Waxman’s expression was as flat as a skillet. He’d had a jailhouse haircut, one that had mowed off his sideburns and left a pale rim of skin around his ears and the back of his neck. He was sitting on a steel bunk suspended from wall chains and seemed to have no interest in my presence; if he recognized me, he gave no indication.
“I went out to the graves of Cindy Kershaw and Seymour Bell,” I said.
“Who?” he said.
“The kids you murdered.”
“Oh, you’re talking about those college students. I didn’t kill them. It was Quince Whitley.”
I believed Whitley had been his partner, but to what degree and in the commission of which crimes were open questions that would probably never be resolved. What I did not question was that Waxman was a pathological liar and enjoyed the power his lies gave him and the injury and confusion they caused.
“Tell me, sir, do you think at all about the suffering those kids’ parents have to go through for the rest of their lives?”
“I don’t know their parents. I didn’t know the kids. I won’t say it again.” He kept leaning forward on the bunk, trying to see past me down the corridor.
“Expecting someone?” I said.
“Why are you here?” he replied, ignoring my question. “I mean your real reason, and don’t tell me it’s those kids.”
“When Jamie Sue Wellstone recognized you in the clearing, I saw you hang your head for a minute. Why did you do that, Mr. Waxman? Were you ashamed you sold her down the drain?”
“Yeah, I remember that. I bought a guitar. I paid three grand for it through Musician’s Friend, out in Portland. She was going to show me some chords and runs she used in her songs. So I knew that was out. I wouldn’t have put up three grand for a Martin guitar if I’d known how things were going to work out.”
“Purcel wanted to smoke you. I stopped him,” I said.
“Yeah?” he said, still focused on something behind me.
“Nothing,” I said. “Enjoy your life in the gray-bar hotel chain. I’d ask for lockup and eat out of cans, though. The inmates in the kitchen don’t like psychopaths in main pop.”
“What?”
“Most cons aren’t that much different from the rest of us. They don’t like guys like you,” I said, wondering why I was explaining myself to him.
I walked back down the corridor and wasn’t sure whether he had heard me or not, or even if he cared about the implications of my statement regarding his future. The turnkey was walking toward me, grinning good-naturedly.
“He’s all yours, Cap,” I said.
“He give you what you want?” the turnkey asked.
“More or less,” I lied.
“Good,” the turnkey said. “He didn’t want to talk to you, but I told him I’d find some seasoning for him.”
“Pardon?”
“They aren’t allowed condiments in lockdown. So I told him to bring his sandwich down to the holding cell and I’d find something for him in the coffee room. We got our own little items tucked away. See?” The turnkey held up a bottle of Evangeline hot sauce to illustrate his point.
Down in the pit that had almost become their grave, Candace Sweeney had gotten Jimmy Dale Greenwood loose from the duct tape that had bound his wrists. But Jimmy Dale had effected an escape of another kind without any help from anyone. He had broken out of the prison of fear in which he had lived most of his life. Jimmy Dale had not tried to run and was ready to take his fall and go back to prison. Except it was Troyce Nix who proved to be the surprise in the Cracker Jack box, when his aborted desire for revenge went through a strange transformation. Nix and Candace Sweeney and Jimmy Dale had walked into the trees together, then Nix and Candace had come back without him, and I never saw Jimmy Dale again.
Nix stuck by his story and continued to maintain that Jimmy Dale had drowned in Swan Lake. One month after the shooting, Jamie Sue and her son disappeared from Montana, and I heard nothing about or from her until four months later, when I received a letter postmarked in Upper Hat Creek, British Columbia. It read as follows:
Dear Mr. Roboshow,
We got us an Airstream and seventy acres of alfalfa in a place that doesn’t need mentioning. We raise buffalo and red angus and provide rough stock for rodeos that probably come to your town. The point is I wanted to thank you and Mr. Purcel for all you done. Jamie Sue and me sing duets sometimes in saloons, but mostly we write songs and one or two has been recorded, although our names are not necessarily on them.
Tell Mr. Hollister I appreciate the trust he put in me and I’m sorry for causing him any trouble. I hope things have worked out for Miss Candace, too. If you don’t mind, burn this letter. Jamie Sue says hi and says she apologizes for being rude to you, but sometimes you were a pain in the neck.
She didn’t really say that.
You ever seen the Royal Canadian Rockies? I’m writing a song about them. Everything Woody Guthrie wrote about is still up here. Every morning when I wake up, all them big blue mountains fall right through my window. Don’t let nobody tell you Woody’s music isn’t still on the wind.
Your bud in E-major
The letter was unsigned.
Ridley Wellstone and Sally Dio? Their families had been in business together for decades, in the same kind of symbiotic alliance that had existed in the nineteenth century between the street gangs of New York and Boston and the blue-blood families whose names have been polished clean by success and the passage of time. Sally was under indictment when his plane crashed into the mountainside on the res, and he needed a new identity, one that would allow him access to all the resources he had amassed through his partnership with the Wellstones. Ridley, on the other hand, needed Sal’s connections to the hotel and casino industry in Nevada after Ridley had lost a fortune during the collapse of the oil market in the early 1980s.
The last I heard, both of them were going down for at least twenty-five years. But who cares? As players in the building and the deconstruction of empires, they’re merely ciphers. Jefferson in his letters to John Adams foretold their advent long ago. Perhaps the greater problem is their constituency. A confidence man chooses only one kind of person as his victim – someone who, of his own volition, invites deception into his life. Eventually we catch on to charlatans and manipulators and ostracize or lock them away. But unlike the fifth act of an Elizabethan tragedy, order is seldom reimposed on the world. The faces of the actors may change, but the story is ongoing, and neither religion nor government has ever rid the world of sin or snake oil.
Clete joined Alicia Rosecrans in San Diego, then she left the FBI and went back to the Big Sleazy with him. Molly and I went back home, too, but I couldn’t rest and I still don’t and I can’t explain why. Maybe it’s the times. Maybe I cannot rid myself of images of towers burning against a blue sky, the smoke an ugly scorch at forty-five degrees, the tree-shrouded neighborhoods of New Jersey just across the Hudson River. Maybe, just as in Clete’s dreams, I see us all inside a maelstrom, past and present and future, the living and the dead and the unborn, all part of one era that is so intense and fierce in its inception and denouement that it can only be seen correctly inside the mind of a deity.
In the late fall I went west again, this time by myself, and visited the café in the Cascades run by Troyce Nix and Candace Sweeney. There was already snow up in the mountains, and the larches had turned gold among the fir and pine trees, and log trucks boomed down with giant ponderosas were gearing up for the long pull over a pass to a sawmill town on the Washington coast. I wanted to tell Candace and Troyce that I was just traveling through and coincidentally had found their café. In actuality, I didn’t know why I was there. Maybe it was because of the clean smell of the air, the boulders encrusted with the skeletons of hellgrammites in the creek beds, the bluish-white outline of the Cascades themselves, the autumnal suggestion of death on the wind, followed by winter and, with good luck, another spring.