In her moonlit bedroom, Kokor found Obring engaged in exactly the activity she had expected. She couldn't see his face, or the face of the woman for whom he was providing vigorous companionship, but she didn't need daylight or a magnifying glass to know what it all meant.

"Disgusting," she said.

It worked just as she had hoped. They obviously had not heard her coming up the stair, and the sound of her voice froze Obring. For a moment he held his post. Then he turned his head, looking quite foolish as he gazed mournfully over his shoulder at her. "Kyoka," he said. "You're home early."

"I should have known," said the woman on the bed. Her face was still hidden behind Obring's naked back, but Kokor knew the voice at once. "Your show is so bad they closed it in mid-performance."

Kokor hardly noticed the insult, hardly noticed the fact that there wasn't a trace of embarrassment in Sevet's tone. All she could think of was, That's why she had to find a new hiding place, not because her lover was somebody famous, but to keep the truth from me.

"Hundreds of your followers every night would be glad for a yibattsa with you," Kokor whispered. "But you had to have my husband."

"Oh, don't take this personally," said Sevet, sitting up on her elbows. Sevet's breasts sagged off to the sides. Kokor loved seeing that, how her breasts sagged, how at nineteen Sevet was definitely older and thicker than Kokor. Yet Obring had wanted that body, had used that body on the very bed where he had slept beside Kokor's perfect body so many nights. How could he even be aroused by a body like that, after seeing Kokor after her bath so many mornings.

"You weren't using him, and he's very sweet," said Sevet. "If you'd ever bothered to satisfy him he wouldn't have looked at me"

"I'm sorry," Obring murmured. "I didn't mean to."

That was so outrageous, like a little child, that Kokor could not contain her rage. And yet she did contain it. She held it in, like a tornado in a bottle. "This was an accident?" whispered Kokor. "You stumbled, you tripped and fell, your clothes tore off and you just happened to bounce on top of my sister?"

"I mean-I kept wanting to break this off, all these months ..."

"Months," whispered Kokor.

"Don't say any more, puppy," said Sevet. "You're just making it worse."

"You call him ‘puppy'?" asked Kokor. It was the word they had used when they first reached womanhood, to describe the teenage boys who panted after them.

"He was so eager," said Sevet, sliding out from under Obring. "I couldn't help calling him that, and he likes the name."

Obring turned and sat miserably on the bed. He made no attempt to cover himself; it was obvious he had lost all interest in love for the evening.

"Don't worry about it, Obring," Sevet said. She stood beside the bed, bending over to pick up her clothing from the floor. "She'll still renew you. This is one story she won't be eager to have people tell about her, and so she'll renew you as long as you want, just to keep you from telling."

Kokor saw how Sevet's belly pooched out, how her breasts swung when she bent over. And yet she had taken Kokor's husband. After everything else, she had to have even that. It could not be borne.

"Sing for me," whispered Kokor.

"What?" asked Sevet, turning to face her, holding her gown in front of her.

"Sing me a song, you davalka, with that pretty voice of yours."

Sevet stared into Kokor's eyes and the look of bored amusement left her face. "I'm not going to sing right now, you little fool," she said.

"Not for me," said Kokor. "For Father."

"What about Father?" Sevet's face twisted into an expression of mock sympathy. "Oh, is little Kyoka going to tell on me?" Then she sneered. "He'll laugh. Then he'll take Obring drinking with him!"

"A dirge for Father," said Kokor.

"A dirge?" Sevet looked confused now. Worried.

"While you were here, boffing your sister's husband, somebody was busy killing Father. If you were human, you'd care. Even baboons grieve for their dead."

"I didn't know," said Sevet. "How could I know?"

"I looked for you," said Kokor. "To tell you. But you weren't in any of the places I knew. I left my play, I lost my job to search for you and tell you, and this is where you were and what you were doing."

"You're such a liar," said Sevet. "Why should I believe this?"

"I never did it with Vas," said Kokor. "Even when he begged me."

"He never asked you," said Sevet. "I don't believe your lies."

"He told me that just once he'd like to have a woman who was truly beautiful. A woman whose body was young and lithe and sweet. But I refused, because you were my sister."

"You're lying. He never asked."

"Maybe I'm lying. But he did ask."

"Not Vas," said Sevet.

"Vas, with the large mole on the inside of his thigh," said Kokor. "I refused him because you were my sister."

"You're lying about Father, too."

"Dead in his own blood. Murdered on the street. This is not a good night for our loving family. Father dead. Me betrayed. And you-"

"Stay away from me."

"Sing for him," said Kokor.

"At the funeral, if you're not lying."

"Sing now" said Kokor.

"Little hen, little duck, I'll never sing at your command."

Accusing her of cackling and quacking instead of singing, that was an old taunt between them, that was nothing. It was the contempt in Sevet's voice, the loathing that got inside her. It filled her, it overfilled her, it was more than she could contain. Not for another moment could she hold in the tempest that tore at her.

"That's right!" cried Kokor. "At my command, you'll never sing!" And like a cat she lashed out, but it wasn't a claw, it was a fist. Sevet threw up her hands to protect her face. But Kokor had no desire to mark her sister's face. It wasn't her face she hated. No, her fist connected right where she aimed, under Sevet's chin, on her throat, where the larynx lay hidden under the ample flesh, where the voice was made.

Sevet didn't make a sound, even though the force of the blow knocked her backward. She fell, clutching at her throat; she writhed on the floor, gagging, hacking. Obring cried out and leapt to her, knelt over her. "Sevet!" he cried. "Sevet, are you all right?"

But Sevet's only answer was to gurgle and spit, then to choke and cough. On blood. Her own blood. Kokor could see it on Sevet's hands, on Obring's thighs where he cradled her head on his lap as he knelt there. Glimmering black in the moonlight, blood from Sevet's throat. How does it taste in your mouth, Sevet? How does it feel on your flesh, Obring? Her blood, like the gift of a virgin, my gift to both of you.

Sevet was making an awful strangling sound. "Water," said Obring. "A glass of water, Kyoka-to wash her mouth out. She's bleeding, can't you see that? What have you done to her!"

Kyoka stepped to the sink-her own sink-and took a cup-her own cup-and brought it, filled with water, to Obring, who took it from her hand and tried to pour some of it into Sevet's mouth. But Sevet choked on it and spat the water out, gasping for breath, strangling on the blood that flowed inside her throat.

"A doctor!" cried Obring. "Cry out for a doctor- Bustiya next door is a doctor, she'll come."

"Help," murmured Kokor. "Come quickly. Help." She spoke so softly she almost couldn't hear the sound herself.

Obring rose up from the floor and looked at her in rage. "Don't touch her," he said. "I'll fetch the physician myself." He strode boldly from the room. Such strength in him now. Naked as a mythic god, as the pictures of the Gorayni Imperator-the image of masculinity-that was Obring as he went forth into the night to find a doctor who might save his lady.