"That's where you're wrong," said Rasa. "The Over-soul has no special love for Basilica. She watches over the whole world. What if the whole world will somehow benefit if Basilica is ruined? If my boys are killed? To the Oversoul, little cities and little people are nothing-she weaves a grand design."

"Then we must bow to her," said Luet.

"Bow to whomever you want," said Rasa. "I'm not bowing to the Oversoul if she's going to turn my boys into killers and my city into dust. If that's what the Oversoul is planning, then the Oversoul and I are enemies, do you understand me?"

"Lower your voice, Aunt Rasa," said Hushidh. "You'll waken the little ones."

Rasa fell silent for a moment, then muttered: "I've said what I have to say."

"You are not the Oversoul's enemy," said Luet. "Please, wait awhile. Let me try to find the Oversoul's will in this. That's what you brought me here to do, isn't it? To tell you what the Oversoul is planning?"

"Yes," said Rasa.

"I don't command the Oversoul," said Luet. "But I'll ask her. Wait here, and I'll-"

"No," said Rasa. "There's no time for you to go down to the waters."

"Not to the waters," said Luet. "To my room. To sleep. To dream. To listen for the voice, to watch for vision. If it comes."

"Then hurry," said Rasa. "We have only an hour or so before I have to do something-more and more people will come here, and I'll have to act"

"I don't command the Oversoul," Luet said again.

"And the Oversoul sets her own schedule. She does not follow yours."

Kokor went to Sevet's favorite hideaway, where she took her lovers to keep them from Vas's knowledge, and Sevet wasn't there. "She doesn't come here anymore," said Iliva, Sevet's friend. "Nor any of the other places in Dauberville. Maybe she's being faithful!" Then Iliva laughed and bade her good night.

So Kokor wouldn't be able to pounce after all. It was so disappointing.

Why had Sevet found a new hiding place? Had her husband Vas gone in search of her? He was far too dignified for that! Yet the feet remained that Sevet had abandoned her old places, even though Iliva and Sevet's other friends would gladly have continued to shelter her.

It could only mean one thing. Sevet had found a new lover, a real liaison, not just a quick encounter, and he was someone so important in the city that they had to find new hiding places for their love, for if it became known the scandal would surely reach Vas's ears.

How delicious, thought Kokor. She tried to imagine who it could be, which of the most famous men of the city might have won Sevet's heart. Of course it would be a married man; unless he was married to a woman of Basilica, no man had a right to spend even a single night in the city. So when Kokor finally discovered Sevet's secret, the scandal would be marvelous indeed, for there'd be an injured weeping wife to make Sevet seem all the more sluttish.

And I will tell it, thought Kokor. Because she hid this liaison from me and didn't tell me, I have no obligation to keep her secret for her. She didn't trust me, and so why should I be trustworthy?

Kokor wouldn't tell it herself, of course. But she knew many a satirist in the Open Theatre who would love to know of this, so he could be the first to dart sweet Sevet and her lover in a play. And the price she charged him for the story wouldn't be high-only the chance to play Sevet when he darted her. That would put a quick end to Tumannu's threat to blackball her.

I'll get to imitate Sevet's voice, thought Kokor, and make fun of her singing as I do. No one can sound as much like her as I can. No one knows all the flaws in her voice as I do. She will regret having hidden her secret from me! And yet I'll be masked when I dart her, and I'll deny it all, deny everything, even if Mother herself asks me to swear by the Oversoul, I'll deny it. Sevet isn't the only one who knows how to keep a secret.

It was late, only a few hours before dawn, but the last comedies wouldn't be over for another hour. If she hurried back to the theatre, she could probably even go back onstage and be there for the finale, at least. But she couldn't bring herself to play the scene she'd have to play with Tumannu-begging forgiveness, vowing never to walk away from a play again, weeping. It would be too demeaning. No daughter of Gaballufix should have to grovel before a mere stage manager!

Only now that he's dead, what will it matter if I'm his daughter or not? The thought filled her with dismay. She wondered if that man Rash had been right, if Father would leave her enough money to be very rich and buy her own theatre. That would be nice, wouldn't it? That would solve everything. Of course, Sevet would have just as much money and would probably buy her own theatre, too, just because she would have to overshadow Kokor as usual and steal any chance of glory, but Kokor would simply show herself to be the better promoter and drive Sevet's miserable imitative theatre into the dust, and, when it failed, all Sevet's inheritance would be lost, while Kokor would be the leading figure in Basilican theatre, and the day would come when Sevet would come to Kokor and beg her to put her in the starring role in one of her plays, and Kokor would embrace her sister and weep and say, "Oh, my darling sister, I'd love nothing better than to put on your little play, but I have a responsibility to my backers, my sweet, and I can't very well risk their money on a show starring a singer who is clearly past her prime"

Oh, it was a delicious dream! Never mind that Sevet was only a single year older-to Kokor that made all the difference. Sevet might be ahead now, but someday soon youth would be more valuable than age to them, and then it would be Kokor who had the advantage. Youth and beauty-Kokor would always have more of both than Sevet. And she was every bit as talented as Sevet, too.

Now she was home, the little place that she and Obring rented in Hill Town. It was modest, but decorated in exquisite taste. That much, at least, she had learned from her Aunt Dhelembuvex-Obring's mother-that it's better to have a small setting perfectly finished than a large setting badly done. "A woman must present herself as the blossom of perfection," Auntie Dhel always said. Kokor herself had written it much better, in an aphorism she had published back when she was only fifteen, before she married Obring and left Mother's house:

A perfect bud of subtle color and delicate scent is more welcome than a showy bloom, which shouts for attention but has nothing to show that can't be seen in the first glance, or smelled in the first whiff.

Kokor had been proudest of the way the lines about the perfect bud were short and simple phrases, while the lines about the showy bloom were long and awkward. But to her disappointment no noted melodist had made an aria of her aphorism, and the young ones who came to her with their tunes were all talentless pretenders who had no idea how to make a song that would suit a voice like Kokor's. She didn't even sleep with any of them, except the one whose face was so shy and sweet. Ah, he was a tiger in the darkness, wasn't he! She had kept him for three days, but he would insist on singing his tunes to her, and so she sent him on his way.

What was his name?

She was on the verge of remembering who he was as she entered the house and heard a strange hooting sound from the back room. Like the baboons who lived across Little Lake, their pant-hoots as they babbled to each other in their nothing language. "Oh. Hoo. Oo-oo. Hoooo."

Only it wasn't baboons, was it? And the sound came from the bedroom, up the winding stair, moonlight from the roof window lighting the way as Kokor rushed upward, running the stairs on tiptoe, silently, for she knew that she would find her husband Obring with some whore of his in Kokor's bed, and that was unspeakable, a breach of all decency, hadn't he any consideration for her at all? She never brought her lovers home, did she? She never let them sweat on his sheets, did she? Fair was fair, and it would be a glorious scene of injured pride when she thrust the little tartlet out of the house without her clothes! so she'd have to go home naked and then Kokor would see how Obring apologized to her and how he'd make it up to her, all his vows and apologies and whimpering but there was no doubt about it now, she would not renew him when their contract came up and then he'd find out what happens to a man who throws his faithlessness in Kokor's face.