“Victim’s room is on the east side of the house.” He opened one of the folders and glanced at his notes before continuing. “One side of her was the room belonging to Joanna Ellacourt and her husband…David Sydeham. Other side was a young woman…here it is. Lady Helen Clyde. It’s this second room that’s been sealed off.” He looked up in time to see the surprise on all three of the London faces. “You know these people?”
“Just Lady Helen Clyde. She works with me,” St. James replied. He looked at Lynley. “Did you know Helen was coming to Scotland, Tommy? I thought she’d planned to go to Cornwall with you.”
“She begged off the trip last Monday night, so I went alone.” Lynley looked at the fl oor plan, touching his fingers meditatively to it. “Why has Helen’s room been sealed?”
“It adjoins the victim’s room,” Macaskin answered.
“Now there’s a piece of luck,” St. James said with a smile. “Leave it to our Helen to get herself booked right next door to a murder. We’ll want to talk to her at once.”
Macaskin frowned at this and leaned forward, placing himself squarely between the two men to get their attention with a physical intrusion before he went on with a verbal one. “Inspector,” he said, “about Lady Helen Clyde.” Something in his voice arrested the other two men’s conversation. Warily, they looked at each other as Macaskin added grimly, “About her room.”
“What about it?”
“It appears to be the means of access.”
LYNLEY WAS STILL trying to understand what Helen was doing with a group of actors in Scotland when Inspector Macaskin imparted this new piece of information.
“What makes you think that?” he asked at last, although his mind was taken up mostly with his last conversation with Helen, less than a week ago in his library in London. She’d been wearing the loveliest jade-coloured wool, had tasted his new Spanish sherry- laughing and chatting in that light-hearted way of hers-and had rushed off promptly to meet someone for dinner. Who? he wondered now. She hadn’t said. He hadn’t asked.
Macaskin, he noted, was watching him like a man who had things on his mind and was merely waiting for the right opportunity to trot them all out.
“Because the victim’s hall door was locked,” Macaskin replied. “When Mary Agnes tried to rouse her without success this morning, she had to use the master keys-”
“Where are they kept?”
“In the office.” Macaskin pointed to the map. “Lower floor, northwest wing.” He continued. “She unlocked the door and found the body.”
“Who has access to these master keys? Is there another set of them?”
“Only one set. Just Francesca Gerrard and the girl, Mary Agnes, use them. They were kept locked in the bottom drawer of Mrs. Gerrard’s desk. Only she and the Campbell girl have keys to get into it.”
“No one else?” Lynley asked.
Macaskin looked thoughtfully down at the plan, moving his eyes along the lower northwest corridor of the house. It was part of a quadrangle, possibly an addition to the original building, and it grew out of the great hall not far from the stairway. He pointed to the first room in the corridor.
“There’s Gowan Kilbride,” he said pensively. “A kind of jack-of-all-trades. He could have got to the keys had he known they were there.”
“Did he know?”
“It’s possible. I gather that Gowan’s duties don’t generally range to the upper floors of the house, so he’d have no need of the master keys. But he might have known about them had Mary Agnes told him where they were.”
“And might she have done so?”
Macaskin shrugged. “Perhaps. They’re teenagers, aren’t they? Teenagers sometimes try to impress each other all sorts of silly ways. Especially if there’s an attraction between them.”
“Did Mary Agnes say if the master keys were in their normal place this morning? Had they been disturbed?”
“Apparently not, since the desk was locked as usual. But it’s not the kind of thing the girl is likely to have noticed. She unlocked the desk, reached into the drawer for the keys. Whether they were in the exact spot she had last left them, she doesn’t know, since the last time she put them in the desk she merely dropped them inside without a second thought.”
Lynley marvelled at the amount of information Macaskin had been able to gather in his restricted time at the house. He eyed the man with growing respect. “These people all knew each other, didn’t they? So why was Joy Sinclair’s door locked?”
“Argie-bargie last nicht,” Lonan put in from his chair in the corner.
“An argument? What sort?”
Macaskin shot the constable an aggrieved look, apparently for lapsing into colloquialism, something that his men were obviously not supposed to do. He said, apologetically, “That’s all we managed to get from Gowan Kilbride this morning before Mrs. Gerrard strong-armed him away with the order to wait for Scotland Yard. Just that there was some sort of row involving the lot of them. Seems some china was broken in the midst of it, and there was an accident in the great hall with liquor. One of my men found bits and pieces of broken porcelain and glass thrown into the rubbish. Some Waterford also. It looks like quite a set-to.”
“Involving Helen as well?” St. James didn’t wait for an answer. “How well does she know these people, Tommy?”
Lynley shook his head slowly. “I didn’t know she knew them at all.”
“She didn’t tell you-”
“She begged off Cornwall with other plans, St. James. She didn’t tell me what they were. And I didn’t ask.” Lynley looked up to see the change in Macaskin’s expression, a sudden movement of his eyes and lips, nearly imperceptible. “What is it?”
Macaskin seemed to give pause to think before he reached for a folder, flipped it open, and drew out a slip of paper. It was not a report but a message, the kind that gives information in “eyes only” fashion from one professional to another. “Fingerprints,” he explained. “On the key that locked the door adjoining Helen Clyde’s and the victim’s rooms.” As if in the knowledge that he was dancing his way down a very fine line between disobeying his own chief constable’s orders to leave everything to the Yard and giving a brother officer what assistance he could, Macaskin added, “Appreciate it if you’d make no mention of hearing this from me when you write your report, but once we saw that the door between those two rooms was our access route, we brought its key back here for testing on the sly and compared the prints on it with some we lifted from water glasses in the other rooms.”
“The other rooms?” Lynley asked. “So they’re not Helen’s prints on the key?”
Macaskin shook his head. When he spoke, his voice was tellingly noncommittal. “No. They belong to the director of the play. A Welshman, bloke called Rhys Davies-Jones.”
Lynley did not respond immediately. Rather, after a moment, he said, “Then Helen and Davies-Jones must have exchanged rooms last night.”
Across from him, he saw Sergeant Havers wince, but she didn’t look at him. Instead, she ran one stubby finger along the edge of the table and kept her eyes on St. James. “Inspector-” she began in a careful voice, but Macaskin interrupted her.
“No. According to Mary Agnes Campbell, no one at all spent the night in Davies-Jones’ room.”
“Then where on earth did Helen-” Lynley stopped, feeling the grip of something awful take him, like the onslaught of an illness that swept right through his skin. “Oh,” he said, and then, “Sorry. Don’t know what I was thinking about.” He fixed his eyes on the fl oor plan intently.
As he did so, he heard Sergeant Havers mutter a brooding oath. She reached into her pocket and pulled out the six cigarettes she had taken from him in the van. One was broken, so she tossed it in the rubbish and picked another. “Have a smoke, sir,” she sighed.
ONE CIGARETTE, Lynley found, did not do much to ameliorate the situation. You have no hold on Helen, he told himself roughly. Just friendship, just history, just years of shared laugh-ter.And nothing else. She was his amusing companion, his confidante, his friend. But never his lover. They had both been too careful, too wary for that, too much on guard ever to become entangled with each other.