned at a rustling noise. There was nothing. She looked at the tiny cottages, each showing a chink of light beneath a bolted door or between closely drawn shutters…but one, just ahead to her left, showed no light at all, nor did a plumed shadow of smoke rise from its chimney. Miss Temple stared. The door was ajar. Some thing was wrong in Karthe… something had been wrong with the groom… she had found the blue stain…Miss Temple stepped quickly off the road. The door opened silently at a push and she went in.
She allowed her eyes to penetrate the dark until she located a standing bureau where one might expect to find, and then did, a tallow candle and a match. Shutting the door to hide her house-breaking from any prying eyes in the street, she examined the room with a light in one hand and, after a deft reach to her boot, Mr. Jorgens’ sharp knife in the other.
The hut differed from the Jorgenses’ cabin in that it contained at least three rooms, receding one after another in a line, but the size and low ceiling of the first, main room was nearly the same, a fact that only accentuated Miss Temple's disquiet upon seeing a bed stripped of its linens, a cold stove, and a large trunk whose lock had been pried open with force. The floor was such a jumble of footprints that no inferences—apart from a lamentable lack of house care—could be made. The trunk was empty. She turned to the various shelves and cupboards. These were also bare. The only exceptions were the candles to one side of the door, and to the other, on the floor, a wadded ball of cloth. Miss Temple was not at all surprised to find it stained with blood.
The next room was windowless. It was clotted with furniture, chairs and tables and bureaus, stacked all against each other and pressed to each wall, the piles topped with a spinning wheel, wrapped burlap bundles, and heaps of bedding. Either the occupants were leaving Karthe, or someone had died.
On the threshold of the final room Miss Temple paused. At her feet lay the crushed stub of a cigarette. She crouched down but could not determine if the unlit edge had been crimped in the Contessa's lacquered holder, or if it had been consumed by Doctor Svenson, again availing himself of that filthy habit.
The last room—and then she really must rejoin Elöise—was as empty of furnishings as the second was full, but its smell—a smell Miss Temple never would forget—remained pungent. It was a stomach-turning mix of burning tar and sulpherous, smoking ore—the smell of indigo clay… the noxious raw mineral the Comte d'Orkancz used to make the blue glass. She'd had a whiff of it off the stable pallet, but that was nothing compared to the saturation in the hut—almost as if someone had been smelting clay, or if some hapless citizen of Karthe had fallen victim to the Process—the Cabal's cruel procedure to imprint their authority onto a victim's mind, making the man or woman a willing slave to the dreams of indifferent masters. But this required machinery, and there could be none—it was all back at Harschmort, or under the sea in the sunken airship. She held the candle high and turned slowly—nothing but an empty room with cheap, patterned paper pasted to each wall. Miss Temple crossed to the one window, leaning close to the sill. At first she saw nothing, then suddenly squeaked with shock and dropped the candle to the floor, where it went out, plunging the room into darkness.