As the wind howled, I stared through the archway toward the room on my left. I noticed a broom next to the refrigerator and waved it through the archway, moving it up and down and from side to side, checking that there weren't any other triggering devices (electronic beams, for example) linked to weapons.

Nothing happened.

I pressed the hard end of the broom onto a carpet that led through the archway.

The floor was solid. I entered the dining room, scanned its long table, chairs, and sideboard, saw no obvious further traps, and stepped toward another archway. Through it, I could see old padded chairs and a sofa in what Mrs. Warren would probably have called the parlor.

I tested another section of carpet and stepped toward the front room.

Crack! The floor gave way. My stomach surged toward my heart. Plummeting, I lurched forward, slamming my chest against the edge of the trapdoor. As the pistol and the broom flew from my hands, I clawed at the wooden floor. My hands slid. I hooked my fingers over the edge and dangled. Frantic, I peered down at a section of the basement that had been enclosed. Through a wooden platform below me, knives protruded, four inches apart in every direction, so that it wasn't possible to land among them and not be injured. One end of the carpet was attached to the floor, dangling rather than falling onto the points below and preventing them from impaling me. I'd have bled to death if I hadn't died instantly.

My arms ached as I strained to pull myself up. But I tested the floor! I thought. How the hell did I get fooled? The trapdoor must have been rigged to spring open only if a certain amount of weight was applied to it. Petey must have stepped over it when he passed through the archway. I strained harder to pull myself up and managed to prop my elbows on the trapdoor's edge. Slowly, I squirmed into the parlor. On my back on the floor, I breathed deeply. Trying to steady myself, I listened to the wind.

Petey might come back any minute, I thought. I reached for the pistol and the broom, which had flown from my hands when I'd fallen. But caution instantly controlled me. Trying to subdue my too-fast breathing, I scanned the faded furniture, the ceiling, the corners. Nothing seemed to threaten me. Through the front windows, I studied the lane leading into the windblown forest. Petey's truck didn't speed into view. Keep moving! I told myself. Staying to the edge of the room, I pushed a chair ahead of me, wary of other traps.

To the right of the front windows, an archway led to a corridor. Stairs went up. On a landing beyond the front door, another shotgun had been rigged. As before, a cord was attached to the trigger. The cord looped back through two pulleys and connected to a hook on top of the door. When the door was opened and someone stepped through, the shotgun would blow the intruder in half. It wouldn't have been difficult for Petey to attach the cord to the hook as he pulled the door shut or for him to unhook the cord when he returned and opened the door just enough for him to reach his hand up. For anyone who didn't suspect, though, death would have been instantaneous.

Had I found all the traps? Straining my eyes, I studied the corridor. I fixed my gaze on a door beneath the stairway. I was sure that it would take me down to the basement. Kate and Jason were only a couple of hundred feet away.

The floor had no carpet. It looked solid. Nonetheless, I stayed to the edge of the hallway and inched along. When I came to the door beneath the stairs, I tested the knob. It turned freely in my hand. But another trap might be behind it. So I pulled the flashlight from my belt, gently opened the door an inch, and scanned the light up and down, looking for a cord.

The area beyond was totally dark. Warily opening the door a few inches farther, I smelled something bitter, like camphor.

Mothballs.

I opened the door farther, aimed the flashlight, and saw coats and dresses on a rod. A closet. No! Furious, I used the blunt end of the broom to prod among the clothes. I tapped the floor. The walls. Nothing sounded hollow. Where the hell was the entrance to the basement?

Hurry! I thought.

I remembered the previous night when I'd watched Petey's silhouette through the window. He'd been cooking. Then his silhouette had disappeared. I'd assumed that he'd been eating in an area of the kitchen that was out of my view.

But what if he'd taken the food to Kate and Jason?

In the kitchen? How? There wasn't a door to the basement.

A shock of understanding hit me. Trying not to let my eagerness make me careless, I returned the way I'd come. I paused only once: to look through the front windows, past the windswept shrubs, and check if Petey's truck was returning. Then I stepped over the open trapdoor between the parlor and the dining room, rushing into the kitchen.

The pantry. I tapped the walls behind the canned goods on the shelves. They sounded solid. I glanced down at the floor, realized what Petey had done, and grabbed the workbench upon which the shotgun had been secured. Tugging it away, I saw the outline of another trapdoor. This one had a ring. I pulled upward and stared down at wooden steps descending into darkness.

16

"Kate! Jason!"

The names echoed back to me.

No one shouted in return.

I tilted the trapdoor back so that it rested against the shelves behind it. I positioned the workbench so that if the trapdoor accidentally fell, it would be stopped before it slammed down and possibly locked. Then I aimed my flashlight into the darkness, saw a switch on a post about five steps down, and tested the first step as I eased down to turn on the basement lights.

No, I warned myself. Petey wouldn't booby-trap the ground floor and not do something to the basement, as well. I'd gotten this far because I'd put myself in his place. I thought like him. What would Petey have done to protect the basement?

The broomstick remained in my hand. I tilted it downward, flicked the switch…

And stumbled back from an arc of electricity that shot from the switch, blackening the stick. The flash was blinding, the force so great that it knocked the stick from my hand. I felt a tingle in my palm where the current had started to reach me.

Smoke rose from the fake switch. Smelling burned wires, I aimed the flashlight again and went cautiously down a few more steps. I eased my weight onto each of them, always gripping one behind me for support in case a step broke away. The lower I got, the less I heard the wind. I scanned the flashlight across the basement, seeing boxes, a handyman's bench, tools on the wall above it, shelves of preserves, a washing machine, a dryer, an oil furnace, a laundry tub, and a water heater. A window above the laundry tub had been boarded over. The walls and floor were old concrete. The ceiling had pipes, wires, and joists exposed. Everything smelled of mold.

I eased lower and saw a switch on another post, this one at the bottom. Reaching it, I picked up the broomstick where it had fallen. Once more, I flicked with the stick, and this time, the switch was real. Lights glowed in the basement's ceiling: dim lights-sixty-watt bulbs-but nonetheless they made me squint.

"Kate! Jason!"

Again, my shouts echoed.

Again, no muffled voices answered me.

I oriented myself. The wall that faced the area behind the house was on my left. There wasn't a door, only a tall object like a bookshelf on which there were jars of preserved peaches and pears. I studied it from various angles, looking for another trap. I stepped protectively to the left and pushed with the broomstick.

The shelves slid away.

I inched my head around the corner, peering into the opening. The tunnel was about fifteen feet long. Its concrete was smooth and new-looking. Petey had imitated the arrangement that Orval Dant had used, with the difference that instead of a wooden ceiling, Petey had chosen concrete.