I surely didn't reply.
The voice said, "Speak to me."
I turned slowly toward the voice of Fredric Tobin.
He said, "I think I heard your pistol hit the floor."
I realized that each time he spoke, he had moved. Clever man.
He said, "I can see you in the light from the overhead opening."
I noticed now that my charge toward the shotgun blast had put me closer to the dim light.
Again, the voice moved, then said, "If you so much as flinch, I'll kill you."'
I didn't understand why he hadn't fired again, but I figured he had an agenda of some sort. Taking advantage of this, I moved away from the wall and said, "Fuck you, Freddie."
Suddenly, a light came on behind me, and I realized he'd moved around me, and I was caught in the beam of his flashlight. Tobin said, "Freeze or I'll shoot. Freeze.'"
So, I stood there, my back to him, his flashlight on me, and an unseen gun of some caliber pointing at my ass. I kept the knife close to my body so he wouldn't see it, but then he said, "Hands on your head."
I slipped the knife into my waistband and put my hands on my head, my back still to him.
He said, "I want you to answer some questions."
"Then you'll let me live. Right?"
He laughed. "No, Mr. Corey. You're going to die. But you'll answer my questions anyway."
"Fuck you."
"You don't like losing, do you?"
"Not when it's my life."
He laughed again.
I said, "You don't like losing, either. You got wiped out at Foxwoods. You're a really stupid gambler."
"Shut up."
"I'm going to turn around. I want to see your capped teeth and your hairpiece."
As I turned with my hands on my head, I sucked in my gut and did a little jiggle so that the knife's hilt and handle slid down into my tight jeans. That's not where I wanted it, but it was out of sight.
We were facing each other now about ten feet apart. He was holding the flashlight on my midsection, not my face, and I could make out an automatic pistol in his right hand aimed along the beam of light. I didn't see the shotgun.
The flashlight was one of those halogen types with a narrow-focused beam that are used to signal over long distances. The light wasn't diffused at all, and the room was as dark as before, except for the beam hitting me.
Tobin played the flashlight over me from head to toe and commented, "Lost some of your clothes, I see."
"Fuck you."
His beam paused on my shoulder holster and he said, "Where's your gun?"
"I don't know. Let's look for it."
"Shut up."
"Then don't ask me questions."
"Don't annoy me, Mr. Corey, or the next round goes right into your groin."
Well, we didn't want Willie the Conqueror getting shot, though I didn't see how I could avoid annoying Tobin. I asked him, "Where's your shotgun?"
He said, "I cocked the hammer and flung it across the room. Thankfully it fired without hitting me. But you went for the bait. You're stupid."
"Hold on-it took you ten minutes standing in the dark with your finger up your ass to think of that. Who's stupid?"
"I'm getting tired of your sarcasm."
"Then shoot. You had no trouble killing those two firemen in their sleep."
He didn't reply.
"Aren't I close enough? How far were you from Tom and Judy? Close enough to leave powder burns. Or would you prefer to bash my head in like you did to the Murphys and to Emma?"
"I would prefer that. Maybe I'll wound you first, then smash your head in with my shotgun."
"Go ahead. Try for a wound. You get one shot, prick. Then I'm on you like a hawk on a chicken. Go for it."
He didn't go for it and he didn't reply. Obviously, he had some issues to resolve. Finally, he asked, "Who else knows about me? About any of this?"
"Everyone."
"I think you're lying. Where's your lady friend?"
"Right behind you."
"If you're going to play games with me, Mr. Corey, then you're going to die a lot sooner and in a lot of pain."
"You're going to fry in the electric chair. Your flesh will burn and your toupee will ignite, and your caps will glow red, and your beard will smoke, and your contact lenses will melt into your eyeballs. And when you're dead, you'll go to hell and fry again."
Mr. Tobin had no reply to this.
We both stood there, me with my hands on my head, him with the flashlight in his left hand and the pistol in his right. Obviously, he had the advantage. I couldn't see his face, but I imagined it looking very devilish and smug. Finally, Tobin said to me, "You figured out the part about the treasure, didn't you?"
"Why did you kill Emma?"
"Answer my question."
"You answer mine first."
He let a few seconds go by, then said, "She knew too much and she talked too much. But mainly, it was my way of showing you how extremely displeased I was with your sarcasm and your meddling."
"You're a heartless little shit."
"Most people think I'm charming. Emma did. So did the Gordons. Now you answer my question. Do you know about the treasure?"
"Yes. Captain Kidd's treasure. Buried here on Plum Island. To be moved to another location and discovered there. Margaret Wiley, Peconic Historical Society, and so forth. You're not as clever as you think."
"Neither are you. You're mostly lucky." He added, "However, your luck has run out."
"Maybe. But I still have all my hair and my original teeth."
"You're really annoying me."
"And I'm taller than you are, and Emma said my dick is bigger than yours."
Mr. Tobin chose not to respond to my taunts. Obviously he needed to chat before he put a bullet in me.
I said, "Did you have an unhappy childhood? A domineering mother and a distant father? Did the kids call you sissy and make fun of your argyle socks? Tell me about it. I want to share your pain."
Mr. Tobin did not speak for what seemed like a really long time. I could see that the flashlight was trembling in his hand, and so was the pistol. There are two theories when a guy has the drop on you-one is to play meek and be cooperative. The other is to needle the guy with the gun, call him names, and get him riled up so he makes a mistake. The first theory is now standard police procedure. The second theory has been ruled dangerous and crazy. Obviously I prefer the second theory. I said, "Why are you shaking?"
Both his arms came up, the flashlight in his left hand, and the automatic in his right, and I realized he was taking aim. Uh, oh. Back to Theory One.
We stood looking at each other and I could see him trying to decide if he should pull the trigger. I was trying to decide if I should let out a bloodcurdling scream and go for him before he got the shot off.
Finally, he brought the pistol and the flashlight down. Tobin said, "I will not let you make me angry."
"Good for you."
He asked me again, "Where is Penrose?"
"She drowned."
"No, she didn't. Where is she?"
"Maybe she went to the main lab and called for reinforcements. Maybe you're through, Freddie. Maybe you should give me the gun, pal."
He mulled this over.
While he was mulling, I said, "By the way, I found the chest and bones and stuff in your basement under the wine boxes. I called the cops."
Tobin didn't reply. Any hope he had that his secrets might die with me were now finished. I expected a bullet any second, but Fredric Tobin, ever the deal maker, asked me, "Do you want to go half?"
I almost laughed. "Half? The Gordons thought they were going halves and look what you did to them."
"They got what they deserved."
"How so?"
"They had an attack of conscience. Unforgivable. They wanted to turn over the treasure to the government."
"Well, that's who it belongs to."
"It doesn't matter who it belongs to. It matters who can find it and keep it."