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The only men remaining are of two kinds: those who have no outstanding talents that would support their lives elsewhere if they did leave, and those truly faithful men who are retainers to the very end, through poverty and decline, life and death, happiness and grief.

But who are the true samurai? Those who live expediently or those who remain simply for the sake of opportunism? This is not easily understood, because all of them use every bit of their ingenuity to deceive their lords into overevaluating their talents.

Although he was an opportunist, Ieyasu was a player of an entirely different cast from the infantile Nobuo, who knew absolutely nothing about the world. Ieyasu held Nobuo in the palm of his hand like a chessman-in-reserve.

“Well now, you've gone to extraordinary lengths, Lord Nobuo," Ieyasu said. "Really, I’ll just have a little more rice. I was brought up in a modest household, so both my palate and my stomach are overwhelmed by the luxury of tonight's meal."

It was the night of the thirteenth. When Ieyasu arrived in Kiyosu that afternoon, Nobuo took him to a temple where the two of them held secret talks for several hours. A banquet was held that evening in the guest rooms in the castle.

Ieyasu had not moved to the center even during the Honno Temple incident. Now, however, he was gambling the Tokugawa clan's entire strength—a strength he had spent many years in building up—and had ridden to Kiyosu himself. Nobuo looked to Ieyasu as his savior. He was going to do his best to entertain him, and now he put delicacies in front of him.

But to Ieyasu's eyes, Nobuo's hospitality was really nothing but immature child's play, and he could only feel sorry for the man. At a former time, Ieyasu had feasted and entertained Nobunaga for seven days when the latter was making a triumphal return from Kai on the pretext of sightseeing at Mount Fuji. When he recalled the scale of that event, Ieyasu could only pity the poverty of this evening.

A human being could only view the situation with pity, and Ieyasu felt his share. He was, however, a man who knew that the nature of the universe was change. So, even though he felt pity and sympathy in the middle of such a banquet, he did not suffer any pangs of conscience about his ulterior motive, which was simply to use this fragile and aristocratic fop as his own puppet. The reason was clear: there is no one more likely to kindle disaster than the foolish heir of an illustrious family who has been bequeathed both an inheritance and a reputation. And the more he is capable of being used, the more dangerous he becomes.

Hideyoshi most likely thought the same as Ieyasu. But while Hideyoshi considered Nobuo a hindrance to his own goals and thought of ways to dispose of him, Ieyasu was finding ways to use him. Those opposing viewpoints were based on the same fundamen­tal goal for both Hideyoshi and Ieyasu. And no matter which man won, Nobuo's fate would be the same because he was simply unable to abandon the idea that he was Nobunaga's heir.

"What do you mean?" Nobuo said. "The real feast is just starting. It's a fine spring night, and it would be a shame to go to bed so soon."

Nobuo was trying his best to entertain Ieyasu, but the truth was that Ieyasu had work to do.

"No, Lord Nobuo. His Lordship shouldn't have any more sake. At least judging from the color of his face. Send the cup in our direction."

But Nobuo had not noticed the guest of honor's embarrassing boredom. His efforts were now guided by his misinterpretation of the sleepy look in his guest's eyes. He whispered to his retainers, and the sliding paper doors at the end of the room were quickly removed, revealing an orchestra and dancers. To Ieyasu it was the usual contrivance, but with a patient look he displayed interest at moments, laughed from time to time, and clapped his hands when the performance ended.

Taking this opportunity, his retainers tugged at Ieyasu's sleeve and quietly signaled him that it was time for bed, but in that very instant a comedian appeared with a flourish of musical instruments.

"For the honored guest this evening, we are now going to present a performance of Kabuki, recently received in the capital     "

The man's loquacity was incredible. He then sang an introduction to the play. Then another actor introduced a stanza from a chorus and some chants from the Christian mass, which had recently been gaining favor among the lords of the western provinces.

He played an instrument that resembled the viola used in church services, and his clothes were embroidered with a Western-style design and trimmed with lace, dazzlingly harmonized with a traditional Japanese kimono.

The audience was impressed and fascinated. There was no doubt that what pleased the common man also gave pleasure to the great lords and samurai.

“Lord Nobuo, Lord Ieyasu says that he's getting sleepy," Okudaira said to Nobuo, who had been completely taken by the play.

Nobuo quickly got up to see Ieyasu off, walking him to his apartments himself. The Kabuki performance had not yet finished, and the viola, flutes, and drums could still be heard.

The following morning Nobuo arose at what was for him an exceptionally early hour and went off to Ieyasu's apartments. There he found Ieyasu ready with the fresh face of dawn, discussing some matter with his retainers.

“What about Lord Ieyasu's breakfast?" Nobuo inquired.

When a retainer told him that breakfast had already been served, Nobuo looked a little embarrassed.

At that point a samurai on guard in the garden and a soldier up in the reconnaissance tower yelled back and forth about something going on in the distance. That caught the attention of both Ieyasu and Nobuo, and as they sat silently for a moment, a samurai came up to make a report.

:Black smoke has been visible for a while now in the sky far off to the northwest. At first we thought it was a forest fire, but the smoke gradually changed its location, and then a number of other smoke clouds started rising into the sky."

Nobuo shrugged. If it had been the southeast, he might have thought of the battlefields in Ise or other places, but his expression indicated that he didn't understand at all.

Ieyasu, who had heard reports of Nakagawa's death two days earlier, said, "Isn't that the direction of Inuyama?" Without waiting for an answer, he gave orders to the men around him. "Okudaira, go take a look."

Okudaira ran down the corridor with Nobuo's retainers and climbed the reconnaissance tower.

The footsteps of the men hurriedly descending the tower clearly indicated that a disaster had already occurred.

It could be Haguro, Gakuden, or Inuyama, but whichever it is, it's in that area for sure,”Okudaira reported.

The castle had become as agitated as a boiling teakettle. The conch shell could be heard outside, but most of the warriors who immediately rushed around collecting their weapons did not notice that Ieyasu was already there.

When Ieyasu was informed for certain that the flames were coming from the direction of Inuyama, he yelled, "We've bungled it!" and hurried off in a way that was not typical of him.

He whipped his horse to a gallop and rode off toward the smoke in the northwest. His retainers rode at his right and left, not wishing to be left behind. It was no great distance from Kiyosu to Komaki, or from Komaki to Gakuden. From Gakuden to Haguro was another league; and finally, from Haguro to Inuyama, the same distance. By the time they arrived at Komaki, they knew the entire story. Sometime in the early hours of the morning, the castle at Inuyama had fallen. Ieyasu reined in his horse and gazed steadily at the smoke rising from a number of places between Haguro and the neighborhood of Inuyama.

"I'm too late," he muttered bitterly. "I shouldn't be making mistakes like this."