Woodrow Wilson Drive winds counterclockwise around and up the side of the Hollywood Hills, the cracked, patchwork asphalt never wide enough at any point for two cars to pass without a cautious slowing. Going up, the homes on the left crawl vertically up the hillside. They are the old money, solid and secure. Spanish tile and stucco. To the right, the newer houses fearlessly swing their wood frame rooms out over the brown brush arroyos and daisies in the canyon. They are balanced on stilts and hope and cling as tenuously to the edge of the hill as their owners do to their positions at the studios down below. Bosch’s home was fourth from the end on the right side.
As he drove around the final bend, the house came into sight. He looked at the dark wood, the shoebox design, seeking a sign that it had somehow changed-as if the exterior of the house could tell him if something was wrong with the interior. He checked the rearview then and caught the front end of the black Plymouth nosing around the curve. Bosch pulled into the carport next to his house and got out. He went inside without looking back at the tail car.
He had gone to the pier to think about what Rourke had said. And in doing so he thought about the hang-up call that was on his phone tape. Now, he went to the kitchen and played back his messages. First there was the hang-up call, which had come in Tuesday, and then a message from Jerry Edgar in the predawn hours today, when Edgar had called looking for Bosch to get him out to the Hollywood Bowl. Bosch rewound the tape and listened to the hang-up call again, silently chastising himself for not having picked up on its significance the first time he heard it. Someone had called, listened to his taped message and then hung up after the first message beep. The hang-up was on the tape. Most people, if they didn’t want to leave a message, would simply hang up as soon as they heard Bosch’s tape-recorded voice saying he wasn’t in. Or, if they thought he was home, would have called out his name after the beep. But this caller had listened to the tape and then didn’t hang up until after the beep. Why? Bosch had missed it at first, but now thought the call had been a transmitter test.
He went to the closet by the door and took out a pair of binoculars. He went to the living room window and looked through a crack in the curtain for the black Plymouth. It was a half-block farther up the hill. Lewis and Clarke had driven by the house, turned around and parked at the curb, facing downhill and ready to continue the tail if Bosch came out. Through the binoculars Bosch could see Lewis behind the wheel, watching the house. Clarke had his head back on the passenger seat and his eyes closed. Neither of them appeared to be wearing earphones. Still, Harry had to be sure. Without taking his eyes from the binoculars, he reached over to the front door and opened it a few inches and closed it. The men in the IAD car showed no reaction, no alert. Clarke’s eyes remained closed. Lewis continued picking his teeth with a business card.
Bosch decided that if they had dropped a bug on him, it was transmitting to a remote. It was safer that way. Probably a sound-activated minireel hidden on the exterior of the house. They’d wait until he drove away and then one of them would jump out of the car and quickly collect the reel, replacing it with a fresh one. They could then catch up the tail on him before he got down the hill to the freeway. He walked away from the window and made a quick survey of the living room and kitchen. He studied the underside of tables and electric fixtures but he didn’t find the bug and didn’t expect to. The smart place, he knew, was the phone, which he was saving for last. It had a ready power source, and placement there would provide sound intake of the immediate interior of the house as well as any conversations that came in through the phone.
Bosch picked up the phone and with a small penknife that was attached to his key chain he popped the cover off the mouthpiece. There was nothing there that shouldn’t be. Then he took the cover off the earpiece. It was there. Using the knife he carefully lifted out the speaker. Attached behind it by a small magnet was a small, flat, round transmitter about the size of a quarter. There were two wires attached to the device, which, he knew, was sound activated and called a T-9. One wire was wrapped around one of the phone’s receiver wires, piggybacking power for the bug. The other wire went into the barrel of the handset. Bosch gingerly pulled it, and out came the backup energy source: a small, thin power pack containing a single AA battery. The bug ran off the phone’s juice, but if the phone was disconnected from the wall, the battery could provide power for maybe another eight hours. Bosch disconnected the device from the phone and placed it on the table. It was now running off the battery. He just stared at it, thinking about what he was going to do. It was a standard police department wire. Pickup range, fifteen to twenty feet, designed to take in everything said in the room. The transmission range was minimal, maybe twenty-five yards at most, depending on how much metal was in the building.
Bosch went to the living room window again to look up the street. Lewis and Clarke still showed no sign of alert or that the bug had been discovered. Lewis was through picking his teeth.
Bosch turned on the stereo and put on a Wayne Shorter CD. He then went out a side door in the kitchen into the carport. He could not be seen from the IAD car. He found the tape recorder in the first place he looked; the junction box beneath the DWP electric meter on the back wall of the carport. The two-inch reels were turning to the sound of Shorter’s saxophone. The Nagra recorder, like the T-9, was wired to the house current but had a battery backup. Bosch disconnected it and brought it inside, where he set it on the table next to its counterpart.
Shorter was finishing “502 Blues.” Bosch sat in the watch chair, lit a cigarette and looked at the device as he tried to form a plan. He reached over, rewound the tape and pushed the play button. The first thing he heard was his own voice saying he wasn’t there, then Jerry Edgar’s message about the Hollywood Bowl. Then the next sounds were the door opening and closing twice, then Wayne Shorter’s sax. They had changed reels at least once since the test call had been made. Then he realized that Eleanor Wish’s visit had been taped. He thought about that and wondered if the bug had picked up what had been said on the back porch. Bosch’s stories about himself and Meadows. He grew angry thinking about the intrusion, the delicate moment stolen by the two men in the black Plymouth.
He shaved, showered and dressed in a fresh set of clothes, a tan summer suit with pink oxford shirt and blue tie. Then he went to the living room and loaded the bug and recorder into the pockets of his jacket. He took another look through the curtains with the field glasses: still no movement in the Internal Affairs car. He went out the side door again and carefully climbed down the embankment to the base of the first stilt, an iron I beam. He gingerly made his way across the incline beneath his house. He noticed along the way that the dried brush was sprinkled with pieces of gold foil, the beer label he had picked at and dropped from the porch when he was with Eleanor.
Once he got to the other side of his property, he picked his way across the hill, going under the next three stilt houses. After the third, he scrambled up the hillside and looked around the front corner into the street. He was now behind the black Plymouth. He picked the burrs off the cuffs of his pants and then walked casually into the road.