Bosch made a note to ask the FBI how the tunnel had been dug. If heavy equipment was used, most banks’ alarms, which measured sound as well as earth vibrations, would have picked up the ground movement and sounded. Also, he wondered, why hadn’t the explosive device set off alarms?
He looked then at the third article, published the day after the second. This one wasn’t written by Bremmer, though it still had been played on the front of Metro. It was a feature on the dozens of people lining up at the bank to see if their safe-deposit boxes were among those pried open and emptied. The FBI was escorting them into the vault and then taking their statements. Bosch scanned the story but saw the same thing over and over again: people angry or upset or both because they had lost items that they had placed in the vault because they believed it was safer than their homes. Near the bottom of the story Harriet Beecham was mentioned. She had been interviewed as she came out of the bank, and she told the reporter she had lost a lifetime’s collection of valuables bought while traveling the world with her late husband, Harry. The story said Beecham was dabbing at her eyes with a lace handkerchief.
“I lost the rings he bought me in France, a bracelet of gold and jade from Mexico,” Beecham said. “Whoever they were that did this, they took my memories.”
Very melodramatic. Bosch wondered if the last quote had been made up by the reporter.
The fourth story in the file had been published a week later. By Bremmer, it was short and had been buried in the back of Metro, behind where they stuffed the Valley news. Bremmer reported that the WestLand investigation was being handled exclusively by the FBI. The LAPD provided initial backup, but as leads dried up, the case was left in the bureau’s hands. Special Agent Rourke was quoted again in this story. He said agents were still on the case full-time but no progress had been made or suspects identified. None of the property taken from the vault, he said, had turned up.
Bosch closed the file. The case was too big for the bureau to slough off like a bank stickup. He wondered if Rourke had been telling the truth about the lack of suspects. He wondered if Meadows’s name had ever come up. Two decades earlier Meadows had fought and sometimes lived in the tunnels beneath the villages of South Vietnam. Like all the tunnel fighters, he knew demolition work. But that was for bringing a tunnel down. Implosion. Could he have learned how to blow through the concrete-and-steel floor of a bank vault? Then Bosch realized that Meadows would not necessarily have needed to know how. He was sure the WestLand job had taken more than one person.
He got up and got another beer from the refrigerator. But before going back to the watch chair he detoured into the bedroom, where he pulled an old scrapbook out of the bottom drawer of the bureau. Back in the chair he drank down half the beer, then opened the book. There were bunches of photographs loose between the pages. He had meant to mount them but had never gotten around to it. He rarely even opened the book. The pages were yellowed and had gone to brown at the edges. They were brittle, much like the memories the photos evoked. He picked up each snapshot and examined it, at some point realizing that he had never mounted them on the pages because he liked the idea of holding each picture in his hands, feeling it.
The photographs were all taken in Vietnam. Like the picture found in Meadows’s apartment, these were mostly in black and white. It was cheaper back then, getting black-and-white film developed in Saigon. Bosch was in some of the shots, but most were photos that he had taken with an old Leica his foster father had given him before he left. It was a peace gesture from the old man. He hadn’t wanted Harry to go, and they had fought about it. So the camera was given. And accepted. But Bosch was not one to tell stories when he returned, and the snapshots were left spread through the pages of the scrapbook, never to be mounted, rarely to be looked at.
If there was a recurring theme of the photographs it was the smiling faces and the tunnels. In almost every shot, there were soldiers standing in defiant poses at the mouth of a hole they had probably just been in and conquered. To the outsider, the photos would appear strange, maybe fascinating. But to Bosch they were scary, like newspaper photos he had seen of people trapped in wrecked cars, waiting to be cut out by the firemen. The photos were of the smiling faces of young men who had dropped down into hell and come back to smile into the camera. Out of the blue and into the black is what they called going into a tunnel. Each one was a black echo. Nothing but death in there. But, still, they went.
Bosch turned a cracked page of the album and found Billy Meadows staring up at him. The photo had undoubtedly been taken a few minutes after the one Bosch had found at Meadows’s apartment. The same group of soldiers. The same trench and tunnel. Echo Sector, Cu Chi District. But Bosch wasn’t in this portrait because he had left the frame to snap the photo. His Leica had caught Meadows’s vacant stare and stoned smile-his pale skin looked waxy but taut. He had captured the real Meadows, Bosch thought. He put the photo back in the page and turned to the next one. This one was of himself, no one else in the frame. He clearly remembered setting the camera down on a wooden table in a hootch and setting the timer. Then he moved into the frame. The camera had snapped as he was shirtless, the tattoo on his deeply tanned shoulder catching the falling sun through the window. Behind him, but out of focus, was the dark entrance to a tunnel lying uncovered on the straw floor of the hootch. The tunnel was blurred, forbidding darkness, like the ghastly mouth in Edvard Munch’s paintingThe Scream.
It was a tunnel in the village they called Timbuk2, Bosch knew as he stared at the photo. His last tunnel. He was not smiling in the picture. His eyes were set in dark sockets. And neither was he smiling as he looked at it now. He held the photo in two hands, absentmindedly rubbing his thumbs up and down the borders. He stared at the photograph until fatigue and alcohol pulled him down into sleepy thought. Almost dreamlike. He remembered that last tunnel and he remembered Billy Meadows.
Three of them went in. Two of them came out.
The tunnel had been discovered during a routine sweep at a small village in E Sector. The village had no name on the recon maps, so the soldiers called it Timbuk2. The tunnels were turning up everywhere, so there weren’t enough rats to go around. When the tunnel mouth was found under a rice basket in a hootch, the top sergeant didn’t want to have to wait for a dust-off to land with fresh rats. He wanted to press on, but he knew he had to check the tunnel out. So the top made a decision like so many others in the war. He sent three of his own men in. Three virgins, scared as shit, maybe six weeks in country among them. The top told them not to go far, just set charges and come out. Do it fast, and cover each other’s ass. The three green soldiers dutifully went down into the hole. Except a half-hour later, only two came out.
The two who made it out said that the three of them had separated. The tunnel branched into several directions and they split up. They were telling the top this when there was a rumble, and a huge cough of noise and smoke and dust belched from the tunnel mouth. The C-4 charges had detonated. The company loot came in then and said they wouldn’t leave the zone without the missing man. The whole company waited a day for the smoke and dust to settle in the tunnel and then two tunnel rats were dropped during a dust-off-Harry Bosch and Billy Meadows. He didn’t care if the missing soldier was dead, the lieutenant told them. Get him out. He wasn’t going to leave one of his boys in that hole. “Go get ’im and bring ’im out here so we can get ’im a decent burial,” the lieutenant said.