And what about him? What was he doing here? His heart full of disgust and hatred, he was just pretending to pray for Philippe. But Philippe was… My God! Philippe, my beloved brother! He whispered these words and, as if they had some divine power to console, his painful heart relented. Warm tears flooded down his cheeks. Thoughts of kindness, forgiveness, ran through him. They did not come from within him but from beyond, as if some friend had leaned down to whisper in his ear, "A family that produced Philippe can't be all bad. You're being too harsh. You've only seen things from the outside, you can't look into their souls. Evil is visible, it burns, it smugly displays itself for all to see. There is only One who can count the sacrifices, who can measure all the blood and tears."

He looked at the marble plaque engraved with the names of those who had died in the war… the last war. Among them were some Craquants and Péricands-uncles, cousins he'd never known, children barely older than he, killed at the Somme, Flanders, Verdun, killed twice since they had died in vain. Little by little, out of this chaos of contradictory feelings, was born a strange, bitter feeling of peace. He had gained valuable experience, knowledge; no longer in an abstract, bookish way, but in his heart, which had beat so wildly, in his hands which had been torn to shreds trying to defend the bridge at Moulins, in his lips which had kissed a woman while the Germans celebrated their victory. Danger, courage, fear, love: now he knew the real meaning of these words… Yes, even love… He felt better now, stronger, and very confident. He would never see the world through anyone else's eyes again. But more than that, anything he might love and believe from now on would come from himself, and no one else. Slowly, he put his hands together, lowered his head and, finally, prayed.

The Mass was over. Outside the cathedral he was surrounded by people wanting to kiss him and congratulate his mother.

"And he still has those lovely cheeks," the women all said, "after all he's been through… He's hardly lost any weight, he hasn't changed at all. Dear little Hubert…"

27

Gabriel Corte and Florence arrived at the Grand Hotel at seven o'clock in the morning. Collapsing with exhaustion, they looked around fearfully, as if they expected, once through the revolving doors, to plunge back into the nightmare of an incoherent world, with refugees sleeping on the cream carpets of the writing room, a hotel manager who didn't recognise them and refused to give them a room, no hot water for a bath and bombs falling in the lobby. But, thank God, this Queen of French spas had remained intact and the feverish, noisy activity at the lake was simply the way it always was. All the staff were in place. Despite the manager's insistence that they were short of everything, the coffee was delicious, the cocktails were mixed with crushed ice and the taps poured out as much water as you liked, cold and boiling hot. At first everyone had been worried: the unfriendly attitude of England made them fear that the blockade would remain in place, thus depriving them of fresh supplies of whisky, but they had a large quantity in stock. They could wait.

As soon as they set foot on the marble floor of the lobby, Gabriel and Florence felt they had been reborn. Everything was calm. You could barely hear the distant whirring of the great lifts. Through the open bay windows, misty, shimmering rainbows created by the hotel's water sprinklers hovered over the lawns. They were recognised and surrounded. The manager of the Grand Hotel, where they had stayed every year for twenty years, raised his arms to heaven and told them it was all over; they had glimpsed the bottom of the abyss, but now they had to try to restore some sense of duty and nobility in the people. Then he confided in them that they were expecting members of the government to arrive at any moment (their suites had been reserved the previous day), and that the ambassador of Bolivia was having to sleep on a billiard table. However, for him, Gabriel Corte, he would always manage to find something (more or less the same words he had used as a newly promoted deputy manager of the Normandy Hotel in Deauville at the height of the racing season).

Corte wearily passed his hand over his painful forehead. "My good man, you could put a mattress in the lavatory if you had to!"

All around him, everything was taking place in an appropriately discreet manner. There were no more women giving birth in a ditch, no more lost children, no more bridges blown up with such ill-calculated amounts of dynamite that they demolished the houses nearby. Here, windows were politely closed to keep out draughts, doors were opened for him, he felt plush carpets beneath his feet.

"Do you have all your luggage? You didn't lose anything? What luck! People have been arriving without pyjamas, without even a toothbrush. There was one unfortunate gentleman who arrived with no clothes on. He was wounded in an explosion and made the entire journey from Tours completely naked, with only a blanket round him."

"Well, I nearly lost my manuscripts," said Corte.

"Good gracious, how awful! But you found them intact? All the same, what you must have been through! What you must have been through! Excuse me, Monsieur, excuse me, Madame, right this way. Here is the suite I have given you; it's on the fourth floor, I do apologise; you will excuse me, won't you?"

"Oh," muttered Corte, "nothing matters at the moment."

"I do understand," said the manager, lowering his head and looking saddened. "Such a tragedy… I was born in Switzerland but I am French at heart. I do understand."

And he stood motionless for a few moments, his head down like a mourner at a funeral who wants to rush to the exit, but feels obliged to pay his respects to the family. He had put on this expression so often in the past few days that his kindly, chubby face had been transformed. He had always walked and spoken softly, as befitted his profession. Now he exaggerated his natural tendencies even further, crossing the room utterly silently, as if he were in a funeral parlour, and when he said to Corte, "Shall I have breakfast sent up?" it was in a discreet and mournful tone of voice, as if he were looking at the body of a cherished relative and asking, "May I kiss him one last time?"

"Breakfast?" Corte sighed, returning with difficulty to reality and the trivial problems of everyday life. "I haven't eaten in twenty-four hours," he added with a faint smile.

That had been true the day before, but not this morning: at six o'clock he had eaten a hearty meal. Nevertheless, he wasn't lying: he had eaten absent-mindedly because of his extreme exhaustion and the concern he felt at the tragedy taking place in France. He felt as though he hadn't eaten.

"Oh, but you must force yourself, Monsieur! I don't like seeing you like this, Monsieur Corte. You mustn't give in. You owe it to mankind."

Corte nodded in resignation; he didn't dispute his obligation to mankind, but at the moment he couldn't be expected to have more courage than the most humble citizen. "My good man," he said, turning away to hide his tears, "it is not just France who is dying, it is Art as well."

"Not as long as you are here, Monsieur Corte," the manager replied warmly, as he had a great number of times since the Fall of France. Corte was, in the list of celebrities, the fourteenth to arrive from Paris since the sad events began and the fifth writer to seek refuge at the luxury hotel.

Corte smiled weakly and asked him to make sure the coffee was very hot.

"Boiling hot," the manager assured him, then gave the necessary orders over the telephone and left.

Florence had gone into her room, locked the door and anxiously looked at herself in the mirror. Her face, normally so soft, so well made-up, so rested, was covered in a shiny coat of sweat; it no longer absorbed the powder and foundation, but turned them into thick lumps, like curdled mayonnaise. Her nose was pinched, her eyes sunken, her mouth pale and limp. She turned away from the mirror in horror.