"Indeed," he said. "Flamingos."

When the Taliban had found the paintings, Tariq said, they'd taken offense at the birds' long, bare legs. After they'd tied the cousin's feet and flogged his soles bloody, they had presented him with a choice: Either destroy the paintings or make the flamingos decent. So the cousin had picked up his brush and painted trousers on every last bird

"And there you have it. Islamic flamingos," Tariq said.

Laughter came up, but Laila pushed it back down. She was ashamed of her yellowing teeth, the missing incisor.

Ashamed of her withered looks and swollen lip. She wished she'd had the chance to wash her face, at least comb her hair.

"But he'll have the last laugh, the cousin," Tariq said. "He painted those trousers with watercolor. When the Taliban are gone, he'll just wash them off." He smiled – Laila noticed that he had a missing tooth of his own – and looked down at his hands. "Indeed."

He was wearing a pakol on his head, hiking boots, and a black wool sweater tucked into the waist of khaki pants. He was half smiling, nodding slowly. Laila didn't remember him saying this before, this word indeed, and this pensive gesture, the fingers making a tent in his lap, the nodding, it was new too. Such an adult word, such an adult gesture, and why should it be so startling? He was an adult now, Tariq, a twenty-five-year-old man with slow movements and a tiredness to his smile. Tall, bearded, slimmer than in her dreams of him, but with strong-looking hands, workman's hands, with tortuous, full veins. His face was still lean and handsome but not fair-skinned any longer; his brow had a weathered look to it, sunburned, like his neck, the brow of a traveler at the end of a long and wearying journey. His pakol was pushed back on his head, and she could see that he'd started to lose his hair. The hazel of his eyes was duller than she remembered, paler, or perhaps it was merely the light in the room.

Laila thought of Tariq's mother, her unhurried manners, the clever smiles, the dull purple wig. And his father, with his squinty gaze, his wry humor. Earlier, at the door, with a voice full of tears, tripping over her own words, she'd told Tariq what she thought had happened to him and his parents, and he had shaken his head. So now she asked him how they were doing, his parents. But she regretted the question when Tariq looked down and said, a bit distractedly, "Passed on."

"I'm so sorry."

"Well. Yes. Me too. Here." He fished a small paper bag from his pocket and passed it to her. "Compliments of Alyona." Inside was a block of cheese in plastic wrap.

"Alyona. It's a pretty name." Laila tried to say this next without wavering. "Your wife?"

"My goat." He was smiling at her expectantly, as though waiting for her to retrieve a memory.

Then Laila remembered. The Soviet film. Alyona had been the captain's daughter, the girl in love with the first mate. That was the day that she, Tariq, and Hasina had watched Soviet tanks and jeeps leave Kabul, the day Tariq had worn that ridiculous Russian fur hat.

"I had to tie her to a stake in the ground," Tariq was saying. "And build a fence. Because of the wolves. In the foothills where I live, there's a wooded area nearby, maybe a quarter of a mile away, pine trees mostly, some fir, deodars. They mostly stick to the woods, the wolves do, but a bleating goat, one that likes to go wandering, that can draw them out. So the fence. The stake."

Laila asked him which foothills.

"Pir Panjal Pakistan," he said "Where I live is called Murree; it's a summer retreat, an hour from Islamabad. It's hilly and green, lots of trees, high above sea level So it's cool in the summer. Perfect for tourists."

The British had built it as a hill station near their military headquarters in Rawalpindi, he said, for the Victorians to escape the heat. You could still spot a few relics of the colonial times, Tariq said, the occasional tearoom, tin-roofed bungalows, called cottages, that sort of thing. The town itself was small and pleasant. The main street was called the Mall, where there was a post office, a bazaar, a few restaurants, shops that overcharged tourists for painted glass and handknotted carpets. Curiously, the Mall's one-way traffic flowed in one direction one week, the opposite direction the next week.

"The locals say that Ireland's traffic is like that too in places," Tariq said. "I wouldn't know. Anyway, it's nice. It's a plain life, but I like it. I like living there."

"With your goat. With Alyona."

Laila meant this less as a joke than as a surreptitious entry into another line of talk, such as who else was there with him worrying about wolves eating goats. But Tariq only went on nodding.

"I'm sorry about your parents too," he said.

"You heard."

"I spoke to some neighbors earlier," he said. A pause, during which Laila wondered what else the neighbors had told him. "I don't recognize anybody. From the old days, I mean."

"They're all gone. There's no one left you'd know."

"I don't recognize Kabul."

"Neither do I," Laila said. "And I never left."

"MAMMY HAS a new friend," Zalmai said after dinner later that same night, after Tariq had left. "A man."

Rasheed looked up. "Does she, now?"

TARIQ ASKED IF he could smoke.

They had stayed awhile at the Nasir Bagh refugee camp near Peshawar, Tariq said, tapping ash into a saucer. There were sixty thousand Afghans living there already when he and his parents arrived.

"It wasn't as bad as some of the other camps like, God forbid, Jalozai," he said. "I guess at one point it was even some kind of model camp, back during the Cold War, a place the West could point to and prove to the world they weren't just funneling arms into Afghanistan."

But that had been during the Soviet war, Tariq said, the days of jihad and worldwide interest and generous funding and visits from Margaret Thatcher.

"You know the rest, Laila. After the war, the Soviets fell apart, and the West moved on. There was nothing at stake for them in Afghanistan anymore and the money dried up. Now Nasir Bagh is tents, dust, and open sewers. When we got there, they handed us a stick and a sheet of canvas and told us to build ourselves a tent."

Tariq said what he remembered most about Nasir Bagh, where they had stayed for a year, was the color brown. "Brown tents. Brown people. Brown dogs. Brown porridge."

There was a leafless tree he climbed every day, where he straddled a branch and watched the refugees lying about in the sun, their sores and stumps in plain view. He watched little emaciated boys carrying water in their jerry cans, gathering dog droppings to make fire, carving toy AK-47s out of wood with dull knives, lugging the sacks of wheat flour that no one could make bread from that held together. All around the refugee town, the wind made the tents flap. It hurled stubbles of weed everywhere, lifted kites flown from the roofs of mud hovels.

"A lot of kids died. Dysentery, TB, hunger – you name it. Mostly, that damn dysentery. God, Laila. I saw so many kids buried. There's nothing worse a person can see."

He crossed his legs. It grew quiet again between them for a while.

"My father didn't survive that first winter," he said. "He died in his sleep. I don't think there was any pain."

That same winter, he said, his mother caught pneumonia and almost died, would have died, if not for a camp doctor who worked out of a station wagon made into a mobile clinic. She would wake up all night long, feverish, coughing out thick, rust-colored phlegm. The queues were long to see the doctor, Tariq said. Everyone was shivering in line, moaning, coughing, some with shit running down their legs, others too tired or hungry or sick to make words.