The old men had first tried to recruit the Hong Kong boys to their own use, but that wasn't working anymore. The old men retreated deeper and deeper into the networks they had spent years developing-but all their political contacts were useless against young boys with flat eyes and hungry guns, kids who didn't play by the rules. The old folks didn't have a chance. They had to import muscle while the kids were growing their own.

I nosed the Plymouth through the alley in back of the warehouse. Clotheslines stretched across the alley, and children ran past, shrieking at each other in a mixture of English and Cantonese. The kids were like birds in a jungle-everything was safe as long as they were making noise. When they went silent, a predator was walking the trails.

I pulled around the front and into the garage. I left the engine running while I pulled the door closed behind me. The Mole had once offered to wire the door so a light would blink and tell Max someone was around, but Max bowed his thanks and said he didn't need it.

I wasn't going to call the redhead from anyplace that could be traced-with cocaine accounting for half the gross national product of the city, half the pay phones in town have been tapped by one agency or another. I'd have to wait for an hour or two anyway. When Max didn't materialize on the landing at the back of the garage, I made a pillow out of my jacket, put it against the passenger door, and stretched out. I put on a Judy Henske tape and listened to her raw-silk voice sing "If That Isn't Love" while I smoked a cigarette in the soft darkness of the garage.

Max might be back in five minutes or five hours. In my life, time isn't important-so long as you're not doing it inside.

30

SOMETHING dropped onto the Plymouth 's hood from upstairs, waking me up. I glanced through the windshield-it was a new deck of playing cards, still in the original box. Max was telling me he wanted a rematch of our last game of gin, and warning me not to cheat.

I pocketed the cards and went through the downstairs door all the way to the back. We had a little table back there and a couple of chairs. The table held a big glass ashtray and a chrome ghetto-blaster some would-be mugger had donated to Max. A true liberal, Max never called the police, realizing that the young man needed rehabilitative services instead. He left that task to the emergency ward.

Max floated in the side door, bowed to me, and made a motion like he was dealing the cards. I opened the new deck and riffled them between my hands, getting the feel. Max reached into one of the cabinets and pulled out one of those thick telephone message pads they use in government offices-we used the back for a score sheet. We play three-column gin: 150 points a game, twenty-five for a box, double for a schneid in any column, and double again for a triple. The stakes are a penny a point-first man to a million bucks wins the whole thing. I looked through our stack of tapes, asked Max which one he wanted me to put on. He pointed to Judy Henske. I slammed the cassette home and put the volume on real low. I know Max can't hear. I used to think he listened to music by feeling the bass line in his body or something, but Henske's voice doesn't get real low. One time I slipped a Marie Osmond tape on the player. Max listened for a minute, pointed to me, made a face to say "You like that shit?" and hit the "stop" button. He reached in, pulled out the cassette, and crushed it in one hand. He threw the mess into a bucket we use for a garbage pail, folded his arms, and waited for me to display some better taste. I still don't think he can hear the music, but maybe he can feel how I react to it. Lucky there's no bluffing in gin.

We were about an hour into the game, with Max ahead for a change, when Immaculata came into the room from behind Max. Her long black hair was pulled back into a severe bun and her face was scrubbed clean of makeup. She was wearing a white jersey sweatshirt that must have belonged to Max-it was big enough for two of her. She bowed to me in greeting as she put one hand on Max's shoulder. Her long nails were lacquered a shade of purple so dark it was almost black. Max reached up to touch her hand, but he never took his eyes from the cards. The first time Immaculata had walked into our clubhouse like she belonged there, I felt a stab of something-but it passed. She did belong there.

"Hey, Mac," I greeted her, "we're almost done."

Max reached across the table and snatched the score sheet from in front of me. His score was under "X" and mine was under "O"-we'd started playing tic-tac-toe first, years ago, and Max wanted to keep the same identifications just because he won the last time-Orientals are superstitious people. He handed her the sheet. His meaning was obvious- it was me who was almost done.

That did it-being ahead was bad enough, but bragging about it was gross. I immediately knocked, going down with two aces and a deuce- four points. Max spread his cards: three queens, three fives, and three tens. The only other card was my missing ace-an under-knock-worth four boxes and fifty points and the fucking third column too. The miserable thug couldn't keep the smile off his face as he handed me the pencil to total things up. Mac went to the hot plate in the corner to make some tea for her and Max-there was apple juice in the refrigerator for me. Max had cut deeply into his ongoing deficit with that last score.

I made the sign of a man rolling dice with his eyes closed to show that it was pure dumb luck, and Max made the sign of a man playing the violin to show how sorry he felt for me and my dismal lack of skill.

Max stashed the score sheet and lit a cigarette. He used to light up whenever he needed only one more card for gin. As soon as he realized I'd caught on to it, he just plain stopped smoking while we were playing- a typical fanatic. Immaculata brought the tea and the apple juice on a little tray and lit a cigarette of her own. I made the sign of talking into a telephone, telling Max I needed to plug into the phone system of the architects who had the building next door. I started to get up and Max held out his palm in a "stop" gesture. He turned to Immaculata, pointed to me, and waved his hands in front of his chest, fingers curling back toward his face. He was telling her to get on with it-whatever it was.

"Burke," she said, "I'm having a problem with my work. Max insists you could help me with it," she said, in a doubtful voice.

"I'll do what I can," I told her.

"I'm not sure there's anything you can do," she said. Her English was perfect, the mixture of French and Vietnamese in her voice sounding exotic but not foreign. "When I interview abused children…about what happened to them…like you saw with the dolls?"

I just nodded, listening.

"Well, if they're old enough to really talk, what I have to do is get it all on tape. You can't take notes…you just distract them if you do…they want to know what you're writing down. And we may have to use the tapes in court. You understand so far?"

"Sure," I said.

"Anyway, for these children, what we're working on is something we call 'empowerment.' It just means that sexually abused children have no sense of power over their own lives…these children are always in fear-they never feel really safe. The goal is for them to eventually be able to confront their abusers, and feel safe while they do it, okay?"

"Okay."

"So they have to feel in control. They have to believe that they're on top of the situation-even when they're working with the therapist."

"How come they don't feel in control when the freak isn't in the room with them anymore?" I asked her.

Immaculata looked at me, two long dark fingernails against her cheek, thinking. "Wait here, okay? I want to show you something."