“She left about an hour ago.”
“Really? Where is she?”
The girl shrugged elaborately. “Didn’t say.”
Gabriel looked at his wristwatch. Four-fifteen. He decided to put in a few hours on the Bellini before dinner.
“If you see her, tell her I’m at the church.”
“No problem. Ciao, Mario.”
He walked to the Rialto Bridge. One street over from the canal he turned to the left and headed for a small terra-cotta church. He paused. Standing at the entrance of the church, in the shelter of the lunette, was a man Gabriel recognized, an Office security agent named Rami. His presence in Venice could mean but one thing. He caught Gabriel’s eye and glanced toward the doorway. Gabriel slipped past and went inside.
The church was in the final stages of restoration. The pews had been removed from the Greek Cross nave and pushed temporarily against the eastern wall. The cleaning of Sebastiano del Piombo’s main altarpiece was complete. Unlit, it was barely visible in the late-afternoon shadow. The Bellini hung in the Chapel of Saint Jerome, on the right side of the church. It should have been concealed behind a tarpaulin-draped scaffold, but the scaffolding had been moved aside and the painting was ablaze with harsh fluorescent lights. Chiara turned to watch Gabriel’s approach. Shamron’s hooded gaze remained fixed on the painting.
“You know something, Gabriel, even I have to admit it’s beautiful.”
The old man’s tone was grudging. Shamron, an Israeli primitive, had no use for art or entertainment of any kind. He saw beauty only in a perfectly conceived operation or the destruction of an enemy. But Gabriel took note of something else-the fact that Shamron had just spoken to him in Hebrew and committed the unpardonable sin of uttering his real name in an insecure location.
“Beautiful,” he repeated, then he turned to Gabriel and smiled sadly. “It’s a pity you’ll never be able to finish it.”
4 VENICE
SHAMRON EASED HIS BODY WEARILY ONTO A CHURCH pew and, with a liver-spotted hand, motioned for Gabriel to adjust the angle of the fluorescent lights. From a metal briefcase he removed a manila envelope and from the envelope three photographs. He placed the first wordlessly into Gabriel’s outstretched hand. Gabriel looked down and saw himself walking in the Campo di Ghetto Nuovo with Chiara at his side. He examined the image calmly, as if it was a painting in need of restoration, and tried to determine when it had been taken. Their clothing, the sharp contrast of the afternoon light, and the dead leaves on the paving stones of the square suggested late autumn. Shamron held up a second photo-Gabriel and Chiara again, this time in a restaurant not far from their house in Cannaregio. The third photograph, Gabriel leaving the Church of San Giovanni Crisostomo, turned his spinal cord to ice. How many times? he wondered. How many times had an assassin been waiting in the campo when he left work for the night?
“It couldn’t last forever,” Shamron said. “Eventually they were going to find you here. You’ve made too many enemies over the years. We both have.”
Gabriel handed the photographs back to Shamron. Chiara sat down next to him. In this setting, in this light, she reminded Gabriel of Raphael’s Alba Madonna. Her hair, dark and curly and shimmering with highlights of chestnut and auburn, was clasped at the nape of her neck and spilled riotously about her shoulders. Her skin was olive and luminous. Her eyes, deep brown with flecks of gold, shone in the lamplight. They tended to change color with her mood. Gabriel, in Chiara’s dark gaze, could see there was more bad news to come.
Shamron reached into the briefcase a second time. “This is a dossier, summarizing your career, uncomfortably accurate, I’m afraid.” He paused. “Seeing one’s entire life reduced to a succession of deaths can be difficult. Are you sure you want to read it?”
Gabriel held out his hand. Shamron had not bothered to have the dossier translated from Arabic into Hebrew. The Jezreel Valley contained many Arab towns and villages. Gabriel’s Arabic, while not fluent, was good enough to read a recitation of his own professional exploits.
Shamron was right-somehow his enemies had managed to assemble a tellingly complete account of his career. The dossier referred to Gabriel by his real name. The date of his recruitment was correct, as was the reason, though it credited him with killing eight members of Black September when in truth he had killed only six. Several pages were devoted to Gabriel’s assassination of Khalil el-Wazir, the PLO’s second-in-command, better known by his nom de guerre Abu Jihad. Gabriel had killed him inside his seaside villa in Tunis in 1988. The description of the operation had been provided by Abu Jihad’s wife, Umm Jihad, who had been present that night. The entry for Vienna was terse and noteworthy for its one glaring factual error: Wife and son killed by car bomb, Vienna, January 1991. Reprisal ordered by Abu Amar. Abu Amar was none other than Yasir Arafat. Gabriel had always suspected Arafat’s personal involvement. Until now he had never seen evidence confirming it.
He held up the pages of the dossier. “Where did you get this?”
“ Milan,” Shamron said. He then told Gabriel about the raid on the pensione and the computer disk found in one of the suspects’ bags. “When the Italians couldn’t break the security code, they turned to us. I suppose we should consider ourselves fortunate. If they’d been able to get inside that disk they would have been able to solve a thirty-year-old Roman murder in a matter of minutes.”
Contained in the dossier was the fact that he had killed a Black September operative named Wadal Abdel Zwaiter in a Rome apartment house in 1972. It was that killing, Gabriel’s first, which had caused his temples to gray virtually overnight. He handed the dossier back to Shamron.
“What do we know about the men who were hiding in that pensione?”
“Based on fingerprints discovered on the material and in the room, along with the photos in the false passports, we’ve managed to identify one of them. His name is Daoud Hadawi, a Palestinian, born in the Jenin refugee camp. He was a ringleader during the first intifada and was in and out of prison. At seventeen he joined Fatah, and when Arafat came to Gaza after Oslo, Hadawi went to work for Al-Amn Al-Ra’isah, the Presidential Security Service. You may know that organization by its previous name, the name it used before Oslo: Force 17, Arafat’s praetorian guard. Arafat’s favorite killers.”
“What else do we know about Hadawi?”
Shamron reached into his coat pocket for his cigarettes. Gabriel stopped him and explained that the smoke was harmful to the paintings. Shamron sighed and carried on with his briefing.
“We were convinced he was involved in terror operations during the second intifada. We placed him on a list of wanted suspects, but the Palestinian Authority refused to hand him over. We assumed he was hiding inside the Mukata with Arafat and the rest of the senior men.” The Mukata was the name of Arafat’s walled, militarized compound in Ramallah. “But when we smashed into the Mukata during Operation Defense Shield, Hadawi was not among the men we found hiding there.”
“Where was he?”
“Shabak and Aman assumed he’d fled to Jordan or Lebanon. They turned the case file over to the Office. Unfortunately, locating Hadawi was not high on Lev’s list of priorities. It turned out to be a very costly mistake.”
“Is Hadawi still a member of Force 17?”
“Unclear.”
“Does he still have links to Arafat?”
“We simply don’t know yet.”
“Does Shabak think Hadawi was capable of pulling off something like this?”
“Not really. He was considered a foot soldier, not a mastermind. Rome was planned and executed by a class act. Someone very smart. Someone capable of pulling off a shocking act of terrorism on the world stage. Someone with experience in this sort of thing.”