"Who are you worried would see me?"

"Anybody! Are you crazy?"

"Mrs. Beckham, I really only have one question. Were you in that parking lot when Del Payton's car exploded?"

"Oh, my God. Oh, dear Jesus____________________"

"I have absolutely no interest in what you might have been doing there, Mrs. Beckham. I just want to know about the bombing."

How stupid did that sound? If Betty Lou was doing what Mrs. Little suspected she was doing in that parking lot, it might end up on the network news.

"Don't call back," she pleads. "You'll get me in bad trouble. Yourself too. You don't know. You just don't know!"

She's hung up, but the fear in her voice was real enough to raise the hair on the back of my neck. She is afraid of more than memories. She's been living in dread ever since Caitlin's story ran in the paper.

As I turn into my parents' neighborhood, the cell phone rings. It's Althea Payton.

"I tried to call you earlier, Althea, at the hospital. But you were busy."

"I know. I got this number from your father." She sounds out of breath. "I think I've remembered something important."

"Take it easy. I'm not going anywhere. What is it?"

"I was visiting an adult patient this morning, and his TV was tuned to CNN. I really wasn't paying attention, but then I heard your name. They were talking about that execution in Texas. How you were the lawyer who convicted that man."

"Right…"

"They showed you walking into the prison. And then, right after that, they showed another man. They said he was the head of the FBI. I didn't hear his name, but I watched again an hour later to see if they'd run the same thing, and they did."

"I don't understand, Althea. What did you remember?"

"I knew that man. Mr. Portman. John Portman."

"You knew him? From where?"

"From here. Right here in Natchez."

"You've seen John Portman in Natchez?"

"That's what I'm trying to tell you. Remember I told you about Agent Stone? How he was nice and really wanted to help us?"

"Yes."

"And I told you some of them didn't. How Mr. Stone had another man with him, a young Yankee man, who was cold and never said anything?"

My chest feels hollow. "Yes…"

"That was him. That John Portman on the TV was him."

"Althea, you must be mistaken. John Portman would have been very young in 1968."

"It's him, I tell you. His hair's a little grayer, but that's the only difference. The second time they ran the story, I watched close. Ain't no doubt about it. It was him. A young Yankee man, cold as February. Chilled me right to the bone."

Somewhere in my mind Dwight Stone is saying, / knew Portman. He came into the Bureau a few years before I got out…

"Don't say anything else, Althea. I'm on a cell phone. I'm going to check on this and get back to you."

"What do you think it means?"

"I don't want to speculate. Don't talk to anyone about this. I'll get back to you."

"I'll be waiting."

I hit End, then turn into my parents' driveway and park, leaving the engine running. Of all the things I could possibly have learned about this case, this is the most astonishing. If John Portman was in Natchez in 1968, a lot of things suddenly make sense. Dwight Stone's personal hatred of him. Stone's unwillingness to talk about the case. Maybe even the national security seal on the Payton file, although this is probably going too far. No one could have known in 1968 that Special Agent John Portman would wind up director of the FBI thirty years later. So that wasn't the reason Hoover sealed the file. But Portman almost certainly knows why the file was sealed, as does Stone. Given Stone's hatred of Portman-and Stone's dismissal from the Bureau while Portman rose through its ranks-that reason must have been something Stone could not stomach but which Portman went along with. He was a good little German, Stone had said of Portman. He followed orders. The question is, what was he ordered to do?

As I get out of the car, a middle-aged black cop in uniform walks around the corner of the house, one hand on the gun at his hip.

"Are you Penn Cage?"

"Yes, sir."

He smiles and nods. He has the sad, drooping eyes of a beagle. "I'm James Ervin. Just keeping an eye on things for you and your daddy."

"I'm glad to see you, Officer Ervin." I reach out and shake his hand. "That gun loaded?"

He taps the automatic on his hip. "You bet."

"Good man."

"You sure got a pretty little girl in there. Reminds me of my girls when they was little."

"Thank you. Do you know what all this is about?"

Ervin sucks in his upper lip and looks at the ground. "You trying to get whoever killed Del Payton, ain't you?"

"That's right. Did you know Del?"

"My daddy knew him." He raises the beagle eyes to mine, and they are full of quiet conviction. "Don't you worry none. You ain't gonna have no trouble. Somebody come messin' 'round here, they on the wrong side."

CHAPTER 24

It takes less than ten minutes on my mother's computer to verify what Althea Payton told me on the cell phone. The FBI's official web page features a thumbnail biography of its new director. The bio boasts of Portman's first year as a field agent, one which he spent investigating race murders in Mississippi and Alabama. That year was 1968. A Time magazine writer hailed Portman's "year in the trenches" and stated that his "sterling civil rights credentials" were one of the major reasons the President had tapped the Republican federal judge to lead the FBI in a bipartisan gesture that shocked most Democrats. The Bureau had been wracked by racial problems for the past decade, and had been successfully sued by both African-American and Hispanic agents. Portman's Deep South experience sat well with minority political interests.

By my calculations, Portman was twenty-five when he visited Althea Payton's house with Dwight Stone. Fresh out of Yale Law. Stone was probably ten years older. Beyond this my facts are few. Portman rose swiftly through the Bureau's ranks while Stone was fired five years later. In Crested Butte I sensed that Stone felt his dismissal was related to the Payton case. But if that was true, why would Hoover wait five years to terminate him? Or had whatever happened in 1968 haunted Stone, fueling his alcoholism, until Hoover was finally left no choice but to fire him?

Unable to answer this question, I list the names of main players on the computer and stare at them a while. Payton. Presley. Marston. Stone. Portman. Hinson. One of the first things a writer learns is that the best way to solve a problem is to get out of the way of his subconscious and let it work. Following this dictum, I begin playing with the screen fonts and point sizes, switching from Courier to Bookman, from flowing Gothic to a tortured Algerian. As the fonts swirl and transform themselves before my eyes, it strikes me that men like Leo Marston and John Portman cannot be investigated by normal means, especially by a private citizen. Caitlin's status as a reporter lends us some theoretical authority under the First Amendment, but this means next to nothing in the real world. What is required is some creative thinking.

Kings and presidents can be brought down with the right weapons. The trick is to find their vulnerabilities. Men like Portman and Marston live for power. They hunger for it even as they wield more than most men will ever know. They act with certainty and dispatch, rarely allowing themselves the luxury of doubt. And so long as they operate from this fortress of psychological security, they are untouchable. Perhaps the way to bring them down is to breach that fortress, to turn their worlds upside down and force them into a reactive mode. The way to do that seems obvious enough. Re-introduce them to art emotion they have not felt in a great while.