The Murketts consult and conclude it may be time to go, they have a thirteen-year-old babysitter, a neighbor's child. The same sunlight that ignited Webb's eyebrows lights the halo of fine hairs standing up from the goosebumps on Cindy's thighs. Not bothering with any towel around her, she saunters to the ladies' locker room to change, her pale feet leaving wet prints on the gray flagstones. Wait, wait, the Sunday, the weekend cannot be by, a golden sip remains in the glass. On the transparent tabletop among the wire chairs drinks have left a ghostly clockwork of rings refracted into visibility by the declining light. What can Janice's mother want? She has called out to them from a darker older world he remembers but wants to stay buried, a world of constant clothing and airless front parlors, of coal bins and narrow houses with spitefully drawn shades, where the farmer's drudgery and the millworker's ruled land and city. Here, clean children shivering with their sudden emergence into the thinner element are handed towels by their mothers. Cindy's towel hangs on her empty chair. To be Cindy's towel and to be sat upon by her: the thought dries Rabbit's mouth. To stick your tongue in just as far as it would go while her pussy tickles your nose. No acne in that crotch. Heaven. He looks up and sees the shaggy mountain shouldering into the sun still, though the chairs are making long shadows, lozenge checkerboards. Buddy Inglefmger is saying to Webb Murkett in a low voice whose vehemence is not ironical, "Ask yourself sometime who benefits from inflation. The people in debt benefit, society's losers. The government benefits because it collects more in taxes without raising the rates. Who doesn't benefit? The man with money in his pocket, the man who's paid his bills. That's why" – Buddy's voice drops to a conspiratorial hiss – "that man is vanishing like the red Indian. Why should I work," he asks Webb, "when the money is taken right out of my pocket for the benefit of those who don't?"

Harry is thinking his way along the mountain ridge, where clouds are lifting like a form of steam. As if in driven motion Mt. Pemaquid cleaves the summer sky and sun, though poolside is in shadow now. Thelma is saying cheerfully to the girlfriend, "Astrology, paten-reading, psychiatry – I'm for all of it. Anything that helps get you through." Harry is thinking of his own parents. They should have belonged to a club. Living embattled, Mom feuding with the neighbors, Pop and his union hating the men who owned the printing plant where he worked his life away, both of them scorning the few kin that tried to keep in touch, the four of them, Pop and Mom and Hassy and Mim, against the world and a certain guilt attaching to any reaching up and outside for a friend. Don't trust anybody: Andy Mellon doesn't, and 1 don't. Dear Pop. He never got out from under. Rabbit basks above that old remembered world, rich, at rest.

Buddy's voice nags on, aggrieved. "Money that goes out of one pocket goes into somebody else's, it doesn't just evaporate. The big boys are getting rich out of this."

A chair scrapes and Rabbit feels Webb stand. His voice comes from a height, gravelly, humorously placating. "Become a big boy yourself I guess is the only answer."

"Oh sure," Buddy says, knowing he is being put off.

A tiny speck, a bird, the fabled eagle it might be, no, from the motionlessness of its wings a buzzard, is flirting in flight with the ragged golden-green edge of the mountain, now above it like a speck on a Kodak slide, now below it out of sight, while a bluebellied cloud unscrolls, endlessly, powerfully. Another chair is scraped on the flagstones. His name, "Harry," is sharply called, in Janice's voice.

He lowers his gaze at last out of glory and as his eyes adjust his forehead momentarily hurts, a small arterial pain; perhaps with such a negligible unexplained ache do men begin their deaths, some slow as being tumbled by a cat and some fast as being struck by a hawk. Cancer, coronary. "What did Bessie want?"

Janice's tone is breathless, faintly stricken. "She says Nelson's come. With this girl."

"Melanie," Harry says, pleased to have remembered. And his remembering brings along with it Buddy's girlfriend's name. Joanne. "It was nice to have met you, Joanne," he says in parting, shaking her hand. Making a good impression. Casting his shadow.

As Harry drives them home in Janice's Mustang convertible with the top down, air pours over them and lends an illusion of urgent and dangerous speed. Their words are snatched from their mouths. "What the fuck are we going to do with the kid?" he asks her.

"How do you mean?" With her dark hair being blown back, Janice looks like a different person. Eyes asquint against the rush of wind and her upper lip lifted, a hand held near her ear to keep her rippling silk head scarf from flying away. Liz Taylor in A Place in the Sun. Even the little crow's-feet at the corner of her eye look glamorous. She is wearing her tennis dress and the white cashmere cardigan.

"I mean is he going to get a job or what?"

"Well Harry. He's still in college."

"He doesn't act like it." He feels he has to shout. "I wasn't so fucking fortunate as to get to college and the guys that did didn't goof off in Colorado hang gliding and God knows what until their father's money ran out."

"You don't know what they did. Anyway times are different. Now you be nice to Nelson. After the things you put him through -"

"Not just me."

"- after what he went through you should be grateful he wants to come home. Ever."

"I don't know."

"You don't know what?"

"This doesn't feel good to me. I've been too happy lately."

"Don't be irrational," Janice says.

She is not, this implies. But one of their bonds has always been that her confusion keeps pace with his. As the wind pours past he feels a scared swift love for something that has no name. Her? His life? The world? Coming from the Mt. Pemaquid direction, you see the hillside borough of Mt. Judge from a spread-out angle altogether different from what you see coming home from the Brewer direction: the old box factory a long lean-windowed slab down low by the dried-up falls, sent underground to make electricity, and the new supertall Exxon and Mobil signs on their tapered aluminum poles along Route 422 as eerie as antennae arrived out of space. The town's stacked windows burn orange in the sun that streams level up the valley, and from this angle great prominence gathers to the sandstone spire of the Lutheran church where Rabbit went to Sunday school under crusty old Fritz Kruppenbach, who pounded in the lesson that life has no terrors for those with faith but for those without faith there can be no salvation and no peace. No peace. A sign says THICKLY SETTLED. As the Mustang slows, Harry is moved to confess to Janice, "I started to tell you last night, this young couple came into the lot yesterday and the girl reminded me of Ruth. She would be about the right age too. Slimmer, and not much like her in her way of talking, but there was, I don't know, something."

"Your imagination is what it was. Did you get the girl's name?" "I asked, but she wouldn't give it. She was cute about it, too. Kind of flirty, without anything you could put your finger on."

"And you think that girl was your daughter."

From her tone he knows he shouldn't have confessed. "I didn't say that exactly."

"Then what did you say? You're telling me you're still thinking of this bag you fucked twenty years ago and now you and she have a darling little baby." He glances over and Janice no longer suggests Elizabeth Taylor, her lips all hard and crinkled as if baked in her fury. Ida Lupino. Where did they go, all the great Hollywood bitches? In town for years there had been just a Stop sign at the corner where Jackson slants down into Central but the other year after the burgess's own son smashed up a car running the sign the borough put in a light, that is mostly on blink, yellow this way and red the other. He touches the brake and takes the left turn. Janice leans with the turn to keep her mouth close to his ear. "You are crazy," she shouts. "You always want what you don't have instead of what you do. Getting all cute and smiley in the face thinking about this girl that doesn't exist while your real son, that you had with your wife, is waiting at home right now and you saying you wished he'd stay in Colorado."