Stone must have called and played Ike Ransom the copy he'd made of the evidence tape he'd sent to J. Edgar Hoover. And his reason, I suspect, was a dark one. "Thirty years, Ike. Thirty years. Couldn't you figure a way to trade what you knew for immunity, or-"

"Who was I gonna go to, man?" Spittle flies from his mouth. "The FBI already knew what had gone down. And they didn't arrest nobody! A few years later I tried to find Stone, but the Bureau had fired his ass. Portman was a U.S. attorney, and I knew better than to trust that Yankee piece of shit. And Marston was on the state supreme court! What's a drunk nigger cop from Mississippi gonna do against people swingin' that kind of weight? You tell me."

"Then why tell me? Why try at all after thirty years?"

His broad shoulders sag as though under a great weight, and he speaks toward the floor. "I didn't have no choice. It ate at me so long… I thought it would get better over time, but it got worse. A few months back, I found myself going to church. Not wanting to… needing to. You know? Being raised Catholic, I guess. Don't matter if you stop goin'. You can give up on God, but it don't matter. 'Cause He don't give up on you."

The tortured paths this man has pushed himself down are beyond any imagining. "Ike, you came to me knowing you could go to jail for the rest of your life. That you could be executed. That means a lot. And I've figured a way to turn Presley against Marston. If you'll get on that witness stand tomorrow and tell the truth-"

"Is Stone gonna testify?"

"Yes."

"Is he here in town?"

This isn't the time to lie. "No. But he's on his way here. Some people tried to kill us last night. Portman's guys probably. We got split up."

Ike starts pacing back and forth, patting the Sig-Sauer against his leg. "But he's alive?"

"You can't let your decision be based on what Stone does. This thing's eating you alive because you know you did wrong. Terrible wrong. It's got nothing to do with you or me. You owe it to Althea Payton to tell the truth. You owe it to Del. You owe it to yourself, man."

"I don't owe nobody but God!" The Sig jerks up again, aimed at my chest now. "You don't know how close it's been. At first I thought maybe you could nail Marston without me having to go down. But that was stupid. Crazy. The closer you got to the truth, the more I saw I was gonna have to pay the piper, no matter what. One night I got so drunk I thought about killing you, just to stop it all. That night you left the newspaper by yourself… I was right behind you."

My heart feels like a ball of lead.

"I couldn't do it, though. Part of me just wanted to pay, I guess. Father Tom says you got to. But I can't go to Parchman Farm. I done sent too many brothers there myself. I can't die in them cotton fields up there."

"You won't have to, Ike. CNN will be covering that trial tomorrow. You get on the stand and tell the story you just told me, you'll have Johnnie Cochran down here begging to defend you. What you did was wrong, but you're the least guilty of the three by far. I think Stone believed that too. You know what the right thing is. That's why you came to me in the first place."

He lets his gun fall again, then half turns from me and murmurs in the dark. "I started out all right. But I turned off somewhere. That day my shoulder got hurt, everything started going down."

He holsters his pistol and walks past me, toward the wide door, and looks out at the luminous clouds scudding over the river. Beyond him I can see a few stars, infinitely small on this first cool night. He turns back to face me, but since he's silhouetted in the door, I cannot see his features.

"I'll do it," he says. "Father Tom gonna think I'm the best man he ever knew. But he gonna be the only one. Every black man, woman, and child in this country gonna curse my name."

He half turns again, and a dim shaft of light illuminates his face. In eight years as a prosecutor, I never saw a man look so lost.

Ike opens his mouth to say something, then flings an arm out as though to grab me, but he can't because he's flying backward, snatched like a puppet on a string. Before he hits the floor, a peal of thunder booms through the warehouse.

"Ike!"

He doesn't answer. He's lying facedown on the dirty floor, blood pumping from a fist-sized hole where his left shoulder blade used to be.

CHAPTER 37

I run to Ike, then drop to the cement floor as a second shot booms through the building. A third punches through the front and rear windshields of the Maxima, which is parked two feet to my left, and the concussion of the gun echoes around the old structure for three or four seconds.

The shooter is inside the building.

Inside, and probably at the front, shooting across the open floor. But he must not have a night-vision scope. He shot Ike as the deputy framed himself against the lighter background of the open loading door. Now that we're flat on the floor, his shots are far off the mark. Ike's face is less than six inches from mine, his eyes wide and glassy, like those of a wounded deer.

"Ike," I whisper. "Can you hear me?"

His eyelids blink once, slowly, but he doesn't speak. The man is dying before my eyes.

I need a gun.

Kelly's Browning is in the glove box of the Maxima, but I'm not about to try to reach it. If I rise off the ground, I will silhouette myself against the open door, just as Ike did. If I had walked to that door first, I would be dying now.

"Ike, I need your gun."

As I reach down to his holster, something cracks through the air less than a foot above us, and the report that follows seems trivial compared to that supersonic passage of metal. Fighting down panic, I try to wrest the Sig-Sauer from Ike's holster, but it won't budge. He must have snapped the strap when he holstered it. Unsnapping it by touch, I yank out the Sig and take the safety off. As I aim it across Ike's back, a bullet crashes into his body, knocking us both a foot across the cold floor.

He doesn't make a sound.

Then, like a rising wind, a wail of inhuman agony escapes his throat. I shove my arm across his waist and fire three quick rounds into the darkness at the front of the building. Something sharp pricks the skin of my forearm.

Bone splinters.

The last shot smashed Ike's pelvis. He screams again, the sound sickeningly reminiscent of those Sarah made when the narcotics began to lose their race to keep up with the pain of her bone lesions.

Who is shooting at us? An anonymous sniper, like the one who shot at me on the levee that night? The one Kelly killed? With a strange rush of clarity I realize that the levee sniper wasn't shooting only at me, as I'd thought at the time. What did Ike say that night? How you know he was shooting at you? Ike had known from the beginning that he carried knowledge people would kill him for. As I cower behind his body, a voice calls out from the other end of the building.

"Give it up! The nigger's dead!"

Before I can process these words, another truncated wail bursts from Ike's lungs. "Brrrraaaaaaah! "

My instinct is to run for the door, run until my legs buckle beneath me. But that would be suicide. The moment I rise, I'll make myself a target. I could probably crawl out… but Ike isn't dead yet. I can't leave him. My next thought, born from rage, is to stand up and charge the darkness that shields the sniper, emptying Ike's automatic as I run.

With a defiant yell, I fire off two more rounds, then jump to my feet and grab Ike's legs. Two shots boom through the building as I drag him facedown and screaming behind his cruiser, but the bullets crack past without finding flesh or bone.

Kneeling beside him, I break the most fundamental rule of first-aid by turning him over onto his back. At this point it can't matter much. His eyes are still open. His jaw is moving, but no sounds come from his throat. I lean over his mouth.