"Yeah, very."

"Am I wrong, or can the rear of that building be seen from at least one side of the warehouse?"

"Let's go find out."

Ten minutes later, the two women stood gingerly on a rusted old catwalk still connected to a single interior wall of what remained of the warehouse. There wasn't much inside the building, but what was there was clear evidence that at least a few people had been using the place as shelter recently. There was some old furniture-a mildewed sofa and ragged chair- grouped in one corner with a threadbare tarp providing a third wall to help keep out at least the worst of the wind, and a fire had been kindled in an old trash barrel in the center of the area, obviously for warmth.

With the toe of one shoe, Jennifer nudged a pile of newspapers and old rags that had clearly been used as a bed up on the catwalk. "Scary place to sleep, I'd think."

"But maybe safer than down there," Kendra pointed out, gesturing toward the concrete floor below. "At least from the viewpoint of a paranoid schizophrenic. The way this thing creaks, it would certainly provide a warning if company came."

"Yeah. And maybe he slept underneath the window for the same reason-because he was paranoid and wanted to keep an eye on things." Jennifer looked at the window just above the makeshift bed; it was the only one that still had opaque frosted glass in most of its panes, but two of the panes were missing. And through the openings, she had a dandy view of the rear of the building where Hollis had been found. "And take a look-you were right."

Kendra leaned in to glance out the window. "Far as I can tell, this is probably the only vantage point in the area where that entrance would be clearly visible. Isn't that a streetlight just off the corner there?"

"Yeah. So even on a dark night, Robson-if it was him up here-could have seen someone go into the building and could have been able to tell he was carrying something wrapped in a tarp or in a sack, something that moved."

"A ghost. Maybe masked, eerie in the light. Or maybe even someone he really did recognize from his own past." Kendra looked at Jennifer with a faint smile. "If you ask me, this is no wild-goose chase we're on. I say we keep looking for David Robson."

Conscious of the familiar adrenaline rush, Jennifer nodded. "I agree."

It was only a few minutes later, as they got into the car, that she added, "How did you know there was something in the report that could have been important, anyway? You never saw the report, did you?"

"No."

"Well, then?"

Kendra smiled. "Call it a hunch."

"Christ, John, I'm sorry," Quentin said into the phone. "Since this bastard always just dumped the women and left, doing his torturing and maiming elsewhere, I assumed he'd done the same thing to Samantha Mitchell. That he'd cut her throat and abdomen before he carried her to that building and then just arranged her body for maximum shock effect. If I'd paid closer attention to the crime-scene photos, I would have seen it; that mattress was soaked with blood, especially around her head and shoulders. I should have realized that he must have killed her there, in that room."

"It isn't your fault, Quentin." John sighed. "We were all a bit distracted trying to deal with the less… physical details of all this."

"No excuse, not for me. How's Maggie?"

"If you want the truth, she's doing better than I am. The bleeding stopped as soon as I got her out of the building, and by the time I got her in the car and wiped some of the blood away, there was just an angry-looking red line where before it was… open."

"Where is she now?"

"Sleeping. The moment the shock wore off, it seemed all she wanted to do was sleep. So I brought her back here to her place and put her to bed."

"Then I'm sure she'll be okay. She wasn't in there long enough to connect completely with what happened to Samantha Mitchell."

"And if she had been? Are you telling me it could have killed her?"

Quentin hesitated, then said, "It's possible, at least in this instance. I don't think she's quite there yet, but if her sensitivity continues to increase, I believe she might eventually become an absolute empath."

"Absolute?"

"Yeah. Her system, both physically and emotionally, would become so sensitive it would literally absorb the injuries or illnesses of someone else. If you cut your hand and she touched you, the cut would heal on you-and appear on her. A real, bleeding cut, pain and all, identical to the one you'd had."

"Jesus."

"Yeah. What I'm not sure about is whether she's a healing empath or a sharing empath. If she's healing, any injury she absorbed-at least, short of a mortal one-she would also be able to heal. So your cut would vanish, and the one on her would disappear as soon as she was able to heal it, probably within minutes."

"That… can't be possible," John protested. "To heal someone else's physical injuries with a touch?"

"Oh, that part of it's definitely possible, believe me. I know of a healer so gifted she literally brought a man back from the dead after he was shot. With her, though, it's a distinct ability, not empathic but simply healing; it takes a great deal of her own energy, her own life force, to heal, but she doesn't absorb the actual wounds of whoever she's trying to help."

"But Maggie would. If she's a healing empath."

"That would be my guess."

"And if she's a sharing empath… she wouldn't heal? She'd just absorb the injuries, the pain, and suffer with them?"

Quentin hesitated again. "I don't know for sure, John. We've never encountered an absolute empath, just theorized about one. But considering the slash on Maggie's throat 'healed' as quickly as it did, I'd say she'll probably be a healing empath. The only real question is whether it'll be an automatic ability, triggered simply by touch, or one she'll have to concentrate to use. We'll hope for the latter, so she'll have some control."

John drew a breath. "Now tell me how she absorbed a slashed throat from an empty room, will you?"

"Samantha Mitchell died in that room. Recently- and horribly. Suffering a hell of a lot of pain and anguish, to say nothing of terror. Those emotions, that energy, lingered there in the room. Maggie was able to connect to that, to actually begin to experience some of what that dying woman went through." With a sigh, Quentin added, "Whether she evolves into an absolute empath or not, I think Maggie's system is especially sensitive to these particular deaths because she's connected to them, linked to them in a very… basic way."

"Fate. Destiny."

"Yeah. Whether these victims are all souls Maggie's known before or it's his slimy soul she's connected to is impossible for me to say. Maybe she knows."

Sitting in Maggie's quiet living room, gazing at the painting above the fireplace, John said, "Maybe I'll ask her. But I'm hoping she'll sleep for hours yet. Look, I don't think she should be alone, so I'm going to stay here. If anything happens, anything changes, or you guys come up with something we need to know, call me, okay?"

"I will. Considering the worsening weather, I'm expecting Kendra and Jennifer back anytime now, and Scott as well. If nothing else, we'll at least have the DMV list of black Caddies to go over. Something's about to break, I know that much. I have an itchy feeling on the back of my neck, and that usually means we're close to the end of things."

"One way or another?"

"Yeah. One way or another."

After they'd said goodbye and hung up, John wandered over to the fireplace and gazed up at the painting. The signature on the lower corner was a scrawl, but he could read it. Rafferty. Beau Rafferty. Her brother's work.

No wonder the style of the painting had been familiar to him; he owned two Raffertys himself. Young as he still was, the man was considered one of the most talented artists this country had produced in the last hundred years, almost single-handedly bringing impressionist-style painting to the forefront of twentieth- and twenty-first-century art.