'Do you mean that, Granny?'

'I do.'

'But will daddy agree?'

'I vill see dat he does,' she answered.

George seized her in his arms and impetuously kissed her on both cheeks.

'Darling,' he cried.

'Ah, but de promise?'

He gave her his solemn word of honour that he would faithfully abide by the terms of the arrangement. Two days later he went back to Germany. Though his father consented unwillingly to his going, and indeed could not help doing so, he would not be reconciled to him and when he left refused to say good-bye to him.

I imagine that in no manner could he have caused himself such pain. I permit myself a trite remark. It is strange that men, inhabitants for so short a while of an alien and inhuman world, should go out of their way to cause themselves so much unhappiness.

George had stipulated that during his two years of study his family should not visit him, so that when Muriel heard some months before he was due to come home that I was passing through Munich on my way to Vienna, whither business called me, it was not unnatural that she should ask me to look him up. She was anxious to have first-hand information about him. She gave me George's address and I wrote ahead, telling him I was spending a day in Munich, and asked him to lunch with me. His answer awaited me at the hotel. He said he worked all day and could not spare the time to lunch with me, but if I would come to his studio about six he would like to show me that and if I had nothing better to do would love to spend the evening with me. So soon after six I went to the address he gave me. He lived on the second floor of a large block of flats and when I came to his door I heard the sound of piano-playing. It stopped when I rang and George opened the door for me. I hardly recognized him. He had grown very fat. His hair was extremely long, it curled all over his head in picturesque confusion; and he had certainly not shaved for three days. He wore a grimy pair of Oxford bags, a tennis shirt, and slippers. He was not very clean and his finger-nails were rimmed with black. It was a startling change from the spruce, slim youth so elegantly dressed in such beautiful clothes that I had last seen. I could not but think it would be a shock to Ferdy to see him now.

The studio was large and bare; on the walls were three or four unframed canvases of a highly cubist nature, there were several arm-chairs much the worse for wear, and a grand piano. Books were littered about and old newspapers and art magazines. It was dirty and untidy and there was a frowzy smell of stale beer and stale smoke.

'Do you live here alone?' I asked.

'Yes, I have a woman who comes in twice a week and cleans up. But I make my own breakfast and lunch.'

'Can you cook?'

'Oh, I only have bread and cheese and a bottle of beer for lunch. I dine at a Bierstube.'

It was pleasant to discover that he was very glad to see me. He seemed in great spirits and extremely happy. He asked after his relations and we talked of one thing and another. He had a lesson twice a week and for the rest of the time practised. He told me that he worked ten hours a day.

'That's a change,' I said.

He laughed.

'Daddy said I was born tired. I wasn't really lazy. I didn't see the use of working at things that bored me.'

I asked him how he was getting on with the piano. He seemed to be satisfied with his progress and I begged him to play to me.

'Oh, not now, I'm all in, I've been at it all day. Let's go out and dine and come back here later and then I'll play. I generally go to the same place, there are several students I know there, and it's rather fun.'

Presently we set out. He put on socks and shoes and a very old golf coat, and we walked together through the wide quiet streets. It was a brisk cold day. His step was buoyant. He looked round him with a sigh of delight.

'I love Munich,' he said. 'It's the only city in the world where there's art in the very air you breathe. After all, art is the only thing that matters, isn't it? I loathe the idea of going home.'

'All the same I'm afraid you'll have to.'

'I know. I'll go all right, but I'm not going to think about it till the time comes.'

'When you do, you might do worse than get a haircut. If you don't mind my saying so you look almost too artistic to be convincing.'

'You English, you're such Philistines,' he said.

He took me to a rather large restaurant in a side street, crowded even at that early hour with people dining, and furnished heavily in the German medieval style. A table covered with a red cloth, well away from the air, was reserved for George and his friends and when we went to it four or five youths were at it. There was a Pole studying Oriental languages, a student of philosophy, a painter (I suppose the author of George's cubist pictures), a Swede, and a young man who introduced himself to me, clicking his heels, as Hans Reiting, Dichter, namely Hans Reiting, poet. Not one of them was more than twenty-two and I felt a trifle out of it. They all addressed George as du and I noticed that his German was extremely fluent. I had not spoken it for some time and mine was rusty, so that I could not take much part in the lively conversation. But nevertheless I thoroughly enjoyed myself. They ate sparingly, but drank a good deal of beer. They talked of art and women. They were very revolutionary and though gay very much in earnest. They were contemptuous of everyone you had ever heard of, and the only point on which they all agreed was that in this topsy-turvy world only the vulgar could hope for success. They argued points of technique with animation, and contradicted one another, and shouted and were obscene. They had a grand time.

At about eleven George and I walked back to his studio. Munich is a city that frolics demurely and except about the Marienplatz the streets were still and empty. When we got in he took off his coat and said:

'Now I'll play to you.'

I sat in one of the dilapidated arm-chairs and a broken spring stuck into my behind, but I made myself as comfortable as I could. George played Chopin. I know very little of music and that is one of the reasons for which I have found this story difficult to write. When I go to a concert at the Queen's Hall and in the intervals read the programme it is all Greek to me. I know nothing of harmony and counterpoint. I shall never forget how humiliated I felt once when, having come to Munich for a Wagner Festival, I went to a wonderful performance of Tristan and Isolde and never heard a note of it. The first few bars sent me off and I began to think of what I was writing, my characters leapt into life and I heard their long conversations, I suffered their pains and was a party to their joy; the years swept by and all sorts of things happened to me, the spring brought me its rapture and in the winter I was cold and hungry; and I loved and I hated and I died. I suppose there were intervals in which I walked round and round the garden and probably ate Schinken-Brddchen and drank beer, but I have no recollection of them. The only thing I know is that when the curtain for the last time fell I woke with a start. I had had a wonderful time, but I could not help thinking it was very stupid of me to come such a long way and spend so much money if I couldn't pay attention to what I heard and saw.

I knew most of the things George played. They were the familiar pieces of concert programmes. He played with a great deal of dash. Then he played Beethoven's Appassionato… I used to play it myself when I played the piano (very badly) in my far distant youth and I still knew every note of it. Of course it is a classic and a great work, it would be foolish to deny it, but I confess that at this time of day it leaves me cold. It is like Paradise Lost, splendid, but a trifle stolid. This too George played with vigour. He sweated profusely. At first I could not make out what was the matter with his playing, something did not seem to me quite right, and then it struck me that the two hands did not exactly synchronize, so that there was ever so slight an interval between the bass and the treble; but I repeat, I am ignorant of these things; what disconcerted me might have been merely the effect of his having drunk a good deal of beer that evening or indeed only my fancy. I said all I could think of to praise him.