New Year's Day was when Harry and Janice had decided to go to Ma Springer with their news, which they had been keeping to themselves for nearly a week. Dread of how the old lady might react had prompted the postponement, plus a groping after ceremony, a wish to show respect for the sacred bonds of family by announcing the break on a significant day, the first of a new decade. Yet now that the day is here, they feel hungover and depleted from having stayed at Buddy Inglefinger's until three in the morning. Their tardy departure had been further prolonged by an uproarious commotion over cars in the driveway – a car that wouldn't start, belonging to Thelma Harrison's Maryland cousin, who was visiting. There was a lot of boozy shouting and fallingdown helpfulness in the headlights as jump cables were found and Ronnie's Volvo was jockeyed nose to nose with the cousin's Nova, everybody poking their flashlight in to make sure Ronnie was connecting positive to positive and not going to blow out the batteries. Harry has seen jump cables actually melt in circumstances like this. Some woman he hardly knew had a mouth big enough to put the head of a flashlight in it, so her cheeks glowed like a lampshade. Buddy and his new girl, a frantic skinny sixfooter with frizzed-out hair and three children from a broken marriage, had made some kind of punch of pineapple juice and rum and brandy, and the taste of pineapple still at noon keeps returning. On top of Harry's headache Nelson and Pru, who stayed home with Mom-mom last night watching on television straight from Times Square Guy Lombardo's brother now that Guy Lombardo is dead, are hogging the living room watching the Cotton Bowl Festival Parade from Texas, so he and Janice have to take Ma Springer into the kitchen to get some privacy. A deadly staleness flavors the new decade. As they sit down at the kitchen table for their interview, it seems to him that they have already done this, and are sitting down to a rerun.

Janice, her eyes ringed by weariness, turns to him in his daze and says, "Harry, you begin."

"Me?"

"My goodness, what can this be?" Ma asks, pretending to be cross but pleased by the formality, the two of them touching her elbows and steering her in here. "You're acting like Janice is pregnant but I know she had her tubes tied."

"Cauterized," Janice says softly, pained.

Harry begins. "Bessie, you know we've been looking at houses."

Playfulness snaps out of the old lady's face as if pulled by a rubber band. The skin at the corners of her set lips is crossed and recrossed, Harry suddenly sees, by fine dry wrinkles. In his mind his mother-in-law has stayed as when he first met her, packed into her skin; but unnoticed by him Bessie's hide has loosened and cracked like putty in a cellar window, has developed the complexity of paper crumpled and then smoothed again. He tastes pineapple. A small black spot of nausea appears and grows as if rapidly approaching down the great parched space of her severe, expectant silence.

"Now," he must go on, swallowing, "we think we've found one we like. A little stone two-story over in Penn Park. The realtor thinks it might have been a gardener's cottage that somebody sold off when the estates were broken up and then was enlarged to fit a better kitchen in. It's on a little turnaround off Franklin Drive behind the bigger houses; the privacy is great."

"It's only twenty minutes away, Mother."

Harry can't stop studying, in the cold kitchen light, the old woman's skin. The dark life of veins underneath that gave her her flushed swarthy look that Janice inherited has been overlaid with a kind of dust of fine gray threads, wrinkles etched on the lightstruck flat of the cheek nearest him like rows and rows of indecipherable writing scratched on a far clay cliff. He feels himself towering, giddy, and all of his poor ashamed words strike across a great distance, a terrible widening as Ma listens motionless to her doom. "Virtually next door," he says to her, "and with three bedrooms upstairs, I mean there's a little room that the kids who lived there had used as a kind of clubhouse, two bedrooms though absolutely, and we'd be happy to put you up any time if it came to that, for as long as needs be." He feels he is blundering: already he has the old lady living with them again, her TV set muttering on the other side of the wall.

Janice breaks in: "Really, Mother, it makes much more sense for Harry and me at this point of our lives."

"But I had to talk her into it, Ma; it was my idea. When you and Fred very kindly took us in after we got back together I never thought of it as for forever. I thought of it as more of a stop-gap thing, until we got our feet back under us."

What he had liked about it, he sees now, was that it would have made it easy for him to leave Janice: just walk out under the streetlights and leave her with her parents. But he hadn't left her, and now cannot. She is his fortune.

She is trying to soften her mother's silence. "Also as an investment, Mother. Every couple we know owns their own house, even this bachelor we were with last night, and a lot of the men earn less than Harry. Property's the only place to put money ifyou have any, what with inflation and all."

Ma Springer at last does speak, in a voice that keeps rising in spite of herself. "You'll have this place when I'm gone, if you could just wait. Why can't you wait a little yet?"

"Mother, that's ghoulish when you talk like that. We don't want to wait for your house; Harry and I want our house now." Janice lights a cigarette, and has to press her elbow onto the tabletop to hold the match steady.

Harry assures the old lady, "Bessie, you're going to live forever." But having seen what's happening to her skin he knows this isn't true.

Wide-eyed suddenly, she asks, "What's going to happen to this house then?"

Rabbit nearly laughs, the old lady's expression is so childlike, taken with the pitch of her voice. "It'll be fine," he tells her. "When they built places like this they built 'em to last. Not like the shacks they slap up now."

"Fred always wanted Janice to have this house," Ma Springer states, staring with eyes narrowed again at a place just between Harry's and Janice's heads. "For her security."

Janice laughs now. "Mother, I have plenty of security. We told you about the gold and silver."

"Playing with money like that is a good way to lose it," Ma says. "I don't want to leave this house to be auctioned off to some Brewer Jew. They're heading out this way, you know, now that the blacks and Puerto Ricans are trickling into the north side of town."

"Come on, Bessie," Harry says, "what do you care? Like I said, you got a lot of life ahead of you, but when you're gone, you're gone. Let go, you got to let some things go for other people to worry about. The Bible tells you that, it says it on every page. Let -go; the Lord knows best."

Janice from her twitchy manner thinks he is saying too much. "Mother, we might come back to the house -"

"When the old crow is dead. Why didn't you and Harry tell me my presence was such a burden? I tried to stay in my room as much as I could. I went into the kitchen only when it looked like nobody else was going to make the meal -"

"Mother, stop it. You've been lovely. We both love you."

"Grace Stuhl would have taken me in, many's the times she offered. Though her house isn't half the size of this and has all those front steps." She sniffs, so loudly it seems a cry for help.

Nelson shouts in from the living room, "Mom-mom, when's lunch?"

Janice says urgently, "See, Mother. You're forgetting Nelson. He'll be here, with his family."

The old lady sniffs again, less tragically, and replies with pinched lips and a level red-rimmed gaze, "He may be or he may not be. The young can't be depended on."

Harry tells her, "You're right about that all right. They won't fight and they won't learn, just sit on their asses and get stoned."