I noticed that the lock appeared shinier and less rusted than the nails and hinges embedded in the wood. Adjacent to it, deep gouges scarred the jamb.

After freeing the prongs, Burkhead pocketed both lock and key, and gave the door a one-handed push. It swung in with a trickle of rust and a Hollywood creak.

As one, we pulled out and flicked on our flashlights.

Burkhead entered first. I followed. Slidell brought up the rear.

The odor was dense and organic, the smell of earth, old brick, decayed wood, and rotten fabric. Of moths and rat piss and dampness and mold.

Of Slidell’s pastrami breath. The space was so small we were forced to stand elbow to elbow.

Our flashlights showed built-in ledges straight ahead and to the left of the door. Each held a simple wood coffin. Bad idea for riding out history. Good idea for a quick dust-to-dust sprint. Each box looked like it had gone through a crusher.

Wordlessly, Burkhead unfolded a photocopied document and stepped to the shelves opposite the door. Shadows jumped the walls as his gaze shifted back and forth from the paper in his hand to first the upper, then the lower coffin.

I knew what he was doing.

The dead do not always stay put. I once did an exhumation in which Grandpa was three plots over from the one in which he was supposed to have been buried. Another in which the deceased lay in a plot containing two stacks of three. Instead of bottom left, as shown in the records, our subject was second casket from the top right.

First rule in a disinterment: Make sure you’ve got the right guy.

Knowing the vague nature of old cemetery records, I assumed Burkhead was checking photos or brief verbal descriptions against observable details. Casket style, decorative hardware, handle design. Given the obvious age of the coffins, I doubted he’d be lucky enough to have manufacturers’ tags or serial numbers.

Finally satisfied, Burkhead spoke.

“These decedents are Mary Eleanor Pierce Redmon and Jonathan Revelation Redmon. Jonathan died in 1937, Mary in 1948.”

Moving to the side wall, Burkhead repeated his procedure. As before, it took him several minutes.

“The decedent on top is William Boston Redmon, interred February 19, 1959.”

Burkhead’s free hand floated to the lower coffin.

“This is the burial that was violated seven years ago. Susan Clover Redmon was interred on April 24, 1967.”

Like her relatives, Susan met eternity in a wooden box. Its sides and top had collapsed, and much of its hardware lay on a piece of plywood slid between the casket and the shelf.

A crack ran a good eighteen inches along the left side of the cover. Over it, someone had nailed small wooden strips.

“Mr. Redmon declined to purchase a new casket. We did our best to repair and reseal the lid.”

Burkhead turned to me.

“You will examine the decedent here?”

“As per Mr. Redmon’s request. But I may take samples to the ME facility for final verification.”

“As you wish. Unfortunately, the coffin key has gone missing over the years.”

Stepping to one end of the shelf, Burkhead gestured Slidell to the other.

“Gently, Detective. The remains are no longer of any great weight.”

Together, the men scooted the plywood forward and lowered it to the floor. The displaced casket filled the tiny chamber, forcing our little trio back against the walls.

With scarcely enough room to maneuver, I opened my pack and removed a battery-operated spot, a magnifying lens, a case form, a pen, and a screwdriver.

Burkhead observed hunched in the shadows of the easternmost corner. Slidell watched from the doorway, hanky to mouth.

Masking, I squatted sideways and began to lever.

The nails lifted easily.

21

SOUTHERNERS DON’T ATTEND WAKES. WE ATTEND VIEWINGS. Makes sense to me. Drained of blood, perfumed, and injected with wax, a corpse is never going to sit up and stretch. But it is laid out for one final inspection.

To facilitate that last, pre-eternity peek, casket lids are designed like double Dutch doors. Finney and his gal pal had taken advantage of that feature, prying open only the hinged upper half.

OK for a snatch and run in the night. I needed full-body access.

Thanks to the vandalism and to natural deterioration, the top of Susan’s coffin had collapsed into a concavity running the length of the box. Experience told me the cover would have to be lifted in segments.

After prying loose Burkhead’s makeshift repair strips, I hacked through corrosion sealing the edges of the lid. Then, like Finney, I laid to with the crowbar.

Burkhead and Slidell helped, displacing decayed wood and metal to unoccupied inches of floor space. Odor oozed up around us, a blend of mildew and rot. I felt my skin prickle, the hairs rise along my neck and arms.

An hour later the casket was open.

The remains were concealed by a jumble of velvet padding and draping, all stained and coated with a white, lichenlike substance.

After shooting photos, I gloved, uneasy about Hewlett’s assessment that nothing in the coffin had been violated but the head. If that was true, what of the femora I’d found in Cuervo’s cauldron? I kept my concerns to myself.

It took only minutes to disentangle and remove the funerary bedding covering the upper half of the body. Slidell and Burkhead observed, offering comments now and then.

Susan Redmon had been buried in what was probably a blue silk gown. The faded cloth now wrapped her rib cage and arm bones like dried paper toweling. Hair clung to the cushion that had cradled her head, an embalmer’s eye cap and three incisors visible among the long, black strands.

That was it for the pillow. No head. No jaw.

My eyes slid to Slidell. He gave a thumbs-up.

I collected a sample of hair, then the incisors.

“Those teeth?” Slidell asked.

I nodded.

“Do you have dental records?” Burkhead asked.

“No. But I can try fitting these three into the sockets, and comparing them to the molars and premolars still in place in the jaw and skull.”

Teeth and hair bagged, I continued my visual examination.

Susan’s gown was ripped down the bodice. Through the tear I could see a collapsed rib cage overlying thoracic vertebrae. Three cervical vertebrae lay scattered above the gown’s yellowed lace collar. Four others nestled between the soiled padding and the edge of the pillow.

Gingerly, I peeled away coffin lining until the lower body was also exposed.

The wrist ends of the radii and ulnae poked from both sleeve cuffs. Hand bones lay tangled among the folds of the skirt and along the right side of the rib cage.

The gown was ankle-length, and tightly adhered to the leg bones. The ankle ends of the tibiae and fibulae protruded from the hemline, the foot bones below, in rough anatomical alignment.

“Everything’s brown like the Greenleaf skull,” Slidell said.

“Yes,” I agreed. The skeleton had darkened to the color of strong tea.

“What are those?” Slidell jabbed a finger at the scattered hand bones.

“Displaced carpals, metacarpals, and phalanges. She was probably buried with her hands positioned on her chest or abdomen.”

As I snipped and tugged rotting fabric, I imagined Donna thrusting a hand into the covered lower half of the coffin, fingers groping blindly, grabbing, tearing, amped on adrenaline.

“Overlapping hands is a standard pose. Either on the belly or the chest. Often the departed are interred holding something dear.”

Burkhead was talking to be talking. Neither Slidell nor I was listening. We were focused on the fragile silk covering Susan’s legs.

Two last snips with the scissors, then I tugged free the remnants of the skirt.

One lonely kneecap lay between Susan’s pelvis and her knees.